Dolly Parton and Belles Son of Jolene - Maverick Country

Belles and Dolly Parton to Unite on Son of Jolene

Country music legend Dolly Parton is due feature on a new song to continue the legacy of one of her most iconic songs. The Queen of Country will join emerging country artist, Belles, on a new track inspired by her 1973 hit, Jolene. Continuing the Classic Story Son of Jolene was written by Belles, whose real name is Kelli Belles, as a clever, character-driven continuation of the classic story, imagining a chance encounter years later with Jolene’s son. Sharing her inspiration for the song, Belles shared with her management company, Red Light Management, “I grew up so inspired by Dolly and the worlds she created through her songs. “Having her lend her voice to this record is beyond anything I could have imagined. It feels like a full-circle moment and a true honour.” Release Date and Promotion Plans The song is due out on Friday, April 17. Belles, who hails from Nebraska, released her self-titled EP in September last year. She is due to promote Son of Jolene at the Country Radio Seminar in Nashville next month. A History of Jolene Reinterpretations This certainly won’t be the first time someone has tried to re-imagine or re-frame Jolene; in 1995, Kirsty MacColl released Caroline, which is told from the other woman’s point of view. More recently, Chapel Hart released another answer song called You Can Have Him Jolene in 2021. A version of the song called Vaccine went viral in 2020 after Dolly donated $1 million towards research into a vaccine for COVID-19. The song has also been covered by numerous artists including Beyoncé who covered the song and changed some of the lyrics on her 2024 album, Cowboy Carter. Other artists who have covered the hit have included Pentatonix (this version featured Dolly herself), Olivia Newton-John, The White Stripes, Måneskin, Lil Nas X and Miley Cyrus.

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Country Calling cements its place on the UK country music scene. maverick-country.com

Country Calling cements its place on the UK country music scene

Over the weekend, UK country fans joined together at Country Calling in Chelmsford, Essex. As well as catching up with the artists, Maverick Country had the pleasure of spending the weekend soaking up the festival atmosphere at King’s Farm. A celebration of all things country In its sophomore year, the promoters wanted to emphasise how this is a festival built by and for country music fans, and as you walked around the arena, you could really feel the attention to detail that has gone in to planning it. The intentional way the festival had been laid out worked exceptionally well, with plenty of space to roam among the music lovers sporting cowboy hats and boots. Both could be picked up at the trading post which featured lots of exciting vendors including Ariat, Vera Black, UK Country, and The Cow Girl Club. Western fashion has really picked up this year and anyone who is into this scene would have been at home among the market stalls at Country Calling, and coming away a few pounds lighter for it! All things Americana were celebrated at this year’s Country Calling, with American food vendors, muscle cars, fairground rides, and a Nashville-style dive bar where punters could take part in line dancing classes or jam out to some of the acts performing on its stage. Country Calling is also a family friendly festival with free tickets for under 16s when accompanied by a paying adult and a dedicated area for arts and crafts and line dancing. A festival on the rise As for the music, there was ample opportunity to soak in a wealth of talent from artists from the UK, USA, Canada and Australia; whether on the Main Stage, Caffè Nero Stage, the dive bar, or sat on top of a hay bale at the Homstead stage, the festival proved to be a feast for country fans. Another key ingredient of the Country Calling formula is that every artist on the bill is an original recording artist which sets it apart from other country music events in the UK which rely heavily on tribute acts. What is particularly exciting about attending Country Calling is the prospect of discovering your new favourite artist or someone who may go on to top the charts. Overall, Country Calling feels like a festival which is quickly cementing itself into the UK country music scene. Between the carefully-curated way the festival was laid out to the exceptional selection of artists, there is no doubt this festival will soon become a fan favourite that will have many returning in 2027.

