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Event Preview – Ridin’ Hearts

City rooftops meet country roads as Ridin’ Hearts returns to Sydney and Melbourne in October—serving up boot-stomping music, rising stars, and all-out festival fun. Get ready to dust off your boots and feel the pulse of country magic—because Ridin’ Hearts Festival is back for its third year, bigger, louder and bolder than ever. On Saturday 25 October at Sydney Showground and Sunday 26 October at Melbourne’s Caribbean Gardens, this unique city-centre festival is ready to once again bring the heart of Nashville to Australia’s east coast. Unlike any other event on the calendar, Ridin’ Hearts blends high-energy performances with streetwear cool, cowboy boot glamour, and boutique vibes. It’s where fans come to celebrate the modern face of country music—genre-fluid, emotionally rich, and undeniably fun. A Headline Act with Heart Topping the bill this year is none other than Megan Moroney. Nicknamed the “emo cowgirl” for her blend of vulnerability and sass, Moroney has fast become a country superstar. With over 2.8 billion global streams, viral tracks like “No Caller ID” and “Tennessee Orange,” and a second studio album Am I Okay? hot off the press, Moroney’s set promises to be a singalong celebration and an emotional gut-punch rolled into one. She’ll be joined by Nate Smith, whose powerhouse vocals and emotionally direct songwriting have earned him massive crossover appeal. Known for anthems like “Whiskey on You” and “Bulletproof,” Smith was crowned Billboard’s Rookie of the Year and recently took home ACM’s New Male Artist of the Year. Rising Stars and Local Favourites As ever, Ridin’ Hearts isn’t just about the biggest names—it’s a platform for tomorrow’s headliners. Avery Anna returns to Australian shores after winning over fans at CMC Rocks earlier this year. The 20-year-old viral sensation has already proven she’s more than a TikTok success story—her ballads hit with the emotional weight of someone twice her age. Then there’s Waylon Wyatt, a fresh Nashville face who’s balancing graduation with festival tours. Armed with heartland grit and youthful optimism, he’s quickly building buzz as a new voice to watch. From closer to home, Golden Guitar nominee Lane Pittman represents Australia’s own country resurgence, having recently supported Luke Combs on his national stadium tour. His blend of raw vocals and relatable lyrics are bound to resonate with hometown crowds. Additional highlights include Blake Whiten, Sara Berki, Karley Scott Collins, and Lewis Love—all artists who blur the lines between country, folk, and Americana in exciting ways. A True Country Experience But Ridin’ Hearts isn’t just about the music. This is a festival designed to delight the senses. Visitors can browse curated market stalls, grab bites from local food trucks (everything from Southern BBQ to vegan options), and sip craft cocktails at pop-up bars throughout the site. There’s also a strong fashion and lifestyle element: from glitter cowboy hats to custom denim, festivalgoers come dressed to impress. In fact, it’s not unusual to see a full runway of Western-meets-streetwear looks unfold right there on the grass. Saddle Up With both Sydney and Melbourne shows offering stacked line-ups and good vibes from morning to sundown, Ridin’ Hearts continues to carve out a unique space in the global festival calendar. It’s equal parts concert, community, and country celebration—proof that this genre is no longer confined to the American South. Whether you’re new to country or a die-hard fan, Ridin’ Hearts offers something rare: the chance to experience the sound, style, and soul of modern country music in the beating heart of Australia’s biggest cities. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Event Review – Windy City Smokeout

