Rebecca Morpeth-Spayne

Rebecca Morpeth-Spayne
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Dawn Landes brings ‘The Liberated Woman’s Songbook’ to the Barbican

On 7th September, the acclaimed singer-songwriter Dawn Landes will grace the Barbican in London with a live performance of her widely praised album, ‘The Liberated Woman’s Songbook’. This special event will feature esteemed guests, including folk legend Peggy Seeger, US indie-rock songwriter Skylar Gudasz, folk singer Lail Arad, Roots/R&B singer and actress Bridgette Amofah, violinist MaGuire and jazz-influenced singer-songwriter Sylvie Lewis. In an effort to amplify women’s voices, Landes released ‘The Liberated Woman’s Songbook’ in March during Women’s History Month. The album reimagines music from the women’s liberation movement, featuring songs originally published in ‘The Liberated Woman’s Songbook’ in 1971. Landes, alongside producer Josh Kaufman, has highlighted 11 musical stories from the canon of women’s activism spanning from 1830 to 1970. These narratives remain as pertinent today as ever, reflecting centuries of women’s struggle for their voices to be heard. “The project began while I was grounded at home during the pandemic and came across this intriguing book at a thrift shop,” said Landes. “With the overturn of Roe v. Wade rolling back women’s autonomy by 50 years, I turned to the songbook for inspiration. We’re suddenly back in 1971 all over again. I know we’re in for a long fight, and it helps to find solidarity where you can.” Josh Kaufman added, “Working with my old friend, Dawn Landes, on this collection of tunes was a real creative and collaborative gift. Many of these songs were already powerful in message but musically were never meant to travel beyond the picket line. I hope our work helps to amplify their message of freedom and equity anew.” ‘The Liberated Woman’s Songbook’ was recorded in Upstate New York at Little Pink and The Garage in Chapel Hill, NC, with Landes leading on vocals, guitar, and organ, and Kaufman steering guitars, keys, drums, bass, mandolin, and percussion. Landes enlisted an array of powerful voices to accentuate the album’s vital messages, including Emily Frantz of Watchhouse, Kanene Pipkin of The Lone Bellow, Rissi Palmer, Charly Lowry, Annie Nero, and Lizzy Ross of Violet Bell. In July 2023, Landes and Kaufman captivated audiences with a live performance of ‘The Liberated Woman’s Songbook’ at the Newport Folk Festival. Landes has established herself as one of music’s premier independent singer-songwriters, exploring a wide variety of styles from indie pop and folk to the French-language album “Mal Habillée.” She has collaborated with artists such as Justin Townes Earle, Will Oldham, and Norah Jones, and has shared the stage with Ray LaMontagne, Feist, Andrew Bird, Sufjan Stevens, Suzanne Vega, and other notable artists. Her work also includes numerous film and TV credits. Landes is currently based in Chapel Hill, NC.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Folk Music Legends Headline Folk On The Coast Festival

World-renowned artists and rising stars from the Folk Music scene are set to perform at a new weekend-long festival at Floral Pavilion in Wirral from 13th to 15th September. The event promises to bring performances, workshops, exhibitions, and special talks, offering an immersive experience for attendees. The lineup includes an eclectic mix of performances from folk legends such as Martin Carthy, Martyn Joseph, Martin Simpson, The Bar-Steward Sons of Val Doonican, Jackie Oates, and John Spiers. Other notable artists include Jon Wilks, Mikey Kenney, Gilmore & Roberts, Joe Topping, Maddie Morris, James Delarre & Saul Rose, and Jack Rutter. Folk music pioneer Martyn Joseph is set to host a songwriting talk alongside Q&As with Cole Stacey and Keith Wilson. Attendees will also have the chance to enjoy a performance by Mind The Step Appalachian Dancers and participate in DADGAD and poetry workshops. The inaugural festival will utilise the Floral Pavilion’s multiple performance spaces as well as local music venues such as Future Yard in Birkenhead. This approach aims to create a dynamic and engaging atmosphere throughout the event. Floral Pavilion’s Venue Manager, Pauline Campbell, expressed her excitement, saying, “We are so excited to see the venue come alive with Folk music. We’re proud to launch a festival that celebrates the genre and provides a welcome and immersive space. With a beautiful coastal backdrop and world-renowned artists, it is going to be a weekend to remember.” Programme manager, Tom Forth, added, “This September we’re thrilled to welcome some of the world’s finest artists to the first Folk On The Coast festival. Expect diversity from right across the genre; from the contemporary to the traditional, electrifying performances to intimate storytelling and Folk royalty to some of Merseyside’s most promising folk purveyors.” FULL WEEKEND LINE-UP Friday: Ceilidh – The Final Nails, Split Level (Phil Chisnall & Lynne Strange), John Walsh, Gerry Murphy, Keith Wilson, The Skylarks, Raphael Callaghan, Bread Hotel Workshop: An Introduction to DADGAD with Phil Chisnall Workshop: Sea Themed Poetry with Alison Schultz Special Event: Mind The Step Appalachian Dancers Saturday: Martin Carthy, Martyn Joseph, Cole Stacey, James Delarre & Saul Rose, Mikey Kenney, Katie Nicholas, Keith Wilson, The Far North Q&A: Keith Wilson Q&A: Cole Stacey Special Event: Martyn Joseph Songwriting Talk Sunday: Martin Simpson, Jackie Oates and John Spiers, Jon Wilks, Maddie Morris, The Bar-Steward Sons of Val Doonican, Gilmore & Roberts, Joe Topping, Jack Rutter, Douglas and Moss, Mark Pountney, Danny Bradley   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Jackson Dean unveils new single and announces album