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Maverick Country at Country Calling. maverick-country.com

Catching up at Country Calling

This past weekend, Maverick Country had the pleasure of attending Country Calling at King’s Farm in Chelmsford, Essex. As well as getting the chance to have a chat with Sunday night headliner, Randy Houser, we also caught up with many of the other talented performers who graced the Main Stage and the Homestead stage. Jack Browning The London-based singer-songwriter is set to release his second album, “Painted Skies” next month via Two Fine Records in Nashville. So, you’ve already performed this morning. How did it go? How was the atmosphere? It was great, it was really fun. Obviously, the first slot on the main stage can kind of go either way sometimes, but it was great. Everyone was super up for it. It filled up really nice. 
I think we got everyone two-stepping. So we got the job done, got everyone set up for Janet and Randy and all the folks playing today. What are your biggest inspirations behind your music? I love John Prine. I think he’s always like a bit of a yardstick for me. I love performers like Charlie Crockett and Tyler Childers and I’ve been lucky to see them from tiny rooms up to where they are now, so it’s been really cool following that along and it’s kind of given me a little bit of fire to hopefully do the same thing. Those guys are big ones for me. If you could work with any other musician, dead or alive, who would it be and why? I’m a sucker for Glen Campbell, I really am. I’d love to have seen what we could have written together. He’s a big influence. I’m probably not good enough to lace up his boots, but if he’d have heard me, I’d love to have written with Glen. 
That would have been very special. What do you like about performing at festivals like this one? I mean, this one kind of is particularly special. 
I played the first year which was the first year, and I was on one of the third stages. I was was raised around here in Chelmsford – that’s where I cut my teeth, playing in clubs in town. So it’s really nice to come back and open up the main stage in front of family, friends, and a bunch of people who are up for a weekend of country music. What can we expect from you next? What’s going down the line? I’ve got a new record coming out on September 16th, it’s called “Painted Skies”. It will be out via Too Fine Records in Nashville. It’s a whole new album of original music. I have started writing the next one already and it means a lot to get this one out. We started recording it two and a half years ago, so it’s nice to know it’s finally going to reach people’s ears in less than a month’s time. What’s a random fact that about you that not many people would know? I can do an amazing impression – even if I had to say so myself – of Phil Harding from Time Team. Kasey Tyndall Kasey Tyndall is known for blending rock and roll with country. The songwriter and guitarist is from North Carolina. She was named in CMT’s Next Women of Country class in 2023. How do you feel about performing at festivals like this? I love it. 
The energy’s always high. Everybody’s here to listen to music all day, and they’re drinking, having a good time, and so it’s usually some of the best shows. Who or what do you normally look towards when you’re looking to write a song or perform your music? When it comes to inspiration for shows and events and stuff…I mean, my family, I love my family so much, and so just knowing that I’m doing it for them and doing it for the fans as that’ve come so far to see us play, it’s just, that’s my inspiration for the day. As far as music goes and creating music, my influences are all the way from Joan Jett, Pat Benatar, Heart, Avril Lavigne, Brantley Gilbert, Alison Krauss. I mean, it’s just a big hodgepoge.  If you could work with anyone, either dead or alive, who would be your dream collaboration? Oh, that’s so tough. I mean, probably Joan Jett. What’s a random fact that nobody would know about you? 
 Oh, now that’s the toughest question…I fresh mill my own flour and make my own bread. Janet Devlin Janet Devlin is a Northern Irish singer-songwriter who released her debut album in 2013. A new chapter came in 2024 when she released “Emotional Rodeo”. What’s your favourite thing about performing at festivals like this? That it’s not my show!
Putting on your own tour and stuff like that is a lot of pressure. So, yeah that’s my favourite bit, which is ridiculous! When you’re writing songs, who or what do you look towards for the inspiration behind your music? 
 Honestly just my life, it’s always been my life. There’s some storytelling from time-to-time, but usually it’s all my stuff. For the silly songs, I’m normally like driving or something and a funny phrase will come in my head. If you could work with any other musician, dead or alive, who would your ideal collaboration be with? 
 Oh that’s so hard…Dolly Parton would obviously be swell, based on what she’s done for the country genre. You rose to prominence being on The X factor. What’s one thing about being on a reality show that not many people would know, like? Music TV shows, they are still a TV show, they still have to like make it entertaining. It can’t all just be about the music. What can we expect from you next? Is there any projects down the line? I’ve got a new album coming out early next year. So I’m just going to be releasing singles up till then. What’s a random fact that

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Maverick meets Randy Houser. maverick-country.com