Windy City Smokeout 2025 delivered unforgettable musical moments, legendary BBQ, sizzling surprise guests, and vibrant Chicago spirit for four days outside the United Center. Chicago’s Windy City Smokeout returned July 10–13, 2025, transforming the United Center parking lot into a lively convergence of country music and barbecue culture. Over four days, the festival drew crowds of 20,000–25,000 daily, drawn by a curated mix of chart‑topping artists, rising talent, and a smoky swarm of pitmasters. The 2025 lineup boasted heavy-hitters like Kane Brown, Jon Pardi, Bailey Zimmerman, Old Dominion, Megan Moroney, Riley Green, Koe Wetzel, and Dylan Gossett. Supporting acts such as Ella Langley, Sam Barber, Charles Wesley Godwin, Shane Smith & the Saints, Josh Meloy, Lauren Watkins, and Maggie Antone added depth and diversity to the roster. The schedule was tightly packed but masterfully paced, offering a seamless blend of party anthems, emotional ballads, and crowd-pleasing singalongs. Between sets, festivalgoers lounged in shaded beer gardens, joined line-dancing circles, or cooled off with ice-cold lemonade while sampling regional BBQ specialties. The atmosphere remained relaxed but electric, with a crowd that skewed younger this year—suggesting the genre’s evolving appeal among Gen Z and millennial fans. Unexpected magic Weather, BBQ, and unexpected performances defined this year’s magic. Despite intense heat and storm warnings, the mood stayed electric. The festival featured over 20 esteemed pitmasters—including local favourites like Bub City, Lexington Betty, Smoque BBQ, and Soul & Smoke—plus regional stars such as Pappy’s, Little Miss BBQ, Meat Mitch, and Hoodoo Brown Barbecue. One memorable highlight featured Hoodoo Brown serving Italian sausage sandwiches and smoked beef cheese poutine fries while battling the elements after a grueling 13-hour drive. One of the weekend’s most surreal moments occurred during Old Dominion’s Friday set when Dan Aykroyd and Jim Belushi appeared as the Blues Brothers. They jammed on “Everybody Needs Somebody to Love” and later joined the band for “Hotel Key,” igniting the crowd with a Chicago twist that will be remembered for years. Stage highlights and rising stars Friday and Saturday brought more unforgettable performances. Ella Langley’s energetic set earned her a career moment when she invited Riley Green onstage for two duets, sparking speculation with the crowd. Green’s own performance closed the festival with a raw, emotional solo rendition of “I Wish Grandpas Never Died,” following surprise Dueling renditions of Toby Keith hits that had fans singing along. Headliner Jon Pardi closed out Smokeout with pyrotechnics, catwalk twirls, and singalong hits like “Beer Can’t Fix,” “Heartache Medication,” and “Head Over Boots” — capturing the heart of country fans with his trademark swagger and showmanship. City vibes, country heart What sets Windy City Smokeout apart is Chicago’s urban energy meeting festival soul. Whether tip‑toeing toward the next set with beer in hand or doing a line dance near the pits, the vibe remains an intoxicating blend of grit, community, and pure country joy. From surprise celebrity cameos to smoky flavors and unforgettable sets, Smokeout 2025 is living proof that the best festivals never play it safe—they embrace the unexpected. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Dan Ashley – Sing Me a Story, Tell Me the News

Veteran news anchor and rock singer-songwriter Dan Ashley shares how journalism, music, and philanthropy have intertwined in a truly remarkable career. You’re known both as a respected ABC7 news anchor and as a rock-fronting singer-songwriter. Can you share how your childhood experiences shaped those dual passions? I am so fortunate to be able to pursue lifelong passions professionally. As a journalist, I benefited enormously from growing up in an academic household as the son of a college professor of public health and as Dean of the school. In high school and college, I was on the debate team, which gave me invaluable experience in organising thoughts and speaking in public. That was a huge help as I began working on television and radio as a reporter. As a songwriter, my decades as a journalist gave me a unique perspective as a lyricist that has allowed me to tell stories in song. Having been around music for my entire childhood, it gave me love and appreciation for that creative art form. What inspired the pivot back to music after decades in journalism? Music has always been a part of my life but, until the last twenty years or so, mostly as a fan. Once I started taking singing lessons, with no ambition to do it professionally, a spark turned into a flame and I was overtaken by the love of, not just enjoying music, but creating and performing it. With singles like “Small Town Nights” and “What Really Matters,” you tap into nostalgia and perspective. What do these songs mean to you personally? I grew up in a small college town, Chapel Hill, NC, so I know a lot about that kind of life. For me, it was wonderful- filled with climbing trees, playing kick-the-can in the street, and spending summer days outdoors. We didn’t have computers or video games, and I am so grateful that we didn’t. “Small Town Nights” reflects that experience but, more than nostalgic, it’s aspirational. In a very complicated and distracting age that we live in, I wanted to write a song about the joy of simple pleasures absent all the technology. “What Really Matters” is chronical in many respects of my experiences as a journalist for all these years. The things I’ve seen as a reporter and an observation that, in so many instances, good people come forward to help in bad situations. You’ve opened for legends like REO Speedwagon, Melissa Etheridge, Patti LaBelle, Joan Jett, and more. Which of these experiences had the most lasting impact? I have been so fortunate to share the stage with some incredible acts over the years- it’s a privilege and a whole lot of fun. They are all memorable in their own way, but I have to say that opening for REO Speedwagon was particularly special because all the guys in the band were so nice, gracious, and supportive. I’ve never had a bad experience supporting headliners, but they were especially delightful. How does your background in journalism inform your songwriting? Great question! The parallels are truly striking. As a journalist, I am a story-teller in many respects and that is exactly my approach with songwriting. Legendary 60-Minutes creator and producer, Don Hewitt, used to always remind reporter to “tell me a story”. That is always my key focus when I am reporting on television and it’s the same core idea in my songs. Tell me, or in the case of music, sing me a story! Your band includes musicians like James Henry and Didier (Francois Bouvet). How did forming this ensemble enrich your musical vision, and what do they bring to your sound? I have the privilege of performing with some phenomenal musicians- players and singers who elevate everything we do. Whether it’s the amazing Bill Bentley- lead guitarist and my song co-writer, Billy “Shoe’s” Johnson on drums who toured with Santana, James Henry on percussion of Pablo Cruise, among others. My bandmates are amazing musicians and fantastic people. Angeline Saris on bass- she’s played with so many artists. Nate’ Soulsanger is an incredible singer in her own right, and I am so proud to have her on background along with my wonderful wife, Angela. Your music profits fund charities close to your heart. Why is philanthropy such an important part of your music career? As a television news anchor, I have been very fortunate to have a unique place in the community which give me a unique opportunity to be involved in different ways. Philanthropy has been a deeply meaningful and important part of the position I am so grateful to hold at ABC7. It was just a natural extension to use the band to support worthy causes whenever possible. What’s your songwriting process like and how do you balance honesty with narrative structure? Songwriting is such an interesting and challenging process. Sometimes a song will just hit me, and it flows out. “Lucky Stars”, for example, I wrote in maybe half an hour when I woke up in the middle of the night thinking about how lucky I am to have found my wife, Angela. Sometimes, it’s a lot more work. But it’s a really rewarding process. How it works with me varies, sometimes a subject matter comes to mind, and I work with that. Often, just the title of a song hits me and then I begin to build the story around what it’s about. Other times, it might be a riff I hear in my head that sparks an idea. One key is to try to keep the lyrical content as authentic as possible- not to do backflips trying to force a rhyme or idea into the song. Keep it as real as you can- what you really think and feel. What milestones or creative goals are you still chasing—whether it’s an album, specific venue, collaboration, or personal evolution? As a journalist and a musician, I’m always ready for the next challenge or adventure. I’ll have a second album out soon- the

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Event Review – Country Thunder Wisconsin

Country Thunder Wisconsin returned with a record-breaking edition in July, drawing over 100,000 fans for four days of music, mud, and standout performances. From July 17 to 20, Country Thunder Wisconsin once again turned Shadow Hill Ranch in Twin Lakes into a buzzing hub of boots, beer, and big-name acts. The 2025 edition welcomed more than 100,000 fans across the four-day event, many of whom braved thick mud and unpredictable weather to catch a blockbuster lineup of country music stars. The atmosphere was electric despite the rain, with spirits high and cowboy hats barely staying on as storms rolled through. Instead of deterring the crowd, the weather added a wild charm to the proceedings—giving the whole festival a gritty, homegrown vibe that felt unmistakably country. Among the many memorable moments was Friday’s set by rising artist Braxton Keith, whose throwback honky-tonk style delivered one of the most talked-about performances of the weekend. On Saturday night, Jelly Roll’s headline slot was a thunderous highlight. His genre-blending sound and heartfelt delivery resonated deeply with the soaked crowd, who sang along under clearing skies. Legends and new voices This year’s headliners—Cole Swindell, HARDY, Jelly Roll, and Dierks Bentley—each brought their own flavour to the main stage. From Swindell’s easygoing Southern charm to HARDY’s hard-hitting rock-country fusion, fans were treated to a genre-spanning showcase that spoke to country’s evolution. Bentley closed out the festival on Sunday with a high-energy set full of fan favourites and heartfelt moments. The supporting cast was just as strong. Ashley McBryde, Chayce Beckham, Tyler Hubbard, and Sara Evans delivered solid sets that proved why they continue to be among the most respected voices in modern country. Meanwhile, classic acts like Shenandoah reminded attendees of the genre’s enduring roots, offering a satisfying balance of nostalgia and innovation. A milestone moment This year marked a symbolic milestone for the festival: its one-millionth attendee. After nearly three decades of camping, tailgating, and two-stepping in Wisconsin, the milestone was a reminder of Country Thunder’s status as a cultural cornerstone in the country music world. Beyond the headliners, Country Thunder’s success rests on the strength of its community. Whether gathered around a campfire, dancing at Electric Thunder’s afterparties, or singing along to a songwriter showcase, the festival offered a space for connection, tradition, and new discoveries. Campgrounds and community The campgrounds, as ever, were where the real festival magic happened. With impromptu acoustic jams, BBQ smoke curling into the summer air, and groups of friends bonding over shared playlists and plastic cups, the weekend reminded fans that country music is as much about people as it is about sound. Country Thunder Wisconsin 2025 proved once again that the heart of the festival lies in its blend of world-class performances and small-town spirit. With each year, the mud gets deeper, the crowd gets louder, and the memories grow stronger. If this edition is anything to go by, Country Thunder isn’t slowing down any time soon. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Cowboy Junkies Set October Reissue Date

Cowboy Junkies have announced a new expanded reissue titled More Acoustic Junk, due for release on 24 October via Cooking Vinyl. The album builds upon their earlier Acoustic Junk collection and features five new acoustic recordings alongside five tracks from the original release—three of which have been newly remixed. The result is a stripped-back celebration of the band’s signature sound, showcasing their haunting melodies and introspective lyricism in a raw, intimate format. A newly mixed 2025 version of album opener In My Time of Need is already available on streaming platforms. The lineup includes Margo Timmins on vocals, Michael Timmins on guitar, Jeff Bird on mandolin, harmonica and percussion, Andy Maize on backing vocals, Josh Finlayson on banjo and Jaro Czerwinec on accordion. More Acoustic Junk was produced, partially recorded and mixed by Michael Timmins, and mastered by Philip Shaw Bova. Songwriting is largely credited to Michael Timmins, with a few select covers, including Ryan Adams’ In My Time of Need and Neil Young’s Tired Eyes. Also on 24 October, the band’s 2004 studio album One Soul Now will be reissued by Cooking Vinyl, appearing on vinyl for the first time. It will be available in limited edition yellow marble vinyl, a gatefold CD edition, and digital formats. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0)20 7139 8641 Email: [email protected]

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Thomas Rhett to Release ‘About a Woman’ Deluxe Album

Multi-platinum country star Thomas Rhett will close out the summer with the release of About A Woman (Deluxe) on 26th September, available across all streaming platforms. The expanded edition adds three new tracks—”Water”, “Chapter 10” and “On a River”—each revealing fresh dimensions of devotion, sensuality and emotional growth. With a mix of feel-good charm and heartfelt balladry, the deluxe album marks one of Rhett’s most ambitious efforts to date, extending the original project into a 25-track collection. Featuring collaborations with Blake Shelton, Jordan Davis, Teddy Swims, Lanie Gardner and Tucker Wetmore, About A Woman (Deluxe) spans moods and melodies, from sun-soaked anthems to soul-searching love songs. Rhett’s charisma and vocal warmth shine throughout, showcasing why he remains one of Nashville’s most versatile hitmakers. Reflecting on the release, Rhett shared his gratitude for fan support this summer, noting how deeply the music has resonated both on tour and across playlists. The Better in Boots Tour has been a high point, including a milestone debut at Fenway Park in July. Among the highlights of the deluxe edition are “Ain’t a Bad Life” with Jordan Davis, “Old Tricks” with Blake Shelton, and the breezy “Small Town Girls” featuring Tucker Wetmore. The emotional duet “Somethin’ ‘Bout A Woman” with Teddy Swims and the chart-topping “After All The Bars Are Closed” have also made a major impact, with the latter becoming Rhett’s 24th No. 1 hit and spending three weeks atop Billboard’s Country Airplay chart. With 16 billion streams and more than a decade of hits, Thomas Rhett continues to evolve without losing the emotional core that made him a fan favourite. His Better in Boots Tour continues across North America through the autumn, with additional dates including two nights in Las Vegas. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0)20 7139 8641 Email: [email protected]

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Jeremy Parsons Announces New EP ‘Life’

Americana singer-songwriter Jeremy Parsons has released his brand-new EP Life via MTS Records, blending lyrical honesty with his distinctive roots-driven style. The five-track collection includes three previously charting singles alongside the brand-new song Who Was I?, due out 5th September. With songs like “Tickin’”, “Humanity” and “Life Worth Dyin’ For”, the EP reflects both deeply personal experiences and shared emotional truths. Parsons describes Life as a meditation on resilience and reflection, inspired by the weight of daily headlines and the emotional tapestry of love, memory, and loss. “I felt Life was the perfect name for this one,” he shared. “That’s what we’re always paying attention to as we live ours out and write of our journeys.” Among the highlights, “The Garden” (Radio Edit) previously charted on the Billboard Digital Song Sales Top 50 and earned praise across the UK, while “Who Was I?” draws on a critic’s comment about his 2021 album Things To Come to spark a powerful reflection on identity and self-growth. With Life, Parsons continues to cement his reputation as one of Americana’s most introspective voices, offering a soundtrack for listeners navigating their own crossroads and triumphs. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0)20 7139 8641 Email: [email protected]

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C2C 2026 Announce Headliners

Country 2 Country (C2C) has announced its 2026 headliners, and the lineup sets the stage for another major weekend for UK country fans. From Friday 13th to Sunday 15th March 2026, the festival returns to The O2 London, OVO Hydro Glasgow and The SSE Arena Belfast, led by three standout acts: Zach Top, Keith Urban and Brooks & Dunn. They will be joined by Scotty McCreery, Russell Dickerson and Drake Milligan, bringing a mix of chart success, rising momentum and strong live credentials. As in previous years, each artist will rotate across the three cities, meaning audiences in London, Glasgow and Belfast will all experience full arena performances from every headliner across the weekend. This multi-city format has become a defining feature of C2C, offering UK audiences a rare opportunity to see multiple major names in one festival setting, while reinforcing the event’s ambition and its close ties to the international country music community. Since launching in 2013, C2C has played a central role in shaping the UK country scene, bringing Nashville’s biggest artists to British arenas while also creating space for emerging voices and homegrown talent. Beyond the headline shows, its wider programming continues to foster discovery, connection and a strong sense of community. Tickets for C2C UK 2026 go on sale Friday 26th September at 10AM via the official festival website.

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Payton Smith Releases Reflective Album ‘The Bridge’

Payton Smith has unveiled his latest album The Bridge, a ten-track exploration of life, love, and the lessons learned along the way. Out now via Combustion Masters / CMDSHFT, the project offers a coming-of-age portrait from one of country’s most promising young voices. The Louisiana native, now 25, reflects on the transitions that shape early adulthood — from chasing his musical dreams at 14 to marriage at 22 and fatherhood at 25. In his own words, the album captures “where I’ve been, where I am, and the uncertainty of what’s ahead,” offering an honest take on what it means to grow up while still feeling like you’re in motion. Produced by Chris Farren, The Bridge blends introspection with musical precision. Smith’s signature guitar work and storytelling craft elevate each track, reinforcing his status as a multi-talented artist with both stage presence and songwriting depth. Songs move from youthful optimism to hard-won clarity, reflecting a personal evolution without losing the charm and energy that first caught listeners’ attention. To celebrate the album’s release, Smith hosted a special Nashville show on 18 September at Chief’s on Broadway. The intimate event, titled Payton Smith & Friends: The Bridge Album Release Show, marked a milestone moment in his already impressive career. First gaining attention with his 2019 single “Like I Knew You Would,” Smith quickly racked up over 50 million streams and was named a CMT Listen Up Artist in 2021. His self-taught guitar skills and ability to compose and perform all string parts on his debut set him apart in a crowded field. MusicRow called him one of their Next Big Thing artists, and Taste of Country praised his “raw talent, authenticity and strong work ethic.” Following the release of his 2023 debut album What Colors Your Wild, Smith continued to build momentum with streaming success and high-profile support slots for artists like Brantley Gilbert, Chris Young, and Lee Brice. This autumn, he’ll join Cole Swindell, Priscilla Block and Lily Rose on tour. With The Bridge, Payton Smith delivers not just a collection of songs, but a sincere expression of a life in progress — caught between past and future, youthful dreams and adult reality — and he proves he’s an artist worth crossing that distance with. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0)20 7139 8641 Email: [email protected]

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Baylee Lynn Shines in New Single “John, Dear”

Rising country star Baylee Lynn has released her second single, “John, Dear,” alongside a playful and polished new music video. At just 17 years old, the Tennessee-born singer-songwriter is quickly making her mark with a sound that blends youthful spirit, lyrical wit, and impressive vocal range. The track follows her debut single, “Cautiously Optimistic,” which made waves in August by topping Billboard’s new music poll — outperforming major names like Sabrina Carpenter. With “John, Dear,” Baylee leans into a mid-tempo groove rich with melodic guitars and swaying rhythm, exploring the quirks of young love and the pitfalls of unnecessary jealousy. Produced by GRAMMY-nominated AJ Pruis, known for his work with Megan Moroney and Maddie & Tae, the song mixes tenderness with sass. It tells the story of a boyfriend watching nervously from across the room as Baylee talks with friends, prompting her to cheekily reassure him with lines about focusing on his tyres, beer, or the weather instead. Co-written by Baylee alongside Pruis, Jenna Shuffler, and Mia Mantia, “John, Dear” blends honest storytelling with clever detail, confirming her growing reputation as a gifted new voice in country music. The music video, directed by ashtronot, continues the visual narrative from “Cautiously Optimistic.” Set at a backyard party, Baylee — dressed in her signature red — rolls her eyes at her jealous love interest with charm and confidence, bringing the track’s themes to life through her natural charisma. A native of Greeneville, Tennessee, Baylee began her musical journey in church and picked up the guitar at six years old. By 13, she was writing her own songs, inspired by icons like Dolly Parton and Faith Hill. Now based in Nashville, she continues to refine her style while gaining momentum as one of the most promising newcomers on the scene. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Editor, Maverick Magazine Tel: +44 (0)20 7139 8641 Email: [email protected]

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