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Four-time Grammy-Award winner Shooter Jennings has announced the release of "Diamonds", a brand new album featuring previously unheard recordings by his legendary father, Waylon Jennings. maverickcountry.com

Shooter Jennings unveils lost Waylon Jennings recordings

Four-time Grammy-Award winner Shooter Jennings has announced the release of “Diamonds”, a brand new album featuring previously unheard recordings by his legendary father, Waylon Jennings. The album marks the second instalment in a planned series of archival releases, following the critically acclaimed “Songbird”, and gives fans another opportunity to hear music that remained undiscovered for decades. “Diamonds” features a surprise appearance from Glen Campbell One of the album’s biggest revelations is the discovery of a recording featuring the late country music legend Glen Campbell. According to Shooter Jennings, the song surfaced while he was sorting through multiple recording sessions from his father’s archives. Initially puzzled by the distinctive guitar sound, he eventually realised Campbell had joined Waylon Jennings in the studio during a late-night recording session in December 1978. The recording also features members of Waylon’s long-time backing band, The Waylors, including Gordon Payne, Jerry Bridges, Carter Robertson, Barney Robertson and Rance Wasson. Reflecting on the discovery, Shooter said the track quickly became one of his favourite recordings his father ever made and inspired the creation of an entire album centred around it. “Diamonds” follows the success of “Songbird” The announcement comes after the release of “Songbird” last year, the first collection of newly unearthed Waylon Jennings recordings. The album received widespread praise from critics, earning positive reviews from various publications. The success of “Songbird” demonstrated the continued appetite for previously unreleased material from one of country music’s most influential artists. Waylon Jennings’ “Diamonds” release date Physical editions of Diamonds, including CD, vinyl, cassette and digital download formats, will be released on 13 November. The album will then become available to stream across all major digital platforms on 11 December via Son of Jessi and Thirty Tigers.

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Rachael Sage & The Sequins maverick-country.com

Rachael Sage & The Sequins released music video for “Nexus (Acoustic)”