Maverick meets Randy Houser at Country Calling

This past weekend, country music fans came together at Country Calling at King’s Farm in Chelmsford, Essex. The Sunday headliner, Randy Houser, played to a packed out crowd, rounding off an exceptional weekend of music and a celebration of all things country. With hits including “Runnin’ Outta Moonlight”, “Goodnight Kiss”, and “Like a Cowboy”, Randy appeared at the festival as part of a UK tour. Maverick Country was lucky enough to catch up with Randy ahead of his performance. You’ve performed in Glasgow and Manchester this week. How would you say UK audiences differ to US audiences? Well, I will say this: while we were in Glasgow, I noticed that everybody looks at you and sort of sings along, but won’t sing out loud. And then you think, “I think they hate me.” 
And then the end of the song comes and they’re like, “WOOOOO!”, so it’s definitely different, you know? And then in Manchester last night they were a little more vocal, like they would sing along a lot more. They were great. 
Well, they were great in Glasgow too, it’s just a different kind of thing. In America, they just want to make noise and throw shit at you and stuff like that. And I’m like, I’m not down for the throwing stuff at me thing. The interesting thing is that UK fans know…like if I want to play a deep cut, like a B side song that not many people have heard, they know it here. It’s insane! So we’re very thankful to have people that actually are there to listen to music as well, not just have their own party. You released your first album in 2008. 
How would you say country music has changed since then? It definitely has. About two times I’ve seen it change and circle back around to itself. I think it has definitely went through a more rappy kind of thing. And I feel like now it’s swinging back more country again, which I love and I’m thankful for. I just think that’s what country music does. It always goes back to its roots. Being an actor as well, how do you think being a country music artist translates? What are the differences you have noticed? I mean, it’s easier for me to probably point out the similarities than anything.
I’m not really an actor at all; I can just be me and get the point across of what you want to say, basically. The only thing I can be is uniquely me and say what you want to say. 
The first time I was walking to a movie set, felt like every night I walk out on to a stage. I was so scared to go to the first film I did. The first real film was with Martin Scorsese, and I was so nervous to go out there. But as soon as I started walking to the set, the parallel of walking to a stage to go play music happened, and I got pumped up and excited and you overcame those fears. When can we expect new music from you? We have a brand new one out now called “Back in the Bottle”, and we got some more music in the can to release as soon as we decide to.

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Jacquie Roar teams up with Stee for new single "Lie with You". maverick-country.com

Jacquie Roar teams up with Stee for new single “Lie with You”

The Voice Season 24 finalist Jacquie Roar has announced her new single, “Lie with You”, a sultry country duet featuring fellow Season 24 contestant, Stee. Set for release on 28 August at midnight, the mid tempo track explores the tension between temptation and consequence, focusing on the attraction and fantasy surrounding a relationship that crosses a line. Rather than approaching infidelity from a judgemental perspective, the song captures the internal conflict of knowing something is wrong while still feeling drawn towards it. Nashville songwriters collaborate on “Lie with You” Roar co wrote the single alongside a team of Nashville songwriting talent. The collaborators include Jordan Gray, a Grammy Award winning songwriter behind “Amen”, performed by Shaboozey and Jelly Roll, and Steve Fee, who co wrote Max McNown’s No. 1 “A Lot More Free”. Also involved are Canadian born, Nashville based songwriter Jesse Slack, who scored a No. 1 with Owen Riegling’s “Moonshines”, and producer and songwriter Jason Mater. Stee joins Jacquie Roar Roar enlisted her friend and fellow The Voice Season 24 artist Stee to provide his vocals on the track. The pair first met while competing on the hit television series. Roar progressed to the Season 24 finale, ultimately finishing in fourth place. Their reunion on “Lie with You” creates a duet built around chemistry and tension, with the two vocalists portraying the temptation at the centre of the song. The lyrics reinforce the track’s provocative theme, depicting two people contemplating what could happen if they give in to their attraction, featuring lyrics such as: “Underneath the covers, baby let’s discover what two hearts on fire can do”

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Richard Lynch announces emotional new single Wait For Me. maverick-country.com

