Rebecca Morpeth-Spayne

Rebecca Morpeth-Spayne
Chayce Beckham website

Chayce Beckham: Unfiltered country

Chayce Beckham’s rise in the country music scene isn’t just about winning the nineteenth season of ‘American Idol’. It’s about how his voice, lyrics and personality have brought a refreshing authenticity to the genre. The California native has carved a niche for himself, blending raw honesty with relatable storytelling, reaching out to listeners who may have never considered themselves country music fans before. Beckham’s music speaks to a broader audience, tapping into universal themes of struggle, resilience and self-discovery, making his work a unique and inclusive form of country music.     The Power of Vulnerability   What makes Beckham stand out is his ability to connect with listeners on a deeply personal level. His gravelly voice carries a sense of lived-in experience, each note laced with a hint of heartache, redemption and a touch of rebellious spirit. But it’s not just his voice that sets him apart—it’s the way he writes about the complexities of life without shying away from the less glamorous parts. His songs, often reflective and unvarnished, are windows into his journey from blue-collar worker to overnight sensation, capturing a reality that feels genuine and relatable.   Beckham’s debut single ‘23’ is perhaps the best example of his ability to craft songs that resonate across boundaries. The song, an autobiographical narrative of his struggles with alcohol and self-doubt, paints a raw picture of a young man grappling with his demons. With lyrics like “Now I’m 23 and there ain’t nobody who can drink like me” Beckham doesn’t romanticise his past; instead, he lays it bare, allowing listeners to see their own flaws and vulnerabilities mirrored in his words. This level of candour is rare and it’s this willingness to be vulnerable that makes Beckham’s work feel so inclusive. He’s not just singing about a personal experience; he’s singing about the collective human experience—about falling down, getting back up and trying to make sense of it all.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Connor Daly website

Connor Daly’s gentle revolution

There’s a striking similarity in the circle of Gen Z artists: they—yes, even the men—are more willing to be open, vulnerable, even emotional. It used to be a dirty word; emotional. Take the idea of hysteria, the so-called ‘over emotion’ of women, taken out of context and more often than not, criticised by the very men whose behaviour incited the incident. Recently, there’s been a shift in the dynamics of the music industry. During the Don McLean set at The Long Road, a woman in the crowd heckled the 78-year-old with a taunt usually reserved for young women, the familiar “shut up and sing!” Something has changed in music. As the world becomes more accessible and the ability to listen to whatever you want, wherever you want, whenever you want expands, audiences expect more from their artists. More music, more authenticity. The parasocial relationship between artist and fan is undergoing a revolution.  This shift is perhaps best embodied by artists like Connor Daly, who have embraced a more introspective and emotionally honest style of music. The young Virginia-born singer-songwriter has not only captured the attention of listeners with his delicate acoustic-driven sound but also with his vulnerability and willingness to reveal a deeper part of himself through his work. This emerging openness isn’t just a passing trend; it’s a reflection of how the digital age has transformed not only the consumption of music but also the relationship between artist and fan.     The Parasocial Revolution  In the digital era, the boundary between artist and audience is blurrier than ever. Social media platforms, streaming services, and direct communication channels have allowed fans to feel closer to their favourite musicians, creating parasocial relationships that have redefined the traditional artist-fan dynamic. Parasocial relationships, which were once one-sided and limited to viewing artists through mass media, have become more interactive and reciprocal, even though they still maintain a sense of distance. The blurred line between personal and professional creates a space where fans feel connected to artists on a more personal level, often creating a sense of friendship or kinship, even though the relationship remains largely one-sided.   For musicians like Connor Daly, this connection is intensified by the intimate nature of their work. Artists who perform acoustic, stripped-back songs are often seen as more accessible and genuine because their music feels raw and unfiltered. “People want more and more from their artists,” Daly explains. “I want anyone listening to my music to feel emotions, whether it be happy, sad, or nostalgic.” This direct engagement with listeners makes it easy for fans to feel like they know him, that they understand his personal struggles and joys. His acoustic style seems designed to foster this connection, giving the impression that each song is a personal letter or conversation meant for the listener alone.   This phenomenon is not exclusive to Daly. Artists across genres are finding that their audiences expect them to be more than just performers. Fans want insight into their personal lives, thoughts, and creative processes. Taylor Swift’s social media interactions, for example, have helped cultivate a highly engaged fanbase, the “Swifties”, who feel as if they are part of her journey. The intimacy conveyed through platforms like Instagram and TikTok has allowed artists to engage directly with fans, but this also creates an environment where fans may feel entitled to continuous access, often blurring the lines between personal space and public persona.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Gangstagrass Melodie Yvonne Image