NYC-based folk-pop artist and activist Rachael Sage, alongside her long-time band The Sequins have released the deeply moving and visually powerful music video for “Nexus (Acoustic)”. This is a newly reimagined, stripped-down version of the fan-beloved track from the critically acclaimed studio album “Canopy”, released last October via MPress Records. Featuring additional acoustic instrumentation and an intimate new arrangement, “Nexus (Acoustic)” is taken from Sage’s forthcoming acoustic album “Under My Canopy”. The original “Nexus” was released as a single ahead of “Canopy”. All proceeds were donated to The Trevor Project, the leading LGBTQ+ mental health and suicide prevention organisation. Written as a tribute to Nex Benedict, the nonbinary student who passed away after being beaten by school peers, “Nexus” is both a sobering and ultimately hopeful anthem for inclusivity, empathy, and collective resilience. The music video, directed with extraordinary intimacy and warmth by award-winning documentary filmmaker Nick Clark, breathes fresh life into that same powerful message. The music video The video opens on three flickering candles, a moment of stillness before the music begins. Rachael then walks out onto a stage adorned with sweeping red curtains, acoustic guitar in hand, joined by her band. As they begin to play, the atmosphere is tender and searching. One by one, a group of people enter the frame, each sitting down in silence. Between shots of Rachael and the band playing, we watch these individuals, visibly carrying something heavy, take long, anxious sighs before beginning to write on pieces of card. It is a quietly devastating sequence, capturing the inner world of people who have felt unseen, unsafe, or unworthy. The tone of the video begins to transform. One man starts applying drag make-up, his reflection a quiet act of reclamation. Others emerge in drag and more flamboyant, joyful clothing, an unfolding of identity that feels defiant. And the cards begin to change too. Picking up their pens again, people write new messages: “You are beautiful, never broken, I love you”, “You are the answer”, “Dream bigger, it’s more than you are”. As the music swells, Rachael steps down from the stage and joins the people around her, everyone smiling, glowing, finding themselves. It is a celebration of authentic identity, of community, and of the transformative power of being truly seen. Rachael Sage speaks out about the songs message Sage discusses the song, saying, “I wrote “Nexus” almost immediately after reading about nonbinary student Nex Benedict and the tragic story of their death. The horror of learning about the cruelty and violence to which they were subjected, and how the local community and their school did nothing to stop it from happening even when they had the opportunity, struck a very deep and personal chord as my first bandmate took his own life rather than come out to his parents. “All I could think of when this song fell out was the unimaginable suffering of Nex’s family, long after the headlines faded. The song recounts something very tragic, but I also felt it was crucial to draw some hope out of how we can come together. Fear and silence are best combatted by standing together and doing our best to show solidarity. By raising our voices collectively against hate, we can shift the cultural tide for the better. This song is about mourning, survival and transformation. It is about how in dark times we need and must be there to lift each other up, all the more.” “Nexus (Acoustic)” is taken from “Under My Canopy”, Rachael Sage’s forthcoming acoustic album, to be released later this year on MPress/Universal. The album promises a more intimate and elemental revisiting of Sage’s songwriting, with additional acoustic instrumentation throughout. Further details on the release will be announced soon. Advocating for safety and inclusivity Fusing her creative flair with a continued mission to uplift and advocate for LGBTQIA+ individuals, Sage has teamed up with Rainbow Mind, a pioneering charity that provides safe, community-led and radically inclusive mental health support for LGBTQIA+ people, to launch a self-designed, limited-edition collection of T-shirts, jumpers, and tote bags as part of the new ‘Take In The Good’ campaign. The initiative aims to raise vital funds while celebrating queer joy during an especially challenging time for the community. She has also recently become the first official ambassador for Rainbow Mind. Sage has performed thousands of shows across the world and shared stages with artists including Imelda May, Rufus Wainwright, Jamie Cullum, Howard Jones, Judy Collins, and most recently supporting Wet Wet Wet on tour. Highlights have included London’s Union Chapel, New York City’s Town Hall, the Edinburgh Fringe Festival and Dublin’s Vicar Street. Inspired as a child by British icons such as The Beatles, David Bowie and Elton John, it seems only natural that Sage has come to embrace the UK as a second home. Since founding her own label MPress Records, Rachael Sage has steadily released a slew of vibrant, dynamic albums. In addition to being a six-time Independent Music Award-winning musician and producer, Sage is also a John Lennon Contest Grand Prize winner who has performed at the Edinburgh Fringe, SXSW, and toured globally from Japan to Berlin. Sage is also a visual artist and former ballet dancer who performed with the New York City Ballet. A self-described “cancer thriver,” she is a philanthropic advocate who has raised money for a wide range of causes, including Foundation For Women’s Cancer, WHY Hunger, American Refugee Committee/Alight, National Network For Youth (NN4Y), The Trevor Project, and Rainbow Mind (UK). Watch the new music video here!

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Alan Jackson. maverick-country.com