Richard Lynch announces emotional new single Wait For Me

Award winning traditional country artist Richard Lynch has released his deeply personal new single, “Wait For Me”, alongside its official music video through Fence Row and MTS Records. Written by Lynch and John Lee, the poignant ballad tells the story of a son racing to his mother’s bedside for one final goodbye, exploring themes of love, gratitude, family and faith. “Wait For Me” celebrates a mother’s love Rooted in the storytelling traditions of classic country music, “Wait For Me” focuses not only on loss, but also on the sacrifices and unconditional love that can define the relationship between a mother and her children. The lyrics recall the comforting hands that soothed childhood fears, repaired torn clothes and wiped away tears, while reflecting on the influence a mother can have across generations. As the narrator makes his journey to his mother’s bedside, the song transforms a moment of heartbreak into one of hope and gratitude. New music video explores family memories The official music video expands on the song’s emotional narrative through cinematic storytelling. Present day scenes depicting a son visiting his mother in hospital are interwoven with memories from childhood, creating a portrait of a family shaped by compassion, faith and love. Rather than concentrating entirely on grief, the video explores themes of peace, healing and the hope of reunion. Classic country sound takes centre stage Produced with a restrained approach, “Wait For Me” places Lynch’s warm vocal performance at the centre of the recording. Gentle acoustic instrumentation, steel guitar and an unhurried arrangement provide the backdrop for the song’s emotional storytelling, remaining firmly rooted in Lynch’s traditional country sound. The release continues his commitment to creating music centred on faith, family, patriotism, rural life and traditional values. Richard Lynch celebrates three decades in country music For more than three decades, Ohio based singer songwriter Richard Lynch has established himself as a prominent independent champion of traditional country music. He has achieved more than a dozen No. 1 radio singles across independent country charts, including success on the Independent Music Network and National Radio Hits. His music has also charted on iTunes Country and Cashbox, while receiving airplay from international country radio. Lynch has received numerous Independent Music Network Awards, including honours for Country Artist of the Year. He has also been recognised by the Josie Music Awards, Academy of Western Artists and International Singer Songwriters Association.

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Parmalee debut at UK Country Calling Festival maverick-country.com

Parmalee to make UK debut at Country Calling Festival

Parmalee will make their long-awaited UK debut this weekend when they headline Country Calling Festival in Chelmsford, Essex on Saturday, August 15th. Commenting on the upcoming performance, the band shared, “We can’t wait to get in front of a UK crowd! This is something we’ve dreamed about and worked toward our entire career. Knowing we’re going to play for our UK fans for the first time brings back the same feeling we had when we first started the band. It’s exciting, and we’re so ready for it!” The North Carolina band, comprised of brothers Matt and Scott Thomas, cousin Barry Knox, and lifelong friend Josh McSwain, has firmly established itself as one of country music’s biggest success stories. Their latest single, “Cowgirl” from their 2025 album “Fell In Love With A Cowgirl”, became the band’s longest-running No. 1 and the longest-running Billboard Country Airplay No. 1 by a band in nearly 14 years, marking their fifth consecutive chart-topper following hits including “Take My Name”, “Just the Way” with Blanco Brown, “Girl In Mine”, and “Gonna Love You”. Renowned for their explosive live performances, Parmalee continues to build momentum with recent releases including “I Need Somebody” and current single “God Knew Better” which is climbing the US country charts. With acclaim from the ACM Awards, iHeartRadio Music Awards and American Music Awards, Parmalee continues to prove they’re one of country music’s most consistent hitmakers, both on stage and on the charts.

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Brooks & Dunn - BRAND NEW MAN maverick-country.com

Brooks & Dunn celebrate 35 years of “BRAND NEW MAN”