Gangstagrass tops the Bluegrass charts with ‘The Blackest Thing On The Menu’

The latest album from Gangstagrass, ‘The Blackest Thing on the Menu’, debuted at #1 on the Billboard “Bluegrass Albums” chart this week, marking their second time reaching #1 on the chart as trailblazers blending bluegrass and hip-hop. Acknowledged worldwide as a “hip-hop group,” this achievement showcases how Gangstagrass is bridging genres and transcending boundaries, reinforcing The New York Times’s observation: “This Is the Music America Needs.” “We deal with plenty of skepticism about our bluegrass cred, our authenticity, whether we even count as bluegrass,” producer and vocalist Rench shares. “Having this album top the bluegrass charts is so significant for us as one of the things we can point to and show that we belong here. Not just that we are on the charts, but to get to #1 really puts us in the bluegrass community that has embraced us. Having bluegrass legend Jerry Douglas on our album was an honor, having Dan Tyminski join us on stage at the International Bluegrass Music Association was an honor, and with another #1 charting album, the skeptics have nothing left to stand on as far as whether we are bluegrass. We are, and our amazing fans and collaborators continue to prove it with all their support.” MC and vocalist Dolio the Sleuth expresses his gratitude for the fans, remarking, “This is incredible! So thankful for everyone that contributed to the project, all the folks that bought it, streamed it, told friends and family about it, came to a show, all of y’all. Thanks so much! Besure to come holler at us when we hit your area!” Last but not least, Lawrence “Boo” Mitchell who co-produced “Good at Being Bad” from the album says, “Wow! My first number one bluegrass record!! I never thought I would have a number one in this genre. This is right in line with our vision for Royal Studios when our Pops, Willie Mitchell, passed away in 2010. Royal is obviously world renowned for Al Green and soul music. But our vision was for Royal to be known for having an impact on any genre that was recorded here. This is definitely a full circle and surreal moment not just for Royal Studios but for me as well.” Released Friday, June 14, the delectable 10-track album serves up a bold mix of rhythm, soul, and spice, effortlessly fusing the deep-rooted American traditions of bluegrass and hip-hop, while exploring the core elements of both genres. As No Depression underscored: “While 2024 is the year of ‘Cowboy Carter,’ Gangstagrass has been plying the junction of country and rap since 2007. This takes the pressure of breaking new ground off ‘The Blackest Thing on the Menu’ and allows it to be what it is: a solid collection of summer jams.” The Blackest Thing on the Menu marks the band’s seventh full-length album. With over a decade of shattering barriers and touring globally, this rebellious collective has achieved unparalleled success, crafting an innovative sound deeply rooted in historically significant heritage. The ensemble has skillfully blended the traditional sounds of fiddles and banjos with contemporary hip-hop beats and bars. This distinctive fusion and artistic ingenuity have catapulted Gangstagrass to global acclaim.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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forkingandcountry

For KING + COUNTRY to perform first ever ‘A Drummer Boy Christmas Tour’ show in London

Multi-GRAMMY® Award-winning and multi-platinum-selling duo For KING + COUNTRY has announced their first-ever performances in London as part of their 2024 tour, ‘A Drummer Boy Christmas’. The much-anticipated shows will take place on 11 and 12 December at Indigo at The O2, marking the band’s debut Christmas performance outside the US. The ‘A Drummer Boy Christmas | The 2024 Tour Experience’ will deliver the energetic, high-production experience fans have come to expect from brothers Joel and Luke Smallbone. Combining spectacular festive visuals with captivating lighting and stage design, the show promises a holiday atmosphere like no other. The band’s Christmas tour has become a beloved annual tradition, and this year, it includes residencies in iconic venues across the US, such as Los Angeles’s Peacock Theater, New York’s Beacon Theatre, and multiple dates at Nashville’s famed Grand Ole Opry House. Pre-sale tickets for the London show, as well as other dates on the tour, will be available from 4 September at 10 a.m. local time using the code “DRUMMER”. Tickets for the general public will go on sale on 6 September at 10 a.m. Full list of dates for ‘A Drummer Boy Christmas | The 2024 Tour Experience’: 1/12/24 – Los Angeles, CA, USA – Peacock Theater 9/12/24 – New York, NY, USA – Beacon Theatre 11/12/24 – London, UK – Indigo at The O2 12/12/24 – London, UK – Indigo at The O2 17/12/24 – Nashville, TN, USA – Grand Ole Opry House 18/12/24 – Nashville, TN, USA – Grand Ole Opry House 19/12/24 – Nashville, TN, USA – Grand Ole Opry House 20/12/24 – Nashville, TN, USA – Grand Ole Opry House Alongside their festive tour, for KING + COUNTRY recently released the soundtrack ‘Unsung Hero: The Inspired By Soundtrack’, which coincided with their biopic, Unsung Hero. The film achieved over $20 million at the box office and is now available on streaming services. The soundtrack includes a mix of classic reimagined tracks and new collaborations such as ‘Place In This World’ featuring Michael W. Smith, ‘Checking In’ with Lee Brice, and ‘To Hell With The Devil (RISE)’ featuring Lecrae and Stryper. It also features the title track, ‘Unsung Hero’, from the Grammy-nominated album What Are We Waiting For? For KING + COUNTRY’s ‘A Drummer Boy Christmas Tour’ promises to be a highlight of the holiday season, with the London date marking a significant milestone in the duo’s career.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Blake Shelton BBR BMG

BBR Music Group/BMG Nashville signs Blake Shelton

Country music megastar and The Voice US coach Blake Shelton has signed to BBR Music Group/BMG Nashville. “Blake is one of the biggest personalities and presences in media,” says Jon Loba, President, Frontline Recordings, Americas, BMG. “America first got to know him through incredible, timeless songs and live shows and then fell in love with him and his sense of humor through TV. We are so excited he’s joining the BMG Global family and cannot wait to share his incredible new music with the world. He’s been laser-focused on delivering some of the best of his career and it shows. We have been dancing through the office, literally not just figuratively, since we heard the first couple songs he played for us!” “A huge thanks to Jon, Peter, JoJamie, Katie, and the BMG family for being as excited as me about this new chapter we will write together,” said Shelton. “I felt their passion and love for music when I met with them, and I knew I was home. I am READY TO GO!” Shelton is currently climbing the singles and streaming charts with Post Malone on the Top Five, smash hit ‘Pour Me A Drink’. His impressive resume includes 28 #1 singles, 11 Billion Global Streams, 52 million singles sold and 13 million albums sold. He has numerous awards, including CMA’s for Entertainer of the Year and five consecutive wins as Male Vocalist of the Year. A top tour year in and year out, 2025 shows include his ‘Live In Las Vegas’ Residency at The Colosseum at Caesars Palace. His ‘Friends And Heroes’ Tour will Kick off February 27 in Lexington, KY, featuring Craig Morgan, Deana Carter, Trace Adkins and Emily Ann Roberts.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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mitchelltenpenny

Mitchell Tenpenny releases ‘The 3rd’

Platinum-selling recording artist Mitchell Tenpenny released a 20-track third studio album on Friday, ‘The 3rd’. He launched his album promo with an appearance on the Today Show last week performing the album’s first radio single ‘Not Today’. ‘The 3rd’ features collaborations with Underoath (‘Demon or Ghost’) and Colbie Caillat (‘Guess We’ll Never Know’). Mitchell, a CMA Awards New Artist of the Year nominee, has seen his career explode in the past 12 months. His success as a touring artist has grown from recent guest slots on the road with Jason Aldean, Luke Combs and Jordan Davis to his own headline tours. From the Tonight Show Starring Jimmy Fallon to the Today Show, he has performed his music to an ever-growing legion of fans, reached the top of the charts with two #1 singles in the last year and added to his gold and platinum selling status. Mitchell’s career and artistry is indeed in the rise. Mitchell’s message to his fans, “I can’t even express how excited I am to finally have my new record ‘The 3rd’ coming out. I put my heart and soul into these songs and can’t wait for y’all to hear these stories. I want to say thank you to my family for naming me James Mitchell Tenpenny the III and for all of you for allowing me to make three records!! What a life and journey I get to share with you through music. I hope y’all love it and find songs that connect with your journey. Let’s get it! It’s finally out!” On Thursday, Mitchell threw out the first pitch at the Baltimore Orioles home game against the San Francisco Giants before his concert at Rams Head Live, and he took the ‘Woke Up In A Dream Tour’ to New York City on Friday. For full schedule and tickets for the tour go to Mitchell10Penny.com.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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SierraFerrellamericana

