7 May 2026

Eurovision 2026. Maverick-country.com

Beyond Nashville: Eurovision

The Eurovision Song Contest returns to screens this month with the 70th edition being held in Vienna, Austria later this month. To coincide with the start of the world’s larget music competition, we’ve taken a look at the times country music has seeped its way into a competition usually synonymous with pop songs and ballads. While country music remains a niche genre across much of Europe, a handful of artists have successfully introduced Nashville-inspired songwriting, roots instrumentation and Americana storytelling to one of the world’s most mainstream music platforms. Among the many acts to blur the boundaries between Eurovision and country music, four artists stand above the rest for their influence, authenticity and wider cultural impact. The Common Linnets No country influenced Eurovision act has achieved greater critical and commercial success than Dutch duo The Common Linnets. Formed by Ilse DeLange and Waylon, the group represented the Netherlands at Eurovision 2014 with Calm After the Storm, a stripped back Americana ballad that stood in stark contrast to the contest’s usual high energy performances. Built around acoustic guitars, close harmonies and understated production, the song embraced classic Americana influences rarely heard on the Eurovision stage. Its quiet confidence resonated across Europe, ultimately finishing second in the competition while becoming a major international hit. The Common Linnets proved that authenticity and simplicity could still command attention within a contest often dominated by spectacle. Their success also introduced many European audiences to contemporary Americana music for the first time. Texas Lightning Germany’s Texas Lightning delivered one of Eurovision’s clearest examples of traditional country music in 2006. Performing No No Never, the band embraced western swing, rockabilly and classic Nashville aesthetics with complete confidence. The song finished 14th. Led by vocalist Jane Comerford, the group appeared visually and musically rooted in vintage American country traditions. Steel guitars, cowboy styling and retro country arrangements gave the performance a distinctive identity within the competition. While some Eurovision country entries merely borrow stylistic elements from Americana, Texas Lightning approached the genre with genuine musical commitment. Their appearance demonstrated that classic country could still find an audience within mainstream European entertainment. Waylon Following his success with The Common Linnets, Dutch artist Waylon returned to Eurovision in 2018 as a solo performer with Outlaw In ’Em, which came 18th. This time the emphasis shifted towards southern rock and outlaw country influences, drawing inspiration from artists such as Waylon Jennings, Lynyrd Skynyrd, and contemporary Americana rock acts. The performance embraced gritty guitars, blues driven rhythms, and a more aggressive country rock energy than typically seen at Eurovision. Although reactions were divided, Waylon reinforced the Netherlands’ growing reputation as one of Europe’s strongest modern country music nations. His willingness to bring authentic country rock influences to an international pop audience helped broaden perceptions of what Eurovision performances could sound like. Waterloo & Robinson Long before Americana became fashionable within European music circles, Austria’s Waterloo & Robinson introduced soft country rock textures to Eurovision during the 1970s. Representing Austria in 1976 with My Little World, the duo blended folk harmonies, acoustic instrumentation, and west coast country rock influences into a melodic and accessible sound. The song finished 5th. The duo attempted to represent Austria again in 2004, joining the preselection process at the time. At a time when country music remained relatively unfamiliar to many European audiences, Waterloo & Robinson helped establish an early crossover between Eurovision pop and American roots inspired songwriting. Their contribution remains historically important because it demonstrated that country influenced material could work effectively within the Eurovision format decades before the genre gained wider European acceptance.

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Ringo Starr. Maverick-country.com