Blast from the Past: Alan Jackson

Alan Jackson has hung up his guitar after almost four decades in country music. He brought his show, Last Call: One More for the Road, to an end on Saturday, June 27 in front of 80,000 devoted fans. Nashville and stars turn out for Alan Jackson Thousands more watched as the event was streamed at the Country Music Hall of Fame’s CMA Theater, Belmont University and on stages across Broadway, a testament to how much Jackson means to Nashville and to country music. Taking to the stage at the Nissan Stadium in Nashville for a near two-hour set, he was joined by other country megastars including George Strait, Luke Combs, Carrie Underwood and Lainey Wilson. The show will be broadcast on NBC later in the year and an album of the show is available for pre-order. The hitmaker, who is one of the best-selling music artists of all time with 35 number one songs on the Billboard Hot Country Songs chart, called time on his career after being diagnosed with from Charcot-Marie-Tooth disease, a neurological disorder. As country music bids farewell to one of its greatest storytellers, Maverick looks back at Alan Jackson’s remarkable career and explores why he remains one of the genre’s most beloved artists. Alan Jackson’s career transformed modern country music Few artists have shaped country music quite like Alan Jackson. Emerging in the late 1980s as part of the genre’s new traditionalist movement, the Georgia native quickly earned a reputation for blending classic honky-tonk influences with contemporary storytelling. His debut album, “Here in the Real World”, introduced audiences to an artist whose authenticity and songwriting would define an era of country music. Over the following decades, Jackson became one of the genre’s most consistent hitmakers, earning 35 number one singles on the Billboard Hot Country Songs chart and selling more than 75 million records worldwide. Songs such as “Chattahoochee”, “Remember When”, “Drive (For Daddy Gene)”, “Livin’ on Love” and “It’s Five O’Clock Somewhere” have become country music staples, resonating with generations of fans through their heartfelt lyrics and timeless melodies. Alan Jackson’s biggest awards and achievements Jackson’s remarkable career has been recognised with countless honours. He is a member of the Country Music Hall of Fame and the Nashville Songwriters Hall of Fame, while also receiving the prestigious Willie Nelson Lifetime Achievement Award from the Country Music Association. Throughout his career, he collected multiple CMA Awards, ACM Awards and Grammy Awards, cementing his place among country music’s all-time greats. His influence extends beyond chart success, with many of today’s leading artists citing Jackson as an inspiration for preserving the traditional sounds and values of country music. Alan Jackson’s legacy will continue to inspire country music In recent years, Jackson continued to perform despite publicly revealing his diagnosis of Charcot-Marie-Tooth disease, a hereditary neurological condition that affects balance and mobility, in 2021. His decision to embark on the Last Call: One More for the Road tour allowed fans one final opportunity to celebrate an extraordinary catalogue of songs that has soundtracked countless lives. Although he has now stepped away from touring, Alan Jackson’s impact on country music remains immeasurable. His songs continue to receive regular radio airplay, while younger artists frequently cover his work and acknowledge his influence on their own careers. For millions of fans, Alan Jackson represents the very best of traditional country music: honest storytelling, memorable melodies and an unwavering commitment to authenticity. As one chapter closes, his legacy is assured, ensuring his music will continue to inspire audiences for generations to come.

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Luke Combs UK. maverick-country.com

Why Luke Combs UK is the ultimate Luke Combs tribute act

When Luke Combs brings his My Kinda Saturday Night tour to London’s Wembley Stadium later this summer, many fans will be kicking themselves for missing out on tickets to see one of country music’s biggest stars in the flesh. But the message from Luke Combs UK is clear: if you were one of those who were not lucky enough this time, we hope we can be the next best thing. Backing from the man himself In the last couple of years, the band comprising singer Liam Price and four musicians have had a lot to be proud of. They recently completed a 12-date tour of the US and earlier this month, Liam performed some of his own material at CMA Fest in Nashville. Last year, Luke Combs even granted the band the honour of performing at his Category 10 bar, also in Nashville. It was no surpirse then when Liam proudly told the packed-out Central Theatre in Chatham that whilst there are 16 Luke Combs tribute acts in the world – and surprisingly, 13 of them are in the UK – his band is only tribute act in the world who are endorsed by the man himself. That is why the band’s website boasts, “Luke Combs UK is the closest you’ll get to the real deal with the look and authentic sound of the Grammy nominated country music megastar.” An authentic Luke Combs performance The show itself is a wonderful celebration of Luke Combs’ music and its ability to bring people together. Liam’s voice is strikingly close to the “Beautiful Crazy” singer’s. His performance, alongside a pitch-perfect band, is enhanced by a captivating stage presence and mannerisms which match Luke Combs’ own. Performing hits such as “Where the Wild Things Are”, “Beer Never Broke My Heart”, and “When it Rains It Pours”, Luke Combs UK undoubtedly got the crowd in the mood for a party. Luke Combs UK tour dates continue across the UK The band will be in just about every major UK town and city throughout the summer and into December. Next weekend, they will bring their show to Country on the Common in Tooting, before playing Nashville Fest in Leeds and getting the crowd warmed up for the man himself when they play BOXPARK Wembley on July 31. Ultimately, Luke Combs UK offer far more than a tribute show. They capture the spirit, energy and authenticity that have made Luke Combs one of country music’s biggest stars while bringing their own professionalism and passion to every performance. For fans who missed out on Wembley tickets, or simply want another opportunity to celebrate the music, this is about as close as it gets to the real thing. Judging by the reaction inside the Central Theatre, audiences are more than happy to sing along and believe it too.