Sierra Ferrell emerges as the top winner at the Americana Honors & Awards

This week, Sierra Ferrell solidified her hold on Americana music. Having entered the Americana Honors & Awards as the season’s most-nominated musician, Sierra Ferrell emerged as the biggest winner of the night, taking home prizes for Artist of The Year and Album of The Year. During the ceremony, Ferrell also performed a rendition of her anthemic Song of The Year nominee, ‘American Dreaming’, making for both a show-stopping moment and another remarkable milestone. Produced by Eddie Spear with additional production by Gary Paczosa, ‘Trail of Flowers’ debuted at #1 on an array of Billboard charts, and is an album that shows how Sierra Ferrell’s blending of traditional country and Americana music is the future of the genre. On the heels of the record, she has brought its songs and stories to Jimmy Kimmel Live!, The Late Show, NPR Tiny Desk, CBS Mornings and far beyond, as well as fully sold-out tours across the US, festival stages, shows with Mitski, Zach Bryan and an ever-growing list of other notable fans, friends and musical family. In recent weeks, Sierra Ferrell has also collaborated with Post Malone, dueting on ‘Never Love You Again’ from his F-1 Trillion LP. Last night, she headlined the Healing Appalachia fundraiser in her home state of West Virginia, and will have much more to share as her star continues to rise even higher this autumn.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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ACM Awards Honors

17th ACM Honors to air on Merit Street with star-studded line-up

The prestigious 17th Academy of Country Music (ACM) Honors will premiere on Merit Street on Tuesday, 24th September, marking the first time the special event will be broadcast on this network. The event, hosted by Carly Pearce and Jordan Davis at the historic Ryman Auditorium in Nashville, will pay tribute to some of country music’s finest artists and industry professionals. This year’s honourees include Walt Aldridge, Tony Brown, Luke Bryan, Alan Jackson, Shannon Sanders, Lainey Wilson, and Trisha Yearwood. The show will also celebrate Chris Stapleton, named Artist-Songwriter of the Year, and Jessie Jo Dillon, awarded Songwriter of the Year at the 59th ACM Awards. The ceremony promises an unforgettable night, with performances from some of country music’s biggest names, including Lauren Alaina, Jason Aldean, Eric Church, Terri Clark, Vince Gill, Emmylou Harris, Keith Urban, and more. Special appearances from Post Malone, Kameron Marlowe, and Jackson Dean add an extra layer of excitement. Trisha Yearwood, recipient of the ACM Icon Award, shared her astonishment at the accolade, saying, “It’s strange. I never thought this far ahead… When you look at the names on the list of previous Icon Award winners – Emmylou Harris, Dolly Parton, Merle Haggard, Garth Brooks – it hasn’t settled in yet. I’m just trying to smile and enjoy myself, but it’s very surreal.” Lainey Wilson, who will be honoured with the ACM Triple Crown Award, reflected on the significance of the recognition, saying, “It’s hard for me to wrap my head around. Just to be recognised by the people you look up to, your peers… I just feel so honoured.” Wilson, who has earned major accolades early in her career, added, “It’s really soon to be taking home some of these titles… I’m 32 years old, and I’ve been in Nashville for 13 years. I’m not a new artist.” Carly Pearce, co-host of the event, highlighted what makes the ACM Honors so special: “This show is so special because we not only get to honour the artists that have made major impacts throughout the year, but we also get to honour the people behind the scenes… They deserve to be honoured in a big way.” The evening will also see performances in tribute to Alan Jackson, the recipient of the ACM Poet’s Award. Reflecting on his influence, Carly Pearce shared, “Alan Jackson was such a staple of my childhood, listening in the car. He was the soundtrack to so many of our lives.” Co-host Jordan Davis echoed these sentiments, saying, “Alan Jackson is Country Music… Getting to perform one of his songs is just a very small way to say, ‘thank you for everything you’ve done for me.’” Terri Clark, who will also take the stage, expressed her pride in Lainey Wilson, noting how far the young artist has come: “I’ve always wondered, ‘Is there a little girl in this audience that’s going to go on and do great things?’ And I’m so proud of Lainey. She has pole-vaulted over everything.” The event will also celebrate Chris Stapleton, with Jamey Johnson offering high praise: “Chris is one amazing writer. I’m so proud to have written a few songs with him – and just glad that I get to live in an era where we all get to hear Chris Stapleton songs.” The 17th ACM Honors is set to be a celebration of both the icons of country music and the future stars of the genre, bringing together a night of powerful performances and heartfelt tributes. Catch the event live on Tuesday, 24th September at 9:00 p.m. ET on Merit Street.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Arin Canoblat