Jackson Dean has delighted fans today with the release of his latest single, the studio version of his live show favourite, ‘Heavens To Betsy’. Alongside this release, Dean has announced his much-anticipated sophomore album, ‘On The Back of My Dreams’, which is set to hit the shelves on 6th September. The 13-track album promises to be a thought-provoking body of work, leaving listeners with much to ponder. Already recognised as one of Nashville’s most intriguing artists, Dean’s new project marks a bold new chapter in his career. Embracing his gritty, rambling highwayman spirit, Dean elevates his signature style with turn of phrases, biblical references, soaring guitars, and subliminal messages. The result is a collection of big, wide-open songs that demand bone-shaking vocals. Each track on the album paints a vivid picture, collectively revealing Dean as a man intent on truly living—and living his dream to the fullest. Across the 46-minute set, listeners will find a man relentlessly pursuing every experience life has to offer, facing each sight and feeling head-on. Collaborating with his bandmates, some of Nashville’s finest musicians, and producer Luke Dick, Dean tackles themes of freedom, solace, pain, youth, mortality, and the subconscious. Dean explained the album’s title, saying, “The title can be interpreted from a few different angles, but the face value of that phrase is that in-between state, when you’re in the process of waking up, but reality hasn’t quite set in. Each song on this project has a little bit of that magical surreal feeling. It’s drawn from a lyric in the song ‘Jane,’ this kind of otherworldly, misty tune that immediately embedded into my brain. I’ve lived a lot of life and have watched a lot of life be lived, and each of these songs were written from a single frame of life, almost as vignettes, drawn from daydreams, nightmares, and everything in between.” The single ‘Heavens To Betsy’ stands out as a poignant track, placing Dean in the shoes of a regret-filled man attempting to send a message from beyond to right the wrongs of his past and seek redemption with his daughter. The song has resonated deeply with listeners of all ages, offering a cathartic connection through its characters and soul-stirring plea for atonement. Dean reflected on the song’s journey, saying, ‘Heavens to Betsy’ is like the little song that could. We wrote it and never thought it’d see the light of day, but I started playing it on radio tours to get it out of my head and kill time. I saw a grown man break down and cry to it. That image will hit you like a ton of bricks. So, we started incorporating a bigger version of it into our live shows, and I thought the Live At The Ryman version would be the only place it lived. But once again, this song exceeded my expectations. Night after night, people tell me how it’s helping them through their grief—which is such a beautiful thing. Just the other day, someone told me that their father died 11 years ago, and hearing ‘Betsy’ gave them the closure they’ve been seeking. That’s the reason we do this.” From hearing the expression “heavens to Betsy!” for the first time as a 19-year-old and imagining a man sitting on the outskirts of heaven, trying to communicate with his daughter via a CB radio, to becoming his third radio single due to fierce fan reaction, the unexpected journey of “Heavens To Betsy” encapsulates the surreal aura of ‘On The Back Of My Dreams’. The song’s emotional journey, co-written with Benjy Davis and Driver Williams, begins with a sincere but reserved tone backed by light acoustic guitar. By the chorus, as the man’s comfort grows, the words flow more freely, and the song swells with a piercing electric guitar until its final breath.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]  

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Review: Amanda Anne Platt & The Honeycutters – Pocket Song

