12 December 2017

Chase Rice completes first UK & Ireland tour to critical acclaim

Nashville based country singer-songwriter Chase Rice, whose new album ‘Lambs & Lions’ was released in November to much acclaim from both fans and critics, last week completed his first ever tour of the UK & Ireland, playing to sellout crowds across Glasgow, Manchester, Birmingham, London and Dublin. Audiences were treated to a rare solo acoustic performance from the star, with songs from the new album, along with picks from further back in his catalogue, including fan favourite ‘Carolina Can’ and a version of the Florida Georgia Line hit ‘Cruise’, which Rice co-wrote. In his own words: “The fans that came out to the shows sang every word to every song, including album cuts from ‘Lambs & Lions’ which is only a couple weeks old. Europe and the UK have true-to-the-core country music fans, and they genuinely blew our minds. Thank you for showing up and singing with us. The band and I are already planning our next tour as that was unreal!” Among the positive reviews already stacking up for the tour, popular country website Nashville Over Here said “if you wanted an artist to get the party started, you’d be hard pressed to find one better than Chase”; while Entertainment Focus noted “it won’t be long before he’s selling out much bigger venues here”. Rice reassured British & Irish fans he’d be back as soon as possible, with his full band. The new album ‘Lambs & Lions’ is out now on BBR/BMG, with lead single ‘Three Chords and The Truth’ gaining traction at radio on both sides of the pond. The ten songs on Lambs & Lions derive from Rice’s life and experience, triumphs and disappointments, and ultimately his determination to stand up for his convictions. Produced by Chris DeStefano, Mac MacAnally and, most surprisingly, Jacquire King (Kings of Leon, Cold War Kids), Lambs & Lions offers up sounds from the unsettling strings and horns on the title track to the spare piano and swelling choir of “Amen.” And if it took him walking out on his record company and finding a new home to get there, it also reflects the unconventional path that led him to make music in the first place. Born in Florida and raised on a farm in Asheville, North Carolina, Rice was a promising linebacker at the University of North Carolina. “Football wired me for the rest of my life,” he says, “including in some wrong ways. So, I’ve had to learn to be more sensitive and when to be more aggressive. It’s a focus you carry on to everything you do in life.” Encouraged by his father, he began playing guitar and writing songs in college. After his father died and an injury ended his football career, music became his solace during a period of depression. (The slogan he took to writing inside the brim of his baseball caps, “HDEU,” served as a reminder to keep his head down, working, but his eyes up, looking forward to the future—and now inspires his clothing company, Head Down Eyes Up.) After college, Rice was selected as a NASCAR pit crew member, winning two championships with the Lowes teams, and then took time away to escape. But his heart never left music, and he knew he had to take his shot at Nashville. Soon after arriving, he was part of the team that wrote Florida Georgia Line’s smash “Cruise,” which went on to be certified Platinum with over 10 million in sales. After a couple of independent album releases of his own, Rice signed a major label deal. It was the peak moment for country songs about girls, trucks, and parties, and the Ignite the Night album spun off several hit singles, including the platinum “Ready Set Roll” and gold “Gonna Wanna Tonight.” Rice still feels connected to this work. “I can still completely relate to those songs,” he says. “I’m still proud of that record. It got people to come to the shows, put me on a farm I otherwise would never have, and made me into the artist I am today.

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Dartington International Summer School & Festival announces 70th anniversary programme

In celebration of Dartington International’s 70th anniversary in 2018, an extraordinary programme of courses and concerts open for everyone has been organised. World-class musicians and singers from the worlds of classical, folk, jazz, Latin and contemporary music come together. The full concert programme of over 100 concerts, open to the general public, will be announced in early 2018. They offer an opportunity to listen to unique concerts and collaborations in the atmospheric surroundings of the medieval Great Hall.   The month-long festival includes a whole week of Folk (4 – 11 August) and will be rich with opportunities to explore and practice with experienced musicians. Each course runs for the whole week, so you are able to immerse yourself from breakfast until late – or break it up with a walk on the moor or a creative writing course with James Runcie, acclaimed novelist and commissioning editor for Arts at Radio 4, or Katrina Porteous, a poet known for her love of landscape and music.   Singer, instrumentalist, composer and choir leader Sally Davies offers her extensive experience in folk and world music by leading a Folk Choir course. The Cecil Sharp House folk choir director will rehearse folk songs from England and Eastern Europe, in spine-tingling a cappella harmony, in preparation for a concert later in the week. Paul Hutchinson, another regular tutor at Cecil Sharp House, leads an accordion workshop where players at all levels are welcome. Sally and Paul also collaborate in a relaxed workshop offering guidance and advice to bring folk performances to life – ready for the folk sessions in The White Hart Bar.   Founder of the folk/early music group The Carnival Band, Andy Watts explores street ballads and dance music from the 17th and 18th centuries, challenging artificial categories to create and exchange new music. Folk, Baroque and modern instrumentalists are encouraged to join the Folk Baroque workshop an exciting chance for musical innovation.   David Harbottle and Freya Jonas, recipients of plaudits from folk royalty including Seth Lakeman and Jon Boden, lead As I Walked Out One Morning, a folk class offering eclectic music accompanied by captivating stories. They’ll open up a space for participants to rehearse traditional tunes and arrangements, as well as new collaborations. Week 2 finishes with our traditional foot-stomping Ceildh, led this year by the Blue Jewel Band.   In Week 4 (18 – 25 August) The Dead Rat Orchestra returns to Dartington after sell out courses last summer.  They’ve gained a reputation as one of the most innovative ensembles – raw, elemental and poignant with a love of idiosyncratic folk traditions. Their course will use found objects, old instruments and analogue systems to create multimedia installations all over the beautiful estate, culminating in a nocturnal touch-lit promenade at the end of the week.   The Summer School & Festival is well known for its extraordinary courses, providing a unique and immersive experience for musicians of all levels of learning, talent and skill. It is renowned for offering amateurs, students and young professionals a unique opportunity to play with the world’s leading musicians – and offers the space to established artists to experiment, and explore new collaborations.   Joanna MacGregor, Artistic Director says: “Dartington is a place of shimmering beauty, and its world-famous Summer School is 70 years young this year – proudly contributing to the creative life of this country. We have a packed programme of celebratory events in 2018 – from photographic exhibitions to illustrated lectures, film archives, music and theatre. The Summer School & Festival creates a community of all ages and backgrounds, coming together in a fantastic atmosphere of study and friendship, celebration and performance. The opportunity to work with, learn from, see and hear some of our most talented musicians is second to none.“   Booking opens in early December 2017.

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