Brooks & Dunn will celebrate 35 years of their highly-influential, culture-defining debut album with a first-ever vinyl pressing of “BRAND NEW MAN”, out Oct. 23. The announcement arrives as the Country Music Hall of Famers prepare for a special Grand Ole Opry appearance tonight. The show honours the album’s 35th anniversary and the enduring legacy of the record that launched one of country music’s most celebrated careers. The watershed album didn’t just introduce the world to Kix Brooks and Ronnie Dunn, but set a new bar for showmanship and songwriting. Thirty-five years after its release, the album’s songs remain fixtures of country culture, continuing to connect with longtime fans while finding new audiences around the world. Yet since it was first released in the cassette era, listeners have never heard it like this. The album that started it all Originally released on August 13, 1991, “BRAND NEW MAN” featured 10 self-penned standouts from a distinctive pair of young singer-songwriters. The pair went on to become Country Music Hall of Famers and one of country music’s most beloved duos. Matching revved up rock ‘n’ roll swagger with pure-country song craft and vocal originality, it sparked a career filled with chart-topping hits, sold-out tours and even a line-dance revival, underpinning three-plus decades as the most iconic duo in country history. “When we released “BRAND NEW MAN”, we were two songwriters trying to make the best record we could and hoping people would connect with it,” Kix Brooks shares. “To see those songs still finding their way to new fans 35 years later is something we never could have imagined. Getting to finally put this album on vinyl and celebrate where it all started is pretty special.” “We never set out to make a record that would still be talked about 35 years later. We were just two crazy guys chasing the Nashville dream,” Ronnie Dunn says. “The fans are the reason these songs have lasted. Seeing the younger generation connect with them is what keeps it exciting. “BRAND NEW MAN” will always be a special part of our story.” Four Number One hits and a lasting legacy Produced by Don Cook and Scott Hendricks, “BRAND NEW MAN” dominated the country charts through the early ‘90s with four consecutively-released Number One hits, “Brand New Man,” “Neon Moon,” “My Next Broken Heart,” and “Boot Scootin’ Boogie.” As a testament to the duo’s artistic quality, the 10 tracks were all penned or co-penned by at least one Brooks & Dunn member. The album landed in the Top 5 on Billboard’s Country Album chart and inside the Top 10 on the all-genre Billboard 200. This was before going on to become RIAA certified 7X PLATINUM. It inspired legions of fans and multiple generations of country artists, who still cite Brooks & Dunn’s influence today. Reaching a new generation of country fans That influence remains as visible as ever. Going on to release 12 studio albums, Brooks & Dunn remain one of country’s most vital acts. In recent years, the duo has embraced collaboration with a new generation of artists through the trailblazing REBOOT and REBOOT II projects. They continue the tradition with upcoming features on rising star Zach John King‘s debut album and Riley Green‘s anticipated new album. Fresh off a series of stadium dates alongside Morgan Wallen on the Still The Problem Tour 2026, the duo shows no signs of slowing down. More than three decades after its release, songs from “BRAND NEW MAN” continue to reach new audiences. Songs such as “Neon Moon” have been regularly resurfacing through viral social media trends and fan-driven moments online. The NEON MOON TOUR continues Looking ahead, Brooks & Dunn has extended their headlining NEON MOON TOUR with nationwide dates beginning Sept. 10 through Oct. 9. The duo continue to see the real-time impact of their work. Earning the CMA Vocal Duo of the Year trophy for the last two years running, and ACM Duo of the Year honors for the last two years as well, Brooks & Dunn are now the most-awarded artists in CMA history. They have also taken home 18 ACM awards.

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Beyond Nashville: Tori Drake. maverick-country.com

Beyond Nashville: Tori Darke

Australian country artist Tori Darke is preparing to make her UK debut with an appearance at Country Calling Festival. Known for her powerhouse vocals, fearless songwriting and commanding live presence, Darke arrives in the UK following a significant year that has seen her continue to build her reputation on the international country music scene. Her recent appearances include performances at CMA Fest and Country Jam in the United States. Tori Darke releases “Prettiest Wreck” Darke’s UK debut follows the release of her latest single, *Prettiest Wreck*, a post breakup anthem co written with fellow Australian country artists The Wolfe Brothers. Following Country Calling, Darke will return to Australia before sharing major festival stages with Larry Fleet and Tyler Braden later in the year. Success on The Voice Australia Darke has established herself as one of the most compelling female voices in Australian country music, combining powerful vocals with honest lyrics and an energetic stage presence. In 2024, she joined Australian country music star Lee Kernaghan on a national tour, further strengthening her reputation as a live performer. That same year, Darke appeared on Channel 7’s The Voice Australia, where she turned chairs before joining Team LeAnn Rimes. Her time on the programme also resulted in a duet partnership with Brad Butcher. The pair received widespread praise for their chemistry and heartfelt reimagining of a Fleetwood Mac classic. “Trouble” earns APRA Music Awards nomination Darke has also found success through her collaboration with Jay Santilli, “Trouble”. The track is currently gaining momentum across multiple radio charts and was nominated at the 2026 APRA Music Awards, establishing it as one of the standout country recordings of the year. Country Calling marks next career milestone Darke’s appearance at Country Calling represents another important step in her growing international career, giving UK country music fans their first opportunity to see the Australian singer perform on British soil. Following appearances at major American events and continued recognition in Australia, her UK debut adds another international milestone to an increasingly impressive career.

