Rebecca Morpeth-Spayne

Rebecca Morpeth-Spayne
Morgan Wallen David Lehr website

Morgan Wallen unveils new track ‘Love Somebody’

Fresh off the back of his third studio album ‘One Thing At A Time’ achieving an incredible 7x Platinum certification from the RIAA, country superstar Morgan Wallen is offering fans a glimpse into his next musical chapter. Wallen has just dropped ‘Love Somebody,’ the first single from his highly anticipated upcoming project. “‘Love Somebody’ is a bit of a new direction both lyrically and sonically,” Wallen explained. “I wanted to try something different, both in terms of the message and how the song sounds, and we took inspiration from some Latin-leaning influences. I’m really excited about this track and pumped that it’s finally out there.” Written by an all-star team including Wallen himself, alongside John Byron, Ashley Gorley, Jacob Kasher Hindlin, Elof Loelv, and Ryan Vojtesak, the song was produced by Joey Moi and Charlie Handsome, the duo behind Wallen’s previous albums ‘Dangerous: The Double Album’ and ‘One Thing At A Time’. Set against a vibrant, neon-lit backdrop, ‘Love Somebody’ presents a raw and honest take on the challenges of finding genuine connection in a world obsessed with fame and fortune. With lyrics like: “I just wanna love somebody Who won’t leave a hole in my heart I just wanna love somebody That don’t want me fallin’ apart,” Wallen opens up about his desire for authenticity and lasting love, contrasting the fleeting, materialistic relationships often found in the spotlight. The song comes on the heels of Wallen’s continued chart-topping success, including his summer anthem ‘I Had Some Help,’ featuring Post Malone, and his latest single, ‘Lies, Lies, Lies.’ Wallen first teased ‘Love Somebody’ during his sold-out show at London’s BST Hyde Park on 4th July, part of his European leg of the ‘One Night At A Time 2024 Tour’. Fans got another taste when he announced the track’s official release during his historic, back-to-back hometown performances at Neyland Stadium, University of Tennessee, where he broke records, surpassing The Jackson 5 with 156,161 attendees across two nights. This weekend, Wallen will wrap up his epic ‘One Night At A Time’ tour with two consecutive nights at Charlotte’s Bank of America Stadium (18th-19th October). The tour, spanning two years, covered 87 shows across 10 countries, 51 stadiums, as well as arenas and festivals. It was named the 2023 Billboard and Pollstar Country Tour of the Year, cementing Wallen’s place at the forefront of country music’s global landscape.     To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Nick Taylor not alone website

Nick Taylor teams up with Deanie Richardson for ‘Dead Land Future’

Nick Taylor’s latest single, ‘Dead Land Future’, is where Texas country meets the rootsy tones of Nashville bluegrass. This compelling track showcases Taylor’s evolving artistry and his collaboration with Deanie Richardson of the Grammy-nominated bluegrass band, Sister Sadie. The song narrates the journey of a man who leaves behind the familiar landscapes of Texas to embark on a life of travel, survival, and self-discovery. Richardson’s masterful fiddle playing takes centre stage, elevating the track with a spirited, wild solo that perfectly complements Taylor’s rich, resonant vocals. Taylor’s low, clear voice adds weight to the narrative, balancing the song’s raw energy with a sense of grounded emotion. The accompanying video, shot in picturesque rural locations, features both Taylor and Richardson performing on stage, interspersed with evocative images of the Southern countryside, adding to the song’s sense of longing and nostalgia. ‘Dead Land Future’ is drawn from Taylor’s latest album, ‘Not Alone’, released in June. The album continues Taylor’s tradition of weaving together vivid storytelling and romantic imagery deeply rooted in his Texas heritage. This single, in particular, explores themes of home, identity, and the call of the open road, themes that have long been at the heart of country and bluegrass music alike.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Jess and the Bandits album website

Review: Jess & The Bandits – Jessica

Fun, energetic and lyrics that make you want to chant along, the opener to Jess & The Bandits new album, ‘God Did Good’ is the perfect way to kick the whole thing off. As the band go through the track list, each song is impressively and equally strong. Jess makes the most of her powerful voice on every track, making an album that is consistent, even through ballads ‘Don’t Tell Me How You Feel’ and ‘No Pot of Gold’. The rest of the album is absolutely boot-stompingly good, maintaining momentum and never letting up on the quality of guitar in particular. Steel guitar is a welcome addition, too, highlighting the highs and narrating the lows of each track with seamless skill and a technical music know-how that only comes from experienced musicians like Jess & The Bandits. A great addition to their discography.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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David Kelly website

Review: David Kelly – The Brig Lily

A true traditional folk song, this track is based on the poem, ‘The Brig Lily’ by David Kelly. The track starts with a Manx spoken word section, highlighting the upbringing of the poet on the Isle of Man. Traditional balladry is hard to find nowadays and good traditional balladry even harder, but this song, with simply strummed guitar and traditional Celtic woodwind, hits every note of tradition perfectly. The original poem includes a small glossary of translation, in fact, only 2,223 speak Manx in the world. There’s a beauty in the rarity, which is reflected in the elegant simplicity of the song. Songs and songwriting can all too frequently be an industry game, but this stands above the scrutiny of a simple track made for radio. It is delicate, poetic, the track demands to be listened to, not just heard.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Sarah Louise

Review: Sarah Louise – SUNFLOWER

Sarah’s biggest hit went viral online – and it’s easy to see how. A track that will touch the hearts of any parent, the track highlights Sarah’s ability to write music that really speaks to people. Sweet, gentle and caring, ‘SUNFLOWER’ emulates in music and lyric the sentiment of quiet support that embodies the ideal parent. It’s clear that sending anyone who is struggling to vocalise their love for someone this track would show them exactly what you want to say, but can’t always. The inclusion of producer Mark Wickenden’s daughter Lottie’s voice towards the end of the track is a lovely and heartfelt touch that will bring anyone to the verge of tears. A track that is deceptive in its simplicity, the piano and backing vocals add emotional power that Sarah executes with laser focus.   Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]   

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Hannah Scott website

Review: Hannah Scott – Absence of Doubt

Scott writes in with an honesty that is rare to find. She can get to the heart of an issue, as in ‘Broken Homes’, the line “Sometimes you have to break a home to mend a family/sometimes broken turns out to be better” hits close to the bone and would resonate with anyone who has experienced a broken home. Scott’s voice is high, which might not be for everyone, but she shows a control throughout the record which is enviable for any artist. Her range is exceptional, even when the backing music does nothing particularly special. ‘Love You Like I Did’ is perhaps the best cut on the album, with a full orchestral sound that supports Scott’s voice where sometimes it can get a little thinly stretched. It’s nothing revolutionary, but Scott has cemented herself as a skilled vocalist and songwriter with this release.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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another state ride or die website

UK pop-country band Another State release ‘Ride Or Die’

Sean Ryder Wolf, Paul McDowell, James Gibson, and Dave Staton, a.k.a. Another State, the UK’s pioneering pop-country fourpiece crossover male harmony band, have released their latest single ‘Ride Or Die’.  Another State have garnered a dedicated following with their unique sound that bridges pop and country. ‘Ride Or Die’ is the third single from the band and follows the debut ‘All You Need’ and sophomore single ‘The Only One’ and showcases and the more raw country rock sound that the band have embraced. Sean Ryder Wolf knew two things about the track: firstly, that he had written something very different and very special and, secondly, that although he had the melodies but no other lyrics, this song simply had to have the title: ‘Ride Or Die’! Immediately with having that song title in mind, the band knew the track was going to be a powerhouse of vibrant energy and super fun – or as Ryder Wolf puts it – “an exciting high octane ‘night out with your buddies’ sort of vibe … full of energy and one you can play loud when you’re driving!”. The band loved collaborating while writing the song, Ryder Wolf claiming “it felt pretty liberating writing a song which had that ‘weekend’ feeling and had a lot of fun helping come up with lyrics which encompassed both being with your friends, and also having an exciting experience meeting a girl when you’re out.” Ryder Wolf says when he originally presented the song to the other members of the band: “I came in and said: ‘ I think I’ve come up with something pretty special here’.” Indeed, it came to pass!   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Jessica Lynn website

Jessica Lynn announces new album ‘All I Own’ and releases new single

Brooklyn-born country artist and songwriter Jessica Lynn has poured years of relentless dedication into her upcoming 10-track album,’ All I Own’. Shaped by the professional hurdles and recent health battles she’s overcome, the album — announced today — stands as a deeply personal project, set for release on January 17, 2025. Alongside the announcement, she delivers ‘Something ‘Bout You’, the sixth and final single from the LP, an uplifting ode to falling in love with her husband. Jessica shares, ‘Something ‘Bout You’ is a feel-good story about falling in love and having the most amazing adventures together. There is something nostalgic about the song and I hope it brings everyone listening back to a really special time in their lives.” Complete with an insightful tour diary style music video, the track’s positive vibes are further expressed through on-stage shenanigans and adventures throughout Europe. “My first-hand account of seeing how music can connect with people around the world, many of which don’t even speak the same language, is such an incredible feeling,” Jessica explains. “The places I’ve gotten to see through performing, the amazing people I’ve met, and the experiences I’ve been so blessed to have by doing what I love to do, truly makes me positively reflect on my journey. Just like ‘Something ‘Bout You’ says – I thank God for this life every single day.” Jessica Lynn is an infectious songwriter with an undeniable, arena-ready stage presence. All combined, it has catapulted her into a well-seasoned touring machine, playing her songs to audiences around the world.  Lynn is eager to challenge genre norms and carve out her own space in the industry. Just as her music career was taking flight, she nearly lost everything. Following a routine sinus surgery that led to a battle with postoperative complications and muscle tension dysphonia (MTD), which threatened to derail both her voice and career, All I Own stands as a testament to Jessica’s resilience. “I hid what I was going through from everyone because I was afraid we would lose tour dates, opportunities, and I didn’t really want to admit it was real,” Jessica admitted. “I started singing as soon as I could talk and I started my first band when I was 13. Music is all I’ve ever known and the thought of potentially never being able to sing normally again was a feeling I couldn’t quite put into words.” Forced to record in short 10-minute intense bursts of vocal effort, Jessica channeled her struggles into the album, each note carrying the weight of her recovery journey. She seamlessly wove double meanings into each track, inviting listeners to find their own stories within hers. Jessica has taken all of her blessings and hardships with grace, pouring her soul into every avenue she explores. This latest display of that can be heard on ‘All I Own’ as she fought through her vocal injury — not even skipping a beat to ensure her music gets to be heard.   To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Rachael Sage Cover Art Website

Review: Rachael Sage – Only You

Sage’s acoustic cover of ‘Only You,’ originally performed by Yazoo in 1982, delivers a fresh take on this beloved synth-pop classic. The original track, penned by Vince Clarke just before his (official) departure from Depeche Mode, has seen countless reinterpretations over the years, but Sage’s rendition stands out by offering something different. Rather than relying on the upbeat electronic sound that characterised the original, Sage strips the song down to its emotional core, emphasising the poignant lyrics with a delicate acoustic arrangement. The subtle, yet lush string arrangement brings a softness that tempers the sharper edges of the original. In doing so, it provides an intimate backdrop that allows Sage’s vocals to truly shine. The contrast between the stripped-down instrumentals and her emotive voice creates an atmosphere of vulnerability and warmth, transforming the song into something deeply personal.   One of the standout elements of Sage’s version is the clever use of backing vocals. In many other covers, this aspect is often overlooked, but Sage ensures that these harmonies add depth and richness to the overall sound. The backing vocals don’t overpower her lead, but rather, they complement it, creating a fuller and more engaging listening experience. This thoughtful arrangement prevents the cover from slipping into the realm of forgettable imitations.  When it comes to covering iconic tracks like ‘Only You,’ there’s always a risk of falling into the trap of producing something too derivative or overly sentimental. However, Sage makes astute musical choices that give her cover its own identity. Her decision to keep the vocals soft and understated allows the lyrical message to take centre stage, which is crucial to making this cover feel heartfelt rather than hollow. The result is a version of the classic that resonates with listeners on an emotional level, offering a sense of closeness and sincerity that can sometimes be lacking in other covers. Sage’s interpretation is proof that, when done thoughtfully, a cover can breathe new life into a classic song while paying homage to its original spirit.    Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Empire State Greg Copeland website

Review: Greg Copeland – Empire State 

Kicking off this EP with ‘Boon Time’ is a great move by Copeland. The track starts off quiet but brings up the tempo a minute in. The echo on Copeland’s voice adds to the smoky mystique that makes this blues track just fantastic. By the second minute, Copeland takes it all the way down to his voice before the instrumentation builds back up to a sultry, irresistible ending. A real bluesman, Copeland isn’t afraid to take directions that might frighten a lesser artist. The breathing/singing technique that Copeland masters on several tracks only adds to his bad bluesman aura. The acoustic ‘4:59:59’ allows Copeland’s writing to take the spotlight, with exquisite storytelling and a tale of everyday tragedy, Copeland does need to wrestle his sound from the excited start, he simply takes it all the way stripped back. An interlude of ‘Coyotes’ later, the closing titular track comes full circle as Copeland weaves his way through to a gentle closing.     Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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