GRAMMY Museum® appoints Arin Canbolat as Vice President of Education

The GRAMMY Museum® has announced that Arin Canbolat has joined as Vice President of Education, with his new role taking effect immediately. Canbolat will lead efforts to evaluate, enhance, and expand existing educational programmes, as well as design new, scalable curricula. His focus will be on music and music industry education for K-12 students, with the goal of broadening the Museum’s educational reach across the United States. Canbolat will oversee several key initiatives, including ‘GRAMMY Camp®’, the ‘Music Educator Award™’, mentorship programmes, community engagement, professional development, ‘GRAMMY in the Schools®’, and the Museum’s online platform, ‘Learning Hub’. He will be based in New York. Michael Sticka, President and CEO of the GRAMMY Museum, said, “The GRAMMY Museum is thrilled to welcome Arin to the leadership team. His vast experience at the intersection of education and music will better position the GRAMMY Museum to expand our educational programmes, which is the beating heart of our mission.” In his own words, Canbolat expressed his enthusiasm: “The highest purpose of what the arts do is to help people become bigger and more understanding of themselves and the world. I am overjoyed to join the amazing team at the GRAMMY Museum to continue to grow the programmes and to further music’s positive impact on society.” Canbolat joins the GRAMMY Museum from his previous role as Associate Dean for Education Outreach at Berklee College of Music, where he developed teacher training, administered planning for students, and led the Berklee City Music Network, a global consortium reaching more than 65,000 students annually. He also has experience as general manager at The School of Jazz and Contemporary Music at The New School, where he co-designed the music history course ‘Take Me To The River’ with GRAMMY® Award-winner Martin Shore. Canbolat will work alongside key figures at the Museum, including Sticka; Jasen Emmons, Chief Curator and Vice President of Curatorial Affairs; and Hilary Fahlsing, Chief Financial and Operating Officer. He is also a professional member of the Recording Academy® and a board member of the Take Me To The River Education Initiative. With a Bachelor of Fine Arts in Jazz and Contemporary Music from The New School and a Master of Music in Music Business and Entertainment Industries from the University of Miami, Canbolat brings a wealth of knowledge and passion to his new role. Additionally, he is a skilled saxophonist. This new appointment is seen as a significant step towards further strengthening the Museum’s mission to make music education accessible to young people across the United States.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Odin S Diona's Help Single

Teen blues sensation Odin S to release new single ‘Diona’s Help’

Odin Sokac, known as Odin S, is set to release his latest single, ‘Diona’s Help’, on 13th September 2024. At just 16 years old, this talented singer and guitarist is making waves in the blues scene, proving that music knows no age. Produced by Fabrizio ‘Fab’ Grossi and Matt Pascale, the track confirms Odin’s deep connection to the blues, a genre rich with emotion that transcends generations. Inspired by Diona, the Greek goddess of rain, ‘Diona’s Help’ carries a powerful and uplifting message: embracing optimism and viewing rain as a positive force. As Odin S puts it, Diona’s rain is “washing away the dirty things and feeding the soil for the grass, trees, and flowers.” The song encourages listeners to find the silver lining in life’s challenges, a message beautifully encapsulated through Odin’s soulful guitar work and poignant lyrics. Born in Zagreb, Croatia, in 2008, Odin began playing guitar at the age of eleven. By thirteen, he had already composed 26 songs, showcasing a remarkable knack for songwriting. His talent has taken him across Europe and the USA, where he’s performed on stages big and small. Notably, he participated in Little Steven’s Blues Camp in Notodden, Norway, in 2023, thanks to a scholarship from the European Blues Union. In early 2024, he represented at the International Blues Challenge in Memphis, followed by another scholarship-fuelled stint at the Pinetop Perkins Foundation Workshop in Clarksdale, Mississippi—the legendary birthplace of the blues. ‘Diona’s Help’ follows his previous acclaimed single, ‘Mannerist Blues’, and precedes his upcoming album, ‘In The Circle’. Odin’s collaboration with seasoned producers Fabrizio ‘Fab’ Grossi and guitar virtuoso Matt Pascale promises to further cement his place in the blues community as a young artist to watch.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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