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Donna Zanetti, Creative Director at Country Calling. maverick-country.com

Country Calling: Built by Country Fans, Centred Around the Fan Experience

Donna Zanetti, Creative Director at Country Calling Festival, talks about the process of planning a country music festival which champions the fans.  My favourite moment of the whole year happens before anyone has even walked through the gates. It’s standing in the middle of the festival site with the team, looking across the field at everything we’ve spent the last year bringing to life. For twelve months it’s lived in our heads, on site plans, spreadsheets and countless WhatsApp messages. And suddenly it’s real. The stages are built, the fencing is up, the traders are in place and, in just a matter of hours, thousands of country music fans will be walking through those gates. For a few minutes it’s quiet. We just stand there, take it all in and appreciate what we’ve built before everything gets busy. Then the gates open, the music starts and the whole place comes alive. The Country Calling experience People often ask what makes Country Calling different, and the honest answer is probably much simpler than people expect; we built the festival we’d want to go to ourselves. Every meeting, every site plan, every artist conversation and every little decision comes back to one question: if we were coming to this festival as fans, would we love it? I still have to pinch myself that I get to call myself Creative Director of Country Calling, but the title only tells part of the story. We’re a small team who genuinely love country music, and everyone wears about five different hats. Over the course of a year there are countless conversations, ideas, challenges and last-minute changes, but every decision comes back to making the festival better for the fans. If it doesn’t improve the experience, it usually doesn’t make the cut. Country Calling 2026 headliners One of the biggest moments during this year’s planning was getting the call from Nashville to say Randy Houser and Parmalee were confirmed as our 2026 headliners. There may even have been a little happy dance in my office. They’re artists I’ve admired for years, so knowing they’d be headlining a festival we’d all worked so hard to build felt pretty surreal. Getting the balance of the line-up right has always mattered to me. I wanted us to bring some of the biggest names from Nashville to Essex while continuing to champion the amazing homegrown talent we have here in the UK. I genuinely believe UK artists deserve to share the stage with some of the biggest names in country music. When I started putting the line-up together, I found myself going back to my Spotify playlists again and again. One minute it’s Randy Houser, the next it’s Ashley McBryde, then Brothers Osborne, Parmalee or Kezia Gill. That’s just how I listen to country music, and I know I’m not the only one. Most of us don’t sit there thinking about sub-genres – we just listen to songs we love. At some point it clicked that that’s exactly what I wanted Country Calling to feel like: a festival where people could discover something new, sing every word to an old favourite and come away feeling like the whole weekend celebrated everything we love about country music. Celebrating female talent One thing we spoke about a lot during planning was making sure the line-up reflected where country music is today. Some of the most exciting artists around right now are women, so we wanted that reflected on our poster. Seeing we’d achieved an almost 50/50 split between male and female artists is something we’re genuinely proud of, and we’d love to keep building on that in future years. One thing we’ve always believed is that festivals should be where you discover your next favourite artist. Alongside the bigger names, we’ve taken a few chances on new and emerging international artists who we honestly think are going to be huge. One artist I’m especially excited for people to discover is Lakelin Lemmings. The first time I heard her music, I knew there was something special about her. She’s an incredible songwriter and performer, and I genuinely think she’s got a really bright future. I’d love to think that in a few years’ time people might be able to say, “I saw them at Country Calling before they became huge.” Seeing the reaction when we announced the line-up was brilliant. Watching people share the poster, plan their weekends and tell us how excited they were made every late night worthwhile. A festival built by country fans I’ve always thought great festivals are about much more than who’s on the poster. It’s discovering an artist you hadn’t heard before, bumping into friends you only seem to see at festivals, sitting on the grass between sets with a drink and simply enjoying being there. That’s the bit I love. None of us really switch off once the festival ends. We’re already making notes. What worked? What didn’t? What did people love? What can we improve? Every year we learn something, and every year we try to make the next festival even better. We’re country fans building a festival for country fans, and that’s something we’ve never lost sight of. We hope that when people arrive, they can feel the care that’s gone into every part of the weekend. From the way the site is laid out to the little details people might not notice straight away, everything has been designed with the fan experience in mind. After a year of planning, we finally get to the part we’ve all been waiting for– seeing people enjoy it. We can’t wait to welcome everyone through the gates and watch Country Calling take on a life of its own.

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