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Keb' Mo' maverick-country.com

Keb’ Mo’ announces new studio album and London show

Keb’ Mo’ returns with his most stripped-down and intimate album to date. “On The Breakdown”, out August 21 via Concord Records, he does something he has never done before: strips back his recordings to just his guitar, voice and carefully selected vocal contributions from the Soweto Gospel Choir and the gospel sextet Take 6. The 10-song collection was recorded at his home studio outside Nashville. It was written in the wake of life-saving open heart surgery, the end of his nearly 20-year marriage, and a period of profound personal upheaval. “The Breakdown” is Keb’ at his most revealing, grappling with the passage of time and the inevitability of change while still holding on firmly to the hope, faith, and love that have always guided him. “It felt like everything in my life was breaking down,” Keb’ reflects. “My health, my relationship, my whole world. The only way I knew how to respond was to break the music down, too.” While the album is deeply rooted in Keb’s personal story, the tunes also stand as broader commentary on the state of the world. He released the album’s first single “Fussing and Fighting,” which could just as easily reflect a long-term relationship as a divided nation searching for common ground. He explains that “Fussing and Fighting” sprang from the way relationships can suddenly go south. That sometimes things just don’t work out, and you’re left wondering, “What happened?” Harmonies from heartbreak “The Breakdown” marks Keb’ Mo’s first solo album release since his Grammy-nominated 2021 album “Good To Be…”. It is also his first since his career nearly came to an abrupt end in 2024 when he began experiencing shortness of breath on tour with Slash. “I was struggling to breathe and thought there must be something wrong with my lungs,” Keb’ recalls. “When I finally got off the road, I went to the doctor, and they sent me straight to the emergency room.” The problem, it turned out, was not with his lungs but rather his heart. A leaking valve and an aortic aneurysm required intensive surgery, and the lengthy rehabilitation period forced the postponement of a slew of tour dates. “It felt like death was tapping me on the shoulder,” Keb’ explains. “I’d been going around feeling healthy and strong all these years. Suddenly, I had to face the possibility that I might not make it. I had to go through some difficult experiences to get these songs, but I learned a lot looking back on my life and my relationships and taking inventory of everything in a new light.” That newfound perspective is front and centre on “The Breakdown”, which manages to turn pain and uncertainty into hope and resilience at every turn. “I’m turning 75 this year,” Keb’ reflects, “and I know I won’t be around forever. All you can do is make the most of what you’ve got and be grateful for every step of the journey.”

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Bob Harris steps down from Radio 2 shows. maverick-country.com

Bob Harris steps down from Radio 2 shows

Legendary broadcaster Bob Harris has announced that he is stepping down from his BBC Radio 2 shows due to ill health. Nearly 56 years of broadcasting excellence Over a broadcasting career spanning almost 56 years, Bob Harris became one of the UK’s most respected and influential music broadcasters. His distinguished career included landmark roles on Radio 1, BBC 6 Music and television, most notably his celebrated tenure on the award-winning BBC music programme The Old Grey Whistle Test during the 1970s. However, the majority of his broadcasting career was spent at Radio 2, which Bob has described as the “Champions League” of radio, where he remained a key voice for three decades. Bob Harris’s legacy at Radio 2 Since joining Radio 2 in 1996, Bob has been a trusted companion for music lovers, presenting acclaimed programmes including Saturday evening shows, Bob Harris Country and Sounds of the 70s. Renowned for his warmth, encyclopaedic musical knowledge and commitment to championing new talent, Bob introduced generations of listeners to emerging artists alongside established stars. His influence helped shape Radio 2’s specialist music output and earned him the admiration of audiences and musicians alike. Championing country music in the UK A passionate advocate for country, folk, Americana and singer-songwriters, Bob has played a significant role in the growth of country music across the UK. From his time hosting his highly-popular Radio 2 show to being the Guest Editor Of Maverick Country, Bob helped bring country music to mainstream audiences, contributing to its rise as one of the UK’s fastest growing music genres. Bob has also been the host of Country to Country festival ever since its inaugural event in 2013. Throughout his career, Bob earned widespread respect from listeners, artists and colleagues, leaving an enduring legacy at Radio 2 and across the wider British music industry. Celebrating Bob Harris at 80 In April this year, Bob celebrated his 80th birthday. To mark the occasion, Radio 2 broadcast the special programme Bob Harris at 80: A Life in Music, which remains available on BBC Sounds. Joined by Zoe Ball, Bob reflected on the defining moments of his remarkable life and career, revisiting key musical milestones, memorable encounters and extraordinary achievements. From Radio 1 and Time Out to The Old Grey Whistle Test The programme explored Bob’s early accomplishments, including co-founding the listings magazine Time Out, launching his first Radio 1 programme in August 1970, touring with T. Rex and becoming the face of The Old Grey Whistle Test from 1972. During his time on the influential television series, Bob interviewed some of the era’s most iconic artists, including John Lennon and David Bowie. The documentary also revisited his return to Radio 1 during the 1990s, his work with BBC Greater London Radio, and the launch of Bob Harris Country on Radio 2 in 1999. Bob also discussed his health challenges and reflected on receiving an OBE in 2011. Final Radio 2 broadcasts The documentary concluded with Bob’s most recent chapter at Radio 2, including taking over as presenter of Sounds of the 70s in November 2024. Bob presented his final episode of Sounds of the 70s on Sunday, March 8 while his last edition of The Radio 2 Country Show aired on Thursday, April 2. Sounds of the 70s will be taken over by Shaun Keaveny and American singer Darius Rucker will continue to present The Radio 2 Country Show in the interim. Bob said: “It’s incredible to think that my broadcasting career has spanned almost 56 years. I am very fortunate to have spent my entire working life doing something I love so much. “I am a massive BBC loyalist, and I’m grateful that I have always been given the freedom to build my programmes in my own way. “Most of my time on air has been spent with my fabulous family at Radio 2 and it has been such a joy to broadcast on this world-class radio station. “I am so proud that The Radio 2 Country Show has played such a massive part in propelling Country to become the fastest growing music genre in the UK, and presenting Sounds of the 70s on Sunday afternoons has been a real pleasure and made my time here the most special of my entire life. “But more than anything, I want to say thank you to my listeners. I have put everything I have into every show I’ve ever done, and it’s all been because of you. “Your love and loyalty mean more to me than words can ever say. I am so sorry that my health issues are forcing me to step down, but I realise that I must concentrate on getting myself well again. “This has been one of the hardest decisions of my life, but I would never want to be doing programmes knowing that I am unable to give you 100%. “I am going to miss you, and I love you very much. Thank you for listening.” Radio 2 pays tribute to one of broadcasting’s most respected voices Helen Thomas, Head of Radio 2 said: “I would like to say a sincere thank you to Bob, a true radio legend, for many years of very special shows on Radio 2. “Bob has hosted The Radio 2 Country Show since 1999, becoming a trusted and respected tastemaker as the genre exploded in popularity. “Since taking the reins of Sounds of the 70s, he has filled the show with love, laughter and captivating stories of being at the heart of the music scene throughout the decade. “Bob is adored by the Radio 2 family and his listeners, and we are all going to miss him and his weekly shows very much. “Everyone at Radio 2 sends Bob and his family our love and support.”

