Editor, Author at Maverick Country

Michael Coleman See Your Shadow maverick-country.com

See Your Shadow announce country rock single

Award-winning country music collective See Your Shadow are preparing to release their new single, “Weekend (Can’t Get Here Soon Enough)”, on 30 October 2026. Led by songwriter and music director Michael Coleman, the track revisits an earlier recording from the group’s catalogue, transforming it into a country rock song centred on the anticipation of finishing work and enjoying the weekend. The release follows the success of “Another Saturday”, which reached number one on the Independent Music Network’s Country Songs Chart. See Your Shadow return with “Weekend (Can’t Get Here Soon Enough)” The forthcoming single explores a familiar experience for working people, counting down the hours until Friday evening and the freedom that comes with leaving the working week behind. With a country rock arrangement and a focus on the excitement of the weekend, the song draws on everyday experiences and the anticipation of spending time away from work. Its opening lyrics establish the theme: “Same Friday routine / Wishing it was five o’clock instead of three.” The song is intended to capture the shared feeling of watching the clock during the final hours of the working week, combining relatable storytelling with a more energetic musical direction. Michael Coleman revisits a song from “A New Era” Although “Weekend (Can’t Get Here Soon Enough)” is being released as a new single, the composition will already be familiar to some See Your Shadow listeners. An earlier pop version appeared on the collective’s album “A New Era”, but Coleman believed the song could be developed further through a different musical approach. The forthcoming recording reimagines the original composition as a country rock track, introducing a performance style designed to reflect the energy of a live show. For Coleman, the decision was also an opportunity to explore a different side of See Your Shadow’s musical identity. New recording aims to recreate live performance energy See Your Shadow have primarily operated as a studio-based music collective, but their latest release takes inspiration from the atmosphere of a live performance. Coleman explained that he wanted to create a recording that would give listeners an impression of how the group might sound on stage. “I wanted to give our fans a taste of what a live show with us would sound like,” Coleman said. “So I came up with the idea of doing a studio song that sounds like and has the energy of a live performance.” The approach represents a change from from the song’s original pop recording, with the new version intended to bring a stronger country rock character to the composition. Release follows number one success for “Another Saturday” The announcement comes after See Your Shadow achieved a number one position on the Independent Music Network’s Country Songs Chart with “Another Saturday”. That chart success added to the collective’s achievements within the independent country music scene and provides the backdrop for their latest release. With Coleman continuing to direct the group’s songwriting and musical development, See Your Shadow are using the new single to revisit an established composition while exploring a different approach to its presentation. “Weekend (Can’t Get Here Soon Enough)” also continues the group’s interest in accessible, everyday storytelling, focusing on experiences that many listeners will recognise.

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Texas Americana singer and songwriter Jeremy Parsons has celebrated a significant personal milestone, marking 10 years without alcohol on 6 October. maverick-country.com

Jeremy Parsons reflects on personal journey

News / Editor

Texas Americana singer and songwriter Jeremy Parsons has celebrated a significant personal milestone, marking 10 years without alcohol on 6 October. The independent artist shared a personal message with his followers reflecting on his decision to stop drinking, the changes he has experienced over the past decade and the importance of the people who have supported him. The anniversary also connects closely with themes explored in his recent five track EP, “Life”, which examines personal growth, relationships, the passing of time and the choices that shape individual lives. Jeremy Parsons reflects on a decade without alcohol Parsons marked the anniversary by acknowledging how much his life has changed since making the decision to stop drinking. “Today marks 10 years alcohol free,” Parsons wrote. “Every second of every minute of every hour of every day adds up. Days become weeks, weeks become months, and months become years. Through all of it, I think about how much further I get from that old version of me.” The singer has been open about his relationship with alcohol, explaining that his decision to remain sober is based on his own experiences rather than a judgement of others. “That doesn’t mean I have a problem with other people drinking,” he explained. “If you can enjoy it in moderation and stay in control, I’m happy for you. I’m an alcoholic, and that’s the way it is for me. I choose to avoid it.” For a touring musician who regularly performs in bars, wineries, breweries and other venues where alcohol is readily available, maintaining sobriety has required a clear understanding of his personal boundaries. Parsons explained that being around people who drink responsibly does not undermine his commitment, reflecting his belief that “Not everything is for everyone.” New perspective shapes Jeremy Parsons’ songwriting The milestone also highlights the personal experiences that have influenced Parsons’ songwriting in recent years. His five song EP, “Life”, explores themes of identity, emotional development, relationships and mortality through tracks including “Tickin’”, “The Garden”, “Who Was I”, “Humanity” and “Life Worth Dyin’ For”. The project examines how experiences and decisions gradually shape a person’s outlook, with Parsons drawing on his own life to explore questions of growth and change. These themes are particularly relevant to his sobriety anniversary, which provides another perspective on the experiences that have influenced his music. Rather than presenting personal transformation as a single defining moment, Parsons’ reflections suggest that meaningful change develops through a series of decisions made over