Sometimes a slower track comes by and makes you feel wistful for a time that never happened – that’s how this track came to us. Part Joni Mitchell, part Father John Misty and a sprinkling of country with Amanda Anne Platt’s familiar twang, this song is quieter, more acoustic and would be best enjoyed outdoors on a sunny day, surrounded by people you love lying in grass. It’s a dreamy track that benefits from being stripped back, just the gentle drums, stepping bass and acoustic guitar. The sound of steel guitar comes into play and it’s very nearly perfection. As the bridge introduces a tinkling piano, this song is calmness personified, with the correct amount of longing and heartfelt lyricism to make it summer playlist worthy.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Review: The Mavericks – The Years Will Not Be Kind

There’s a South American feel to this track. It’s not surprising from The Mavericks, their Latin influence often shines through, but it adds to the storytelling of this track in particular. Half a lament, half an unfilled, pessimistic dream of the future. The bands experience comes through immediately, it feels like you’re in a safe pair of hands. The added accordion in the second verse onwards gives the track an even more Latin feel. Combine that with the fiddle playing and ‘The Years Will Not Be Kind’ takes on the feel of an Argentinian tango – get your dancing shoes on, but make it melancholy. Always great to hear a new song from The Mavericks and this is no exception.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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First performers announced for the 17th ACM Honors

The Academy of Country Music® has unveiled the first round of performers for the highly anticipated 17th ACM Honors™, promising a night to remember at the historic Ryman Auditorium on 21 August 2024. This year’s lineup boasts some of country music’s most celebrated artists, including seven-time ACM Award winner Eric Church, nine-time winner Vince Gill, two-time winner Emmylou Harris, eleven-time winner Tyler Hubbard, three-time winner Jamey Johnson, three-time winner Ashley McBryde, two-time winner Darius Rucker, and 15-time winner and 2018 Entertainer of the Year Keith Urban. The evening, often dubbed the “Country Music Industry’s favourite night,” will honour a host of notable figures, including Walt Aldridge, Tony Brown, Luke Bryan, Alan Jackson, Shannon Sanders, Lainey Wilson, and Trisha Yearwood. The event will be hosted by four-time ACM Award winner Carly Pearce, who returns for her fourth consecutive year, alongside reigning ACM Song of the Year winner Jordan Davis. Limited tickets for the ACM Honors™, including exclusive VIP packages, are available via AXS. VIP packages offer premium seating in the first seven rows of the Ryman, access to a VIP pre-party reception with complimentary beverages and hors d’oeuvres, a commemorative Hatch Show Print poster, parking, and drink tickets. In addition to the performances, the evening will celebrate other distinguished honourees, such as Artist-Songwriter of the Year Chris Stapleton and Songwriter of the Year Jessie Jo Dillon. Tyler Hubbard will also play a dual role as both a performer and presenter for the ACM Studio Recording and Industry Awards, which include categories like Audio Engineer of the Year, Bass Player of the Year, and Producer of the Year.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]  

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Beyond Nashville: From China to Appalachia

In the heart of Maryland, within the vibrant creative nucleus of Strathmore, a profound musical connection has blossomed between three extraordinary musicians, transcending geographical boundaries and cultural divides. Grammy Award winners Cathy Fink and Marcy Marxer, alongside Chinese dulcimer virtuoso Chao Tian, have embarked on a captivating musical journey culminating in their eagerly awaited album, ‘From China to Appalachia’, set for release on August 16, 2024.  This ambitious project serves as a testament to their deep-seated commitment to cultural exchange, blending the rich tapestries of American and Chinese folk traditions with finesse and passion. Cathy Fink and Marcy Marxer, renowned for their musical partnership spanning over three decades, are celebrated for their mastery across a spectrum of instruments, including guitar, banjo, ukulele, and mandolin. Their repertoire transcends genres, encompassing everything from classic country to the spirited rhythms of gypsy jazz. Their performances have graced a myriad of stages, from intimate folk festivals to prestigious venues like the Library of Congress, earning them a steadfast reputation as musical trailblazers.  Chao Tian brings a unique voice to the trio with her virtuosity on the yangqin, a traditional Chinese hammered dulcimer revered for its shimmering tones and versatility. Tian’s journey with the yangqin began at the Middle and High School Affiliated to China Conservatory of Music, where her passion for traditional Chinese music took root. Today, as a PhD student at Boston University, she continues to push boundaries, exploring innovative intersections of music, dance, and visual art.  ‘From China to Appalachia’ is not merely an album but a celebration of shared heritage and a testament to the universal language of music. The album weaves together a rich tapestry of songs, seamlessly blending traditional American folk tunes such as ‘High on the Mountain’ and ‘Ruby Are You Mad At Your Man’ with evocative Chinese melodies like ‘Nan Ni Wan’ and ‘Yongjun Yangko’. Each track serves as a musical bridge between two cultures, harmonising in ways that speak to the shared human experience across borders.  The trio’s collaborative efforts have garnered widespread recognition, culminating in the 2024 Wammie Music Award for Best World/Global Artist-Group from the Washington Area Music Association. Their performances, which have captivated diverse audiences and even gained viral acclaim on platforms like TikTok, exemplify their ability to unite listeners through their distinctive blend of musical styles.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]    

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Review: Todd Hearon – Impossible Man

Don’t let the cover put you off, Hearon’s ‘Impossible Man’ isn’t a surrealist move. Starting off with ‘Dead Man’s Cove’, Hearon’s voice comes through as singular tone in country. The ability of Hearon to utilise his low, raspy voice to paint a picture is exceptional on this album. Accompanied by acoustic guitar – and a touch of pedal guitar – on ‘A Dark Place’, Hearon channels Nick Cave on his vocal line and skill in spinning a story. The album is a narrative, a series of vignettes that encapsulate perfectly every subject that Hearon approaches. It leans slightly into similarity of sound as the album progresses (that is to say, Hearon could switch it up a little more), but overall it’s a great piece to dip in and out of.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]  

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Review: Everette – Keys To Kentucky EP

Duo Brent and Anthony are back and they’re making it truly country this time. The title track is a very sweet ode to love plays on Everette’s more acoustic side, in contrast to electric recordings that have come previously. The pair don’t suffer for it, though, just two men with their acoustic guitars still make an intimate connection with the listener. The spoken verses on ‘Another Man Down’ veer into the fear of spoken word songs, but it all comes together with the twanging guitar and soft vocal harmony in the bridge to make something that is very, very special. The rip-roaring ‘High And Lonesome’ provides a moment for the duo to show off their more fun side, with intricate and excellent guitar picking only adding to the moment. Back to acoustic for the pair on ‘No Vacancy’ feels nostalgic and homesick, drawing in the listener to pay attention to every word. Listen to this EP ASAP.    To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Beyond Nashville: Odin S

At just 16 years old, Odin Sokac, also known as Odin S, is making a name for himself in the Blues music scene. His passion for this beloved genre is palpable and he believes that anyone who feels deeply can sing and play the blues, regardless of their age. This sentiment is encapsulated in his latest single, ‘Mannerist Blues’.      The title ‘Mannerist Blues’ carries a dual significance, both of which are crucial to understanding the song’s essence. Historically, ‘Mannerist’ or ‘Mannerism’ refers to a 16th-century artistic style characterised by artificiality, elegance, and the sensuous distortion of the human figure. This art form was known for its emphasis on exaggerated and often complex poses and compositions.     In the context of Odin Sokac’s debut single, ‘Mannerist’ reflects a different aspect of human behaviour—the tendency to live, speak, and behave in habitual ways that often become the norm. This mannerism can symbolise a stagnation that starkly contrasts with the Blues’ rootsy and improvisational nature. The blues, after all, is a genre born out of genuine human emotions and spontaneous expression. ‘Mannerist Blues’ delves into the rebellious spirit of those who reject societal norms in favour of embracing real human emotions. It celebrates originality, imagination, and positivity in dealing with life’s everyday challenges. This theme perfectly encapsulates Odin Sokac’s mission to spread a message of positivity through his unique interpretation of the blues.     Odin Sokac was born in 2008 in Zagreb, Croatia. He began playing the guitar at the age of eleven, and within two years, he had already written 26 songs. His music balances soul, emotion, technique, and chops, demonstrating a maturity beyond his years.     In 2022, Odin released his debut single, ‘The Wild West War,’ through Dancing Bear Records. That same year, he opened the fourth edition of the Thrill Blues Festival in Croatia, marking his entry into the live Blues scene. His performances have taken him all over Europe and the USA, earning him a reputation as a prodigious talent in the making. A significant milestone in his career was his participation in Little Steven’s Blues Camp in Notodden, Norway, in 2023, made possible by a scholarship from the European Blues Union (EBU). This opportunity allowed him to hone his skills and network with other young blues musicians. In 2024, he competed in the International Blues Challenge in Memphis, further cementing his place in the blues community.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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