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Little Big Town - photo credit: Becky Fluke maverick-country.com

Little Big Town announces 12th studio album

Multi-platinum Grammy Award-winning Little Big Town (Karen Fairchild, Kimberly Schlapman, Phillip Sweet, and Jimi Westbrook) have announced their 12th studio album, “It’s A Dying Art”, arriving August 28th via MCA. Co-produced by two-time Grammy winner Gena Johnson and Little Big Town’s own Karen Fairchild, the record blends intimate storytelling, emotional balladry, and standout collaborations with friends including Ashley Monroe, Jason Isbell, and Kelsea Ballerini. The album is available for pre-order now in multiple physical and digital configurations, including CD, vinyl and retailer-exclusive variants. LittleBigTown.com will feature limited runs of exclusive signed and special colour vinyl editions. Alongside the album announcement, the band have also released a new track from the project entitled “Over and Over”. The group delivered the debut performance of the song during their standout set at this year’s Stagecoach. “It’s A Dying Art” finds Little Big Town leaning into the sound and spirit of human-made music, embracing imperfection, emotion, and lived experience. Shaped by more than 25 years together, the record reflects the trust and artistry that have long defined the band. Highlighted by the poignant “Hey There Sunshine,” the relationship-worn “The Door” featuring Jason Isbell, the late-night soul of “Closing Time” with Kelsea Ballerini, the fiery “It’s Coming Around,” and the visceral “The Idea,” the album stands as a reminder of the enduring power of music. Earlier this month, the group debuted the first offering from the upcoming album, “Hey There Sunshine” at the 61st Academy of Country Music Awards to widespread praise. The Tennessean called it “a hopeful, healing moment” while Billboard praised their performance as “a timely message from one of country music’s greatest vocal groups.”

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CMA Fest 2026 lineup - Maverick Country

Beyond Nashville: International artists to look out for at this year’s CMA Fest 2026

CMA Fest 2026 once again demonstrates that country music’s growth is no longer confined to the American South. While Nashville remains the genre’s commercial and cultural centre, this year’s lineup features an increasingly international collection of artists bringing fresh perspectives to modern country music. Here, we profile just a small sample of the acts from the UK, Australia and Canada who are performing as part of this year’s line-up. Liam Price British country artist Liam Price has steadily built a reputation as one of the UK emerging Americana influenced performers. Originally from England, Price developed his musical identity through a combination of acoustic songwriting, live touring, and exposure to both British folk traditions and contemporary Nashville country music. Price first gained recognition as the UK’s leading Luke Combs tribute act while also building his own career as an original country artist. In 2025, he released his debut EP, The Grass Ain’t Green, with tracks including Little Star of August and Bangor, ME receiving support from Absolute Radio Country. He was later named winner of The Long Road Festival’s Homegrown Talent competition, leading to his invitation to perform at CMA Fest in 2026. Josh Ross Canadian singer songwriter Josh Ross arrives at CMA Fest as one of the fastest rising international names in contemporary country music. Born and raised in Ontario, Ross initially pursued competitive football before turning his attention fully toward music following injury setbacks. That sporting background still informs much of his public image, with Ross frequently presenting himself as an artist grounded in discipline, resilience, and small town values. Ross – who is now based in Nashville – has twice supported Bailey Zimmerman on tour and has won several Canadian Country Music Awards. More recently, he has released a song with hip-hop artist Akon. This summer, he will be peforming at The Long Road Festival.  Musically, Ross blends modern country production with rock influences and emotionally direct songwriting. His breakthrough singles helped establish him as a major streaming success in Canada before attracting wider attention in the United States. Songs such as Trouble and Single Again showcase his ability to combine radio friendly hooks with introspective themes surrounding heartbreak, identity, and personal reflection. Jade Bird English singer songwriter Jade Bird remains one of the most distinctive voices operating across the boundaries of Americana, indie folk and alternative country. Born in Hexham, Northumberland, and raised partly in Wales, Bird first gained critical recognition through her sharp songwriting and emotionally charged vocal style following a stint at the BRIT School. Unlike more conventional country performers, Bird’s work frequently blends Americana influences with British folk traditions and indie rock energy. Her lyrics often explore themes of independence, emotional conflict, family dynamics and self identity, delivered with an intensity that has earned widespread praise from critics and audiences alike. Bird first attracted international attention following appearances at major festivals including SXSW and Glastonbury. In 2019, she won an AIM Indepedent Music Award for International Breakthrough. Her self titled debut album introduced listeners to a songwriter capable of balancing vulnerability with lyrical precision. Fanny Lumsden Australian artist Fanny Lumsden has become one of the most respected voices within contemporary country and folk music. Raised on a sheep farm in western New South Wales, Lumsden’s songwriting remains deeply connected to regional Australian life, rural communities and the realities of isolation and resilience outside major cities. Fanny Lumsden – who is toruing Australia this summer – has developed a loyal following through independent touring and grassroots support before achieving wider recognition across the Australian country industry. Her albums have consistently received critical acclaim, earning multiple Golden Guitar Awards and Australian Independent Record Awards. Lumsden’s music blends traditional country instrumentation with folk storytelling and subtle pop influences. What distinguishes her work is its emotional honesty and observational detail. Rather than relying on commercial country clichés, her songs often focus on family life, community, hardship, humour and the changing realities of rural Australia. Importantly, Lumsden has built much of her success independently, demonstrating how modern artists can cultivate international audiences through touring, streaming, and direct audience engagement rather than relying solely on traditional industry structures.

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Buckle & Boots - Maverick Country

Buckle & Boots Festival launches tickets for 2027

Tickets are on sale now for Buckle & Boots Festival 2027 following its 10-year anniversary edition. Buckle & Boots confirms return to Whitebottom Farm in May 2027 The festival was held at Whitebottom Farm, Greater Manchester over the May bank holiday. The event will return between 27 and 30 May 2027 in the same location. Line-up featuring nternational and UK country artists This year, UK country fans were treated to performances from international artists including The Washboard Union, Halle Kearns, Dan Smalley, Payton Taylor, Roan Ash and Jeremy McComb. There were also appearances from UK talent including Gareth, Kezia and some of the country scene’s best emerging artists. Laura Hancock, Event Director of Buckle & Boots, said: “Celebrating 10 years of Buckle & Boots was incredibly emotional for all of us. “The atmosphere across the weekend was unbelievable and seeing so many people come together in the fields to celebrate what the festival has become meant the world to our whole team. “What started as a small grassroots event has grown into a genuine country music community, and we’re so grateful to every artist, fan, partner and member of staff who has been part of that journey over the last decade. “This year felt like a huge milestone for Buckle & Boots, but honestly, it also feels like the start of an exciting new chapter. “We’re already working on plans for 2027 and can’t wait to do it all again.” Over the four day festivalgoers got to experience writers’ rounds, camping, glamping, artisan food traders and late-night bars. Buckle & Boots Switzerland The festival now heads to the Alps for the very first Buckle & Boots Switzerland. The two-day event will take place between 28 and 29 May in Aararu and will feature performances from Dan Smalley, Halle Kearns, Jeremy McComb, Roan Ash, Payton Taylor, Jade Helliwell, Gary Quinn, Jenn Bostic and Kaylee Rose.

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George Strait. Maverick-country.com

Blast from the Past: George Strait

Earlier this week, George Strait celebrated his 74th birthday. Here, Maverick Country delves into the life and times of this record-breaking country legend.  A Texas Voice That Changed Country Music For more than four decades, George Strait has remained one of the defining voices of American country music. While trends have shifted dramatically around him, from the polished “Urban Cowboy” movement of the early 1980s to today’s stadium driven country pop crossover era, Strait has consistently represented the traditional heart of the genre. In doing so, he has not only preserved country music’s foundations, but reshaped its commercial future. Known universally as the “King of Country”, Strait’s influence extends far beyond his extraordinary catalogue of hit records. His career changed the trajectory of Nashville itself, proving that authenticity and commercial success were not mutually exclusive. Few artists in any genre have balanced cultural relevance, longevity and artistic consistency with such precision. George Strait’s Early Life and Influences Born in Poteet, Texas, in 1952 and raised in nearby Pearsall, Strait grew up immersed in ranch life and western culture. His musical influences came from classic country traditionalists including Hank Williams, Merle Haggard, Lefty Frizzell and George Jones. Unlike many performers who arrived in Nashville seeking reinvention, Strait arrived fully formed. He did not attempt to modernise himself for the market. Instead, the market eventually adjusted to him. That distinction became critically important during the early 1980s. At the time, country music was heavily influenced by pop crossover production following the commercial success of artists linked to the Urban Cowboy movement. Traditional instrumentation and western swing influences were becoming increasingly rare in mainstream radio. Strait’s arrival offered an alternative. The Rise of Neo Traditional Country His breakthrough single, Unwound, released in 1981, immediately stood apart. Featuring fiddle, steel guitar and a distinctly Texas influenced arrangement, it rejected the polished pop sheen dominating country charts. The success of the track, followed by his debut album Strait Country, helped trigger what many historians now describe as the neo traditionalist movement in country music. Alongside artists such as Randy Travis and Ricky Skaggs, Strait helped restore traditional songwriting and instrumentation to mainstream prominence. Yet even among that influential generation, Strait occupied a unique position. While others often leaned heavily into nostalgia, Strait’s music felt contemporary without abandoning country’s core identity. That balance became the foundation of his extraordinary longevity. George Strait’s Biggest Hits Across the 1980s and 1990s, Strait delivered an unprecedented run of commercial success. Songs including Amarillo by Morning, The Chair, All My Ex’s Live in Texas, Check Yes or No, and I Cross My Heart became defining records not simply because they were popular, but because they reflected emotional clarity and restraint. Strait rarely relied on vocal theatrics. His delivery remained calm, measured and conversational. In an era increasingly dominated by spectacle, that understated style became his greatest strength. His influence on country music’s vocal approach remains significant today. Countless artists, particularly male country singers, adopted aspects of Strait’s phrasing and emotional control. The modern country emphasis on smooth baritone storytelling owes much to the blueprint he established. Commercial Success and Industry Impact Commercially, the statistics surrounding Strait’s career remain staggering. He has achieved more than 60 number one singles across various charts, sold tens of millions of records worldwide and earned one of the highest grossing touring careers in country music history. Yet unlike many legacy acts, Strait never depended on reinvention cycles or headline controversy to sustain relevance. Part of his enduring appeal lies in consistency. Fans understood exactly what a George Strait record represented: strong songwriting, traditional musicianship and emotional honesty. That reliability created extraordinary audience loyalty across multiple generations. George Strait’s Influence on Modern Artists Perhaps more importantly, Strait helped establish commercial space for traditional country artists in modern Nashville. Without his success, it is difficult to imagine the mainstream rise of later artists such as Alan Jackson, Clint Black, or even contemporary traditionalists like Jon Pardi and Cody Johnson. Strait demonstrated that country audiences still valued western identity, fiddle driven arrangements and songs grounded in everyday realism. His influence also extends to live performance culture within country music. Strait avoided elaborate choreography and theatrical excess, focusing instead on musicianship and catalogue strength. That approach reinforced the idea that country concerts could succeed through connection rather than production scale alone. Even in stadium environments, Strait’s performances retained an almost intimate quality. Protecting Traditional Country Music Importantly, Strait’s career coincided with country music’s rapid commercial expansion during the 1990s. As Nashville increasingly pursued crossover audiences, Strait became a stabilising figure for listeners concerned about the genre losing its roots. He effectively bridged traditionalism and commercial accessibility without appearing politically positioned within industry debates. That subtlety allowed him to remain respected across virtually every segment of the country audience. Today, George Strait’s influence is visible not only in sound, but in philosophy. Many modern artists speak openly about maintaining authenticity, protecting songwriting integrity and resisting trend driven production. Those values became commercially viable largely because Strait proved they could succeed at the highest level. The Lasting Legacy of George Strait Few artists manage to define a genre while simultaneously preserving it. George Strait achieved both. His legacy is not simply built on hit records or awards, although he has accumulated more than most artists could imagine. His lasting contribution lies in safeguarding the emotional and musical language of country music during periods when it risked being diluted beyond recognition. In doing so, George Strait became more than a successful performer. He became the standard against which traditional country music continues to measure itself.

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