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Award winning actor and songwriter James Woods has released his third album, "The Killer’s Wife", a 10 track concept record. maverick-country.com

James Woods releases third album

News / Editor

Award winning actor and songwriter James Woods has released his third album, “The Killer’s Wife”, a 10 track concept record inspired by real events from his early years as an actor. Produced by Woods alongside four time Grammy Award winner Shooter Jennings, the album explores themes of good, evil and morality through a connected narrative. Woods describes the project as an “epic saga”, although he has asked listeners to treat the story as fiction to protect the privacy of the woman who inspired it. The album’s first single, “The Hearts Of Men”, received its premiere through GodTube. “The Killer’s Wife” explores a story inspired by real events Best known for his extensive acting career, which includes four Emmy Awards, a Golden Globe and two Academy Award nominations, Woods has increasingly turned his attention towards songwriting and recording. “The Killer’s Wife” draws on experiences from his early acting career, when he spent considerable time travelling for work. Rather than presenting those events as a straightforward autobiographical account, Woods has developed them into a fictionalised musical narrative. Reflecting on the album’s central themes, Woods said: “I have been graced with the good fortune to have lived on this earth for a long and fruitful time. I have witnessed wars, terrorism, corruption, and hate. “I have also seen men and women sacrifice their lives standing for the most honorable values mankind has to offer.” “‘The Killer’s Wife’ is a musical parable into the dark heart of Evil, and the glorious triumph of Good.” Shooter Jennings and Bob Wayne collaborate on new album The project continues Woods’ creative partnership with Shooter Jennings and musician Bob Wayne. Woods contributes lyrics, vocals and production, while Wayne provides music and vocals. Jennings oversees production and contributes to the music, with distribution handled by Select O Hits. The collaboration between Woods and Jennings began when Jennings asked the actor during a dinner conversation whether he had ever written song lyrics. That exchange helped launch Woods’ recording career and established a partnership that has now continued across three albums. Jennings believes the latest record represents a further development in their approach to musical storytelling. He said: “One of my favorite things about working with James Woods is how cinematic his writing is.” “With ‘The Killer’s Wife’, he really found such a unique way to unfold this mini-opera, and paired with Bob’s amazing musical structures, this album explores so much sonic space that we hadn’t in the beginning.” Jennings also highlighted the increasing presence of Woods’ own vocals throughout the project and singled out “Man on the Radio” as a particularly ambitious recording. “Through our three-album arc, we’ve been able to set and expand new musical boundaries, all while sticking to the storytelling that makes a hallmark James Woods album,” he explained. James Woods develops his independent music career Away from his acting work, Woods has established his own record label, Breakheart Music, as the foundation for his recording career. The independent operation allows him to release music and communicate with listeners directly, rather than relying entirely on traditional record label structures. According to information accompanying the album announcement, Woods’ previous releases have reached the Top 10 of Apple Music’s Country albums chart at various points. His music catalogue has also generated several thousand physical sales across CD and vinyl formats, alongside streaming activity on major digital platforms. The label forms part of what Woods describes as the second act of his creative career, with songwriting providing another outlet for his interest in character, narrative and dramatic storytelling. From Hollywood acting to country music storytelling Woods’ move into music has been shaped by the narrative techniques that have characterised much of his screen career. His work with Jennings and Wayne places an emphasis on developing stories through lyrics and musical arrangements, with “The Killer’s Wife” taking that approach further through its interconnected concept. The new album also reflects a growing emphasis on Woods as a vocalist, alongside his established role as the principal lyricist. Beyond recording, Woods maintains direct contact with his audience through his X account, which has more than five million followers, and his newsletter, “The Road Back”, which has attracted tens of thousands of subscribers.

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CattSue releases new album “Heartstrings and Highways”

News / Editor

Independent singer-songwriter CattSue has released her new album, “Heartstrings and Highways”, an 11-song collection rooted in family, memory, love, grief, faith and resilience. “Heartstrings and Highways” finds CattSue drawing from some of the most personal chapters of her life, transforming them into songs that speak to universal experiences of loving deeply, losing people who matter, raising a family, surviving difficult seasons and continuing forward. A personal journey through music Throughout the project, CattSue writes openly about the people who helped shape her life. Her parents, son and other important relationships become part of a larger story about how love continues to influence us through every stage of life. Among the album’s most emotional moments is “A Whisper on the Wind,” written in memory of CattSue’s mother. Drawing from childhood memories in National Park, New Jersey, photographs and the image of her beloved Mrs. Beasley doll, the song reflects on the connection between a daughter and a mother whose presence continues to be felt decades later. CattSue also pays tribute to her father on “More Time.” It reflects on treasured memories, conversations and the encouragement that continues to guide her. His words remain part of the emotional foundation of the album. Family and motherhood are equally important themes. “Heartstrings and Highways” examines the extraordinary love a parent carries, the sacrifices made for children, and the complicated emotions that can come with changing family relationships. The album also moves into themes of survival and self-reclamation. Songs including “Broken” and “In the Light” confront emotional pain while emphasizing the strength required to keep moving forward. CattSue writes from the perspective of someone learning to stand again while still carrying the scars of what came before. “In The Light” is a song about trafficking survivors,” CattSue says. “I’m a major advocate against human trafficking, and I wrote this for them.” Hope and resiliance Love, grief, motherhood, romantic devotion, military sacrifice, personal struggle and hope all intersect across the collection. These topics give “Heartstrings and Highways” the feeling of a musical memoir. It is about remembering the people who are gone, appreciating the people who remain, surviving the moments that threaten to break us and understanding that our stories continue to travel with us wherever the road leads. All songs written by CattSue, except “When the Clouds Come Home,” co-written with David Murphy.

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Gareth Dunlop’s new single out now

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Belfast-born singer, songwriter, and producer Gareth Dunlop released his captivating and soul stirring new single, “Take A Bow”. Released on Sept 25th, the song pays tribute to the real friends who we turn to in times of struggle and perseverance. Dunlop continues his prolific run of genre stretching offerings, blending together folk, pop and experimental soundscapes with lyrical honesty. Speaking on the track Gareth said, “I’d wanted to write a song like this for a long time. It’s a song that pays tribute to the company I keep. The friends around me who’ve been there with me through thick and thin. The guys who play with me on stage, who’ve sat on airport floors with me, loaded in and out of tough gigs, driven thousands of miles across countries with me. ‘Take A Bow’ is for them and for anybody who has friends like that.” A song for the friends we have Produced alongside his band of close friends, the song lays bare the unspoken but well understood bonds of friendship. A familiarity born from years spent making music together, an instinctive understanding that needs little explanation where trust, loyalty and shared history do the talking. The song captures the sense of belonging and the invisible ties that bind humans together in friendship. Built around a raw, intimate and hypnotic production, the track embraces the connections that exist beyond words. It explores the late nights, shared experiences, laughter and unwavering sense that whatever happens, you’ve got each others backs. Dunlop’s 2026 singles showcase his evolving musical journey, since the release of his acclaimed third album, “Welcome To The House Of I Don’t Know”. Dunlop hasn’t slowed down for a moment, delivering a steady stream of music. The first single, “Wish I Couldn’t Feel A Thing,” marked a striking creative turn for Dunlop. This track pulls him into alt-experimental folk territory. The song faces the unflinching honesty about grief and the strange comfort of numbness, and its willingness to sit inside heartbreak rather than resolve it. The second single “Freewheeling” is an affectionate, warm look backward rather than a wound examined up close. Together, the recent run of singles paints a portrait of an artist unafraