Maverick Country

C2C announces partnership with Dolly Parton’s Imagination Library UK

Country To Country Festival has announced a new partnership with Dolly Parton’s Imagination Library UK to support its work providing free books to young children. Announced to mark Give Like Dolly Day on 25 September, the partnership will see money from every C2C 2027 day and weekend ticket directed towards the early childhood book gifting programme. C2C tickets to support free books Under the initiative, £1 will be added to every C2C 2027 day ticket and £2 to every weekend ticket, subject to taxes and performing rights society charges. All proceeds will go directly to Dolly Parton’s Imagination Library, which provides children from birth to the age of five with a free, age appropriate book every month. C2C 2027 will take place from 12 to 14 March at The O2 in London, the OVO Hydro in Glasgow and Manchester’s AO Arena. Across the three-day festival, organisers expect to welcome almost 90,000 country music fans. Partnership marks Give Like Dolly Day Give Like Dolly Day is a global celebration inspired by Parton’s commitment to giving back, encouraging individuals and organisations to support causes that are important to them. Clare Cook, Director of Fundraising and Communications at The Dollywood Foundation UK, said: “We are absolutely delighted that C2C has chosen to support Dolly Parton’s Imagination Library. “Dolly’s music means so much to the country music community, and it feels incredibly special to have C2C and its fans helping to continue another important part of her legacy.” C2C community backs reading programme Jack Dowling (SJM Concerts) and Rachel Lloyd (AEG Presents) added “The work of Dolly Parton’s Imagination Library has created a legacy that will be felt for generations to come. “As one of country music’s most influential figures, Dolly has always championed giving back, and we’re proud that the C2C community can help play a part in supporting this inspiring programme that will benefit children in the UK.” Imagination Library reaches thousands of UK children Dolly Parton’s Imagination Library was launched in 1995 after Parton was inspired by her father’s inability to read and write. The programme began in her home county of Sevier County, Tennessee, before expanding internationally. The first Imagination Library book was gifted in the UK in 2008. The programme now reaches almost 90,000 children in the UK each month. Books are selected according to age before being individually addressed and posted directly to participating children at no cost to their families. Globally, the programme has gifted more than 300 million books to children across the UK, United States, Canada, Australia and Republic of Ireland, with more than three million books currently posted each month. The new C2C partnership will use the country music festival’s audience to provide further support for that work, connecting Parton’s musical legacy with her longstanding commitment to childhood literacy.

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Pittsburgh, Pennsylvania country singer songwriter Ashley Puckett is preparing to release her latest single, “Stone Cold Broken Heart". maverick-country.com

Ashley Puckett to release new single “Stone Cold Broken Heart”

News / Editor

Pittsburgh, Pennsylvania country singer songwriter Ashley Puckett is preparing to release her latest single, “Stone Cold Broken Heart”, continuing a run of music built around personal storytelling and contemporary country production. The forthcoming track will place heartbreak at its centre, exploring the emotional aftermath of a relationship while drawing on Puckett’s established combination of vulnerability and resilience. New single explores heartbreak “Stone Cold Broken Heart” continues Puckett’s focus on relatable experiences including love, loyalty, disappointment and overcoming difficult moments. The song follows her previous release, “Anchor”, and represents another step in a catalogue that combines traditional country influences with a modern approach. Puckett first introduced her music to a wider audience with her debut album, “Never Say Never”, establishing an approach centred on country storytelling and accessible melodies. Ashley Puckett builds country radio success Since the release of her debut album, Puckett has continued to develop her profile as an independent country artist. Her single “Tequila” reached the Top 80 of the MusicRow CountryBreakout Radio Chart, providing the Pennsylvania singer songwriter with further exposure across American country radio. The achievement added momentum to Puckett’s growing catalogue as she continued releasing new material and expanding her audience. Adam Ernst returns as producer For “Stone Cold Broken Heart”, Puckett has again worked with producer Adam Ernst, who also collaborated with her on “Anchor”. Ernst’s previous credits include work connected with country artists Bailey Zimmerman, Mickey Guyton and Chase Matthew. His contemporary production background provides a complement to Puckett’s more traditional country foundations and emotionally direct songwriting. A new chapter for Ashley Puckett Heartbreak has long provided fertile ground for country songwriting, and “Stone Cold Broken Heart” sees Puckett returning to that tradition while approaching the subject through her own perspective. Rather than presenting romantic disappointment solely as defeat, Puckett’s songwriting frequently combines sadness with determination, allowing vulnerability and strength to sit alongside one another.

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Logan Mac Makes His Wembley Mark

Live Events / Editor

There was already a sense of occasion around Wembley Stadium on Saturday as the first Union Jack Classic brought American football to one of the world’s most recognisable sporting venues. For Maverick Senior Editor, Joseph Clarke, however, one of the most interesting parts of the day came away from the action itself, when rising American artist Logan Mac stepped out to perform at half-time. Joseph had the opportunity to interview Logan shortly afterwards, and what became clear very quickly was just how significant the performance had been for him. “This was an artist who told me that, only two years ago, he had never performed in front of an audience. Before Wembley, the largest crowd he had played to was around 1,000 people. Suddenly, he was walking out into one of the biggest stadiums in world sport.” Joseph explains Even the British weather wanted to play a part, with rain arriving around the time of his performance. Yet, rather than allowing the scale of the occasion or the conditions to overwhelm him, Logan looked increasingly comfortable as his set developed. “From where I was watching, there was an honesty to the performance that suited both Logan and his music. He did not appear to be trying too hard to manufacture a ‘stadium moment’. Instead, the songs, his voice and his personality were allowed to do the work.” Finding his place at Wembley “Perhaps the biggest compliment I can give Logan is that the size of Wembley did not seem to swallow him up. “There was something refreshingly uncomplicated about his performance. He looked like an artist enjoying an enormous opportunity rather than someone intimidated by it, and the reaction as he left the field suggested the crowd had connected with him too.” Joseph adds Logan admitted afterwards that he had surprised himself. It was also striking how much he appreciated everything surrounding the performance. From the sound team to those helping backstage – even somebody wiping the rain from his guitar – he repeatedly described his Wembley experience as “top-notch”. Where does Logan go next? Wembley arrives during what appears to be a rapidly changing period for Logan. He explained how his social media following has been growing quickly, while several recent shows have sold out. His music remains deeply personal. Family is a major inspiration, while his songwriting frequently draws on his own experiences, relationships, loss and the place he comes from. That vulnerability is perhaps part of what makes the songs connect. One track particularly important to him is ‘Memories’, which began as a song about his late father. Logan described it as comfortably his favourite song on the record and one he still looks forward to performing every night. Following Wembley, his attention turns to further UK appearances, including shows at The Black Horse, Country Café and Half Moon. The smaller listening-room environment remains important to him because it gives him the opportunity to explain the stories behind the songs and show more of his personality. Keep your eyes peeled for Logan’s full interview!

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Singer songwriter Stephanie Rabus has released the official music video for her latest single, “Payback’s A Beach”, following its premiere with RFD TV. maverick-country.com

Stephanie Rabus releases “Payback’s A Beach” music video

News / Editor

Singer songwriter Stephanie Rabus has released the official music video for her latest single, “Payback’s A Beach”, following its premiere with RFD TV. Written by Rabus alongside Mark Roma and Corey Lee Barker, the upbeat track puts a playful twist on heartbreak and betrayal, replacing post breakup sadness with sunshine, margaritas and a trip to Cabo. “Payback’s A Beach” puts fun spin on heartbreak Rather than dwelling on a relationship that has gone wrong, “Payback’s A Beach” focuses on moving forward and enjoying life after discovering a partner has been unfaithful. The song takes its central idea from the familiar phrase about payback, transforming it into a beach-themed breakup anthem filled with ocean views, cabana boys and a carefree attitude. “My dad calls this song ‘Calypso Country’,” Rabus says. “It’s a fun summer song that also happens to be a breakup song, with margaritas, cabana boys, and a carefree attitude that says nothing, not even a breakup, is going to ruin your day.” Stephanie Rabus embraces “Calypso Country” The tropical setting gives the breakup song a lighthearted character, with Rabus using a holiday in Cabo as the backdrop for leaving a failed relationship behind. “There’s something about a million dollar ocean view that resonates with just about everyone, because the ocean really is the cure to almost everything,” Rabus says. With summer drawing to a close, the singer wanted the release to provide one final taste of the season. “I know summer is coming to an end, but I wanted to give everyone one more fun, familiar taste of summer before we head straight into pumpkin spice everything! I hope you enjoy!” New video premieres with RFD TV The official video for “Payback’s A Beach” premiered with RFD TV and accompanies a song built around independence, confidence and finding happiness after heartbreak. Its lyrics see Rabus ignoring missed calls while enjoying the sunshine and accepting that she knows what her former partner has been doing. Instead of allowing the betrayal to ruin her day, she embraces her surroundings and turns the situation into her own form of lighthearted revenge. Rabus builds Nashville music career Now based in Nashville, Rabus continues to perform throughout Music City alongside selected appearances outside Tennessee. Her songwriting draws heavily from personal experiences, combining country storytelling with elements of pop, soul and rock. Originally from St. Louis, Missouri, Rabus discovered her passion for singing at an early age. After spending several years in Arizona with her family, music became a way of building confidence while she navigated childhood health challenges and insecurities. Her parents first recognised her vocal ability when she spontaneously sang “Part of Your World” from “The Little Mermaid”, leading to years of vocal practice, school talent shows and choir performances. From St. Louis to Nashville At 21, Rabus joined her first band, with her father playing drums. Her musical journey later led her to the St. Louis-based band Borderline before she began developing her career as a solo artist. She now divides her time between Nashville and St. Louis while continuing to expand her audience. Rabus cites Martina McBride, Shania Twain, Whitney Houston, Kelly Clarkson, Pat Benatar and Evanescence among her musical influences, reflecting the country, pop, soul and rock elements found throughout her own music. During her career, she has shared stages with artists including Bryan White, Toby Keith, Lonestar, Little Texas, Lee Brice, Cassadee Pope, Tyler Farr and Lindsey Ell.

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Blast from the Past: Hank Williams

Blast From The Past / Editor

On 17 September, country music fans will mark what would have been the 103rd birthday of Hank Williams, an artist whose remarkably short life produced one of the most influential catalogues in the genre’s history. More than seven decades after his death, Williams’s songs of heartbreak, loneliness, love and faith remain fundamental to country music. Hank Williams grows up in Alabama Hiram King Williams was born on 17 September 1923 in Mount Olive, Alabama, and experienced considerable hardship during his childhood. Williams was born with spina bifida occulta, which contributed to lifelong back pain and would later play a role in his dependence on alcohol and medication. Music offered another direction. As a young man, Williams learned from African American blues musician Rufus Payne, known as Tee Tot, whose influence helped shape his distinctive approach to rhythm and performance. By his teenage years, Williams was performing publicly and eventually formed his backing group, the Drifting Cowboys. Nashville success transforms his career Williams signed with MGM Records in 1947 and soon began establishing himself nationally. “Move It on Over” became an early success, but “Lovesick Blues” transformed his career after its release in 1949. The recording became a major hit and helped earn Williams a place at the Grand Ole Opry. More classics followed, including “Why Don’t You Love Me”, “Long Gone Lonesome Blues”, “Cold, Cold Heart”, “Hey, Good Lookin’” and “Jambalaya (On the Bayou)”. Williams possessed an extraordinary ability to make simple language emotionally powerful. His songs frequently addressed relationships, rejection and loneliness without losing the directness that made them accessible to a broad audience. Heartbreak shapes Hank Williams songs Williams’s personal life was often as turbulent as the stories contained within his music. His marriage to Audrey Sheppard was particularly significant, with their difficult relationship influencing both his personal and professional life. The couple had a son, Hank Williams Jr., who would later establish his own major country music career. Behind Williams’s growing fame were increasingly serious problems with alcohol, prescription drugs and chronic pain. His unreliability eventually damaged professional relationships, and he was dismissed from the Grand Ole Opry in 1952. Hank Williams dies aged 29 Williams’s life ended with shocking suddenness. While travelling to a scheduled performance in Canton, Ohio, Williams died in the back seat of a Cadillac during the early hours of 1 January 1953. He was just 29 years old. Despite his brief career, the songs continued. “Your Cheatin’ Heart”, recorded before his death, became one of his defining posthumous releases and remains among the most recognisable heartbreak songs in country music history. Hank Williams leaves lasting legacy Williams was inducted into the Country Music Hall of Fame in 1961 and has subsequently received recognition extending far beyond country music. His songwriting influenced generations of country, rock, folk and Americana performers, while recordings such as “I’m So Lonesome I Could Cry” continue to demonstrate the emotional simplicity that made his work so distinctive. Artists have changed, production has evolved and country music has expanded dramatically since Williams first stepped onto the Grand Ole Opry stage. Yet the themes at the heart of his songs remain remarkably familiar. As what would have been his 103rd birthday approaches, Hank Williams remains more than a historical figure. His music helped establish the language of modern country songwriting, and more than 70 years after his death, artists are still speaking it.

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Beyond Nashville: Kaylee Bell

Beyond Nashville, Live Events / Editor

Award-winning New Zealand country artist Kaylee Bell will return to the UK this November, joining The Shires as support on their 13-date UK tour. The Waimate-born singer songwriter will appear at shows across the country, including dates in London, Manchester, Birmingham and Glasgow, as she continues to build her international career. Kaylee Bell joins The Shires UK tour Bell heads back to the UK following another significant year that has seen her achieve a series of career milestones across New Zealand, Australia and Nashville. Holding the title of Australasia’s Most Streamed Female Country Artist for five consecutive years, Bell has accumulated more than 100 million catalogue streams and has previously shared stages with Ed Sheeran, Keith Urban and Kane Brown. Her international breakthrough came with “Keith”, her tribute to Keith Urban. The track has surpassed 30 million streams on Spotify and generated more than 60 million views on TikTok. Bell celebrates international success In 2023, Bell became the only New Zealand artist to win a CMA Award when she received the Jeff Walker Global Country Music Artist Award in Nashville. Her recognition has continued in 2026. Earlier this year, Bell performed at the sold out Once In A Lifetime concert, which welcomed 37,000 people to the first ever show at Christchurch’s One New Zealand Stadium. She was also inducted into the NZ Gold Guitar Awards Hands of Fame, recognising her contribution to New Zealand country music. Bell subsequently received five Aotearoa Music Awards nominations, including Album of the Year and Best Country Artist. CMA Fest delivers another milestone Bell made further history in June when she became the first female artist from Australia or New Zealand to be featured on the CMA Close Up Stage. Her CMA Fest appearance in Nashville saw her take part in a special discussion hosted by Apple Music Country’s Ty Bentli. The achievement followed an increasingly international career that has taken Bell from her hometown of Waimate to some of country music’s biggest stages. “Boots N All” builds New Zealand success Bell’s recent achievements follow the success of her NZ Gold certified single “Boots N All”, which reached No. 1 on the NZ Hot Singles Chart. The song helped lead into her first headline New Zealand tour, which sold more than 10,000 tickets across 17 dates. Her album “Nights Like This” debuted at No. 1 on the New Zealand Album Chart, while her 2025 record “Cowboy Up” entered the Aotearoa Top 20 Album Chart at No. 2. Bell has also performed to large audiences at Australia’s CMC Rocks. “Me For Me” explores waiting for love Alongside her touring success, Bell has recently released her new single, “Me For Me”. Co-written with Phoebe Jasper and Tom Jordan, the track explores choosing to wait for the right relationship rather than settling for something that does not feel right. “We wrote it over summer while Phoebe was back from London, where she is a full time songwriter, and Tom was back from Nashville,” Bell explains. “We wanted to write a love song about waiting for your person so that you’re not settling for less. It’s basically about finding your person later in life after waiting, something a lot of my friends and women I know can relate to.” Bell says the song reflects the changing attitudes surrounding relationships and the pressure to find a partner. “It’s that age old story that, these days, you’re better off being on your own than settling and ending up disappointed.” Kaylee Bell returns to UK in November Bell will now bring her music back to British audiences when she joins The Shires for their 13 date UK tour this November. The shows add another international chapter to a career that has already delivered more than 100 million catalogue streams, chart topping releases, major awards and performances alongside some of country music’s biggest names.

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Dan Jones wins Song of the Year at UK Country Music Awards

News / Editor

Shropshire country artist Dan Jones has won Song of the Year at the UK Country Music Awards for his original track, “One More Whiskey for the Road”. The guitarist and singer songwriter travelled to Derby for the awards ceremony, where he performed the nominated song live before it was announced as the winner later that evening. “One More Whiskey for the Road” wins award Jones, who is also a member of a Luke Combs UK tribute act, said winning the award came as a complete surprise. He said: “I was totally blown away to win, I did not expect anything. I was just happy to attend the awards and perform my song, but to come away having won the award was just fantastic.” Jones was also pictured at the ceremony alongside Allan Watkiss of UK Country Radio. Dan Jones builds original country catalogue The award represents another milestone for Jones as he continues developing his career as an independent country artist. “One More Whiskey for the Road” forms part of a growing catalogue of original material from the Shropshire singer songwriter, which also includes the single “Brother of Mine”. Alongside writing and performing his own music, Jones documents his journey as an independent country artist online, where he has developed a following among country music fans across the UK and Ireland. Shropshire musician combines teaching and performing Away from his own recording and performing career, Jones teaches guitar at the Dan Jones Guitar School on Stafford Park in Telford. He also works as a specialist music tutor for Telford & Wrekin Music Service, teaching across schools in the local area. His Song of the Year victory now adds national recognition to a career combining songwriting, live performance and music education. UK Country Music Awards celebrate homegrown talent The UK Country Music Awards recognise artists and individuals from across the country’s growing country music community, celebrating achievements in songwriting, performance and contributions to the genre. For Jones, the recognition of “One More Whiskey for the Road” marks a significant moment as he continues to build his profile within the independent UK country music scene.

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Ella Langley earns nine CMA Awards nominations

News / Editor

Ella Langley has reached another major career milestone after receiving nine nominations at the 2026 CMA Awards, as the global success of “Choosin’ Texas” continues. The nominations see Langley recognised in every category for which she is eligible and equal the record for the most CMA Awards nominations received by a female artist in a single year. Ella Langley earns nine CMA nominations Langley is nominated for Entertainer of the Year, Female Vocalist of the Year and Album of the Year for “Dandelion”. Both “Choosin’ Texas” and “Be Her” have earned nominations for Single of the Year and Song of the Year, while “Choosin’ Texas” is also nominated for Music Video of the Year. Her collaboration with Morgan Wallen, “I Can’t Love You Anymore”, completes the list with a Musical Event of the Year nomination. The winners will be announced at the CMA Awards ceremony on 18 November at Bridgestone Arena in Nashville. “Choosin’ Texas” continues chart dominance The nominations arrive as “Choosin’ Texas” continues its international success. The single topped the UK Official Singles Chart earlier this month and has now spent its 11th consecutive week, and 21st week overall, at No. 1 on the Billboard Hot 100. Worldwide streams for “Choosin’ Texas” have exceeded 1.6 billion, while its lyric video has reached 90 million views on YouTube. The Platinum certified single has also surpassed 700,000 UK sales. “Dandelion” drives UK breakthrough Langley’s success with “Choosin’ Texas” has helped establish 2026 as a breakthrough year for the singer songwriter in the UK. Her debut album, “Dandelion”, entered the UK chart at No. 7 following its release in April and has since been certified Silver, with more than 200,000 sales. The record has also produced the Top 30 hit “Be Her”, which has achieved Silver certification, alongside further chart success for “Bottom of Your Boots” and the Morgan Wallen collaboration “I Can’t Love You Anymore”. Langley’s earlier catalogue has also experienced renewed attention during 2026. “You Look Like You Love Me” has received Gold certification, while “Weren’t For The Wind” has been certified Silver. “Dandelion” reaches No. 1 in America Released through SAWGOD and Columbia Records, “Dandelion” was executive produced by Langley alongside Miranda Lambert and Ben West. The album represents Langley’s most personal body of work to date, with its title using the dandelion as a symbol of identity, independence, resilience and freedom. Across the record, Langley combines personal storytelling with themes intended to connect with wider experiences, reflecting a growing confidence in her songwriting. “Dandelion” reached No. 1 on both the Billboard 200 and Top Country Albums charts and has earned RIAA Platinum certification. Ella Langley continues “Dandelion” tour Langley is currently on the second leg of her North American “Dandelion” tour. The run includes a series of arena and amphitheatre performances and will continue through to the end of October. With nine CMA Awards nominations, major chart achievements on both sides of the Atlantic and more than 1.6 billion streams for “Choosin’ Texas” alone, Langley continues a landmark year ahead of the CMA Awards in Nashville on 18 November.

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Beyond Nashville: Fanny Lumsden

Beyond Nashville / Editor

Award winning Australian singer songwriter Fanny Lumsden will release her fifth studio album, “Traditions”, on 30 October. The 11-track collection explores family, identity, belonging and the traditions that shape people across generations, while examining how those traditions can evolve as lives and values change. “Traditions” explores family and identity For Lumsden, the album emerged from her changing relationship with tradition as she has grown older and considered her own position within a farming family. “As I’ve got older, I’ve begun to realise the value and meaning that can come from traditions, however what I’m still learning is how to balance the ideas of who I am, with those traditions and that they are all allowed to change as we go,” she explains. Lumsden acknowledges that traditions and families can be complicated, particularly when inherited customs are viewed through a modern perspective. “There is more to traditions than being steadfast, I think I’m discovering the movement and change they need to survive,” she says. The record ultimately considers how Lumsden can balance her own autonomy and ambitions with the traditions of her farming family, while recognising that some customs can evolve and others may need to be left behind. “Mother’s Eyes” offers personal reflection Alongside previous single “Difficult Woman”, the album features the new track “Mother’s Eyes”, which looks at Lumsden’s matriarchal bloodline while reflecting on ageing, appearance and self acceptance. “This song is a love letter to myself ultimately, that you’re going to question everything and your age but in the end when you look in the mirror it’s your mother’s eyes looking back and that can be enough,” Lumsden says. Musically, the track features pedal steel alongside banjo, creating a gentle backdrop for its reflective message. Paul Kelly joins “By The River” Another album highlight is “By The River”, featuring acclaimed Australian singer songwriter Paul Kelly. Lumsden has toured extensively with Kelly in recent years, including shows across the UK and Europe and his Australian arena tour. Kelly also provided inspiration for the song. While touring Europe last year, Lumsden sang harmonies on his deep cut “The Pretty Place”. She subsequently wrote “By The River” while staying beside a river in the Peak District. “In the song ‘The Pretty Place’, Paul somehow described the place that I always go in my mind when I imagine a safe place,” Lumsden explains. Rivers also carry strong associations with her own family traditions. “Going to the river is also a big tradition in my family. We are river rats through and through and we always seek a river out, so a river song was always going to come at some point,” she says. Lumsden added that she was “unbelievably grateful and awed” that Kelly agreed to sing her lyrics. Fanny Lumsden plans UK return Lumsden will tour Australia around the release of “Traditions”, while UK and European dates are planned for 2027. The forthcoming album follows another period of international activity for the Australian artist. Since making her Glastonbury Festival debut in 2023, Lumsden and her band have returned to the UK and Ireland five times in two and a half years. Her appearances have included The Long Road, Beautiful Days and C2C, while the BBC selected her for its live coverage of Belladrum Festival. She has also opened arena dates for Paul Kelly alongside Lucinda Williams and was selected by Rob Thomas of Matchbox Twenty to support three sold out shows at Sydney’s Enmore Theatre. During 2025, Lumsden headlined Australian festivals including Bluesfest, Savannah in the Round, Tamworth Country Music Festival and Big Red Bash. Lumsden builds career from rural Australia Raised on a sheep farm in regional Australia, Lumsden built her career through grassroots touring, including hundreds of performances in country halls across rural Australia. She is a two time ARIA Award winner, ten time CMAA Award winner and three time AIR Award winner.

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Pam Ross announces new single “Lost in Heaven”

News / Editor

Award winning singer songwriter Pam Ross will release her new single, “Lost in Heaven”, on 11 September 2026, bringing together country storytelling, Southern rock energy and Americana influences. The new track explores the intoxicating feeling of becoming completely absorbed in the presence of someone irresistible, using a vivid Southern setting to tell the story of an unforgettable night. “Lost in Heaven” explores attraction Set against a backdrop of towering pines, stars and a full moon, “Lost in Heaven” follows two people surrendering to their attraction as the world around them seemingly disappears. Ross establishes the song’s playful and sensual atmosphere through images of loud music, faded jeans and dancing, alongside an attraction described as “hotter than a day in late June”. The track builds towards a soaring central hook while maintaining the emotionally direct songwriting that has become a feature of Ross’s work. Pam Ross blends country and Southern rock “Lost in Heaven” continues Ross’s approach to making music without being restricted to a single genre. Her sound draws on country, rock, Americana and roots traditions, combining accessible songwriting with rock influenced instrumentation and memorable hooks. That versatility earned Ross the Female Multi Genre Artist of the Year title at the 2024 Josie Music Awards, further establishing her reputation as an independent voice within contemporary roots music. Ross builds live music career Alongside her work as a songwriter, Ross has performed on stages across the United States, including appearances in Nashville. She has also performed at Austin’s South by Southwest music festival. Her catalogue regularly combines muscular instrumentation with personal and emotionally direct songwriting, moving between intimate material and guitar driven anthems. New single arrives in September With its flirtatious lyrics and Southern imagery, “Lost in Heaven” captures the excitement of a night when everything beyond two people appears to fade into the background. The track has been created with warm nights, open roads and crowded dance floors in mind, while continuing Ross’s combination of relatable storytelling, country influences and rock and roll spirit. “Lost in Heaven” will be released on 11 September 2026 and will be available through Spotify, Apple Music, Amazon Music and other major digital platforms.

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