Blast from the past: Ringo Starr

The Beatles legend Ringo Starr has released his new album, Long Long Road. The album is the 85 year old’s 22nd studio album and his third foray into country music. It features guest appearances from Billy Strings, Sheryl Crow, St. Vincent, Mully Tuttle and Sarah Jarosz. The album was recorded in Nashville and Los Angles in collaboration with legendary record producer and guitarist, T Bone Burnett.  We look back on Ringo Starr’s career, spanning close to seven decades.  The Beat Behind The Beatles and Beyond Few musicians in modern history have experienced a career as remarkable, unlikely, and enduring as Ringo Starr. For more than six decades, Starr has remained one of the most recognisable figures in popular culture, moving from the back streets of Liverpool to the centre of global fame as drummer of The Beatles. Yet his story is far more nuanced than the familiar image of the affable Beatle flashing a peace sign behind a drum kit. It is a life shaped by hardship, resilience, reinvention, and a surprising willingness to evolve long after many of his contemporaries stopped trying. Although John Lennon and Paul McCartney often dominated headlines and songwriting credits, Starr’s contribution to The Beatles was fundamental. His feel, timing, and instinctive musicianship helped shape some of the most influential recordings ever made. Beyond that, his personality became essential to the group’s chemistry. Starr brought warmth, humour, and a grounded presence to a band increasingly pulled apart by fame, pressure, and artistic ambition. More than fifty years after The Beatles disbanded, Starr continues to tour, record music, collaborate with younger artists, and explore new creative directions. His recent embrace of country music has introduced yet another chapter to a career that has consistently defied expectation. Growing Up In Liverpool Born Richard Starkey on 7 July 1940 in the working class Dingle area of Liverpool, Starr’s early years were marked by severe illness and instability. His parents separated when he was young, and much of his childhood was spent recovering from life threatening health problems. At the age of six he fell into a coma after suffering complications from appendicitis. Later, tuberculosis confined him to a sanatorium for almost two years. Ironically, it was during this prolonged recovery that music entered his life in a meaningful way. Hospital staff encouraged patients to participate in music activities, and Starr was introduced to percussion instruments for the first time. The rhythm and escapism of music offered something transformative. Unlike Lennon, McCartney, and George Harrison, Starr did not come from a particularly academic or artistically ambitious background. He left school with few qualifications and worked a series of manual jobs before becoming involved in Liverpool’s booming skiffle and rock and roll scene during the late 1950s. He joined Rory Storm and the Hurricanes, one of Liverpool’s most popular groups before Beatlemania emerged. It was during this period that he adopted the stage name “Ringo Starr”, inspired partly by the rings he wore and partly by the country and western influences he admired. Joining The Beatles By the early 1960s, Liverpool’s Cavern Club circuit was thriving, and Starr became acquainted with The Beatles through regular performances in Hamburg and around Merseyside. Even before officially joining the band in 1962, he was widely regarded as one of the best drummers on the local scene. When The Beatles decided to replace original drummer Pete Best, Starr was the obvious choice. His arrival completed what would become the most famous line up in music history. Initially, the transition was not universally welcomed. Some fans protested Best’s dismissal, and Starr briefly faced hostility from sections of the audience. However, it quickly became clear that his style suited the band perfectly. His drumming was economical, inventive, and highly musical. Rather than dominating songs with technical excess, he focused on groove, feel, and supporting the arrangement. Tracks such as Ticket to Ride, Rain, Tomorrow Never Knows, and A Day in the Life demonstrated how sophisticated his playing really was. Modern drummers continue to study Starr’s unconventional fills and left handed approach on a right handed kit, which contributed to his distinctive phrasing. Just as importantly, Starr became the emotional centre of The Beatles. Lennon later described the band as feeling incomplete whenever Starr was absent. During the recording of The White Album in 1968, Starr briefly quit the group after feeling undervalued. The remaining Beatles reportedly struggled emotionally and musically during his absence, persuading him to return with flowers covering his drum kit at Abbey Road Studios. Fame Beyond Imagination Beatlemania transformed Starr’s life beyond recognition. By 1964, The Beatles had become a global phenomenon unlike anything the entertainment industry had previously witnessed. Constant touring, screaming crowds, film appearances, and relentless media scrutiny created pressures few people could fully comprehend. Yet Starr often appeared more relaxed than his bandmates. His dry wit and approachable personality made him especially popular with fans and journalists. Films such as A Hard Day’s Night and Help! highlighted his natural comedic timing, with many critics considering him the strongest screen presence among the four Beatles. Behind the scenes, however, life inside The Beatles was becoming increasingly difficult. Exhausting schedules, creative tensions, and changing personal relationships gradually eroded the unity that had defined the group. As Lennon and McCartney pursued increasingly ambitious songwriting directions, Starr adapted alongside them. Although never a prolific songwriter, he contributed occasional compositions and became known for delivering memorable vocal performances on tracks such as With a Little Help from My Friends, Yellow Submarine, and Octopus’s Garden. His voice, unpretentious and sincere, offered contrast within a catalogue increasingly filled with experimentation and complexity. Life After The Beatles When The Beatles officially split in 1970, expectations for the members’ solo careers varied enormously. Starr was often underestimated compared with Lennon, McCartney, and Harrison. Yet he achieved significant commercial success during the early 1970s. Albums such as Ringo and Goodnight Vienna produced major hits including Photograph, It Don’t Come Easy, Back Off Boogaloo, and You’re Sixteen. His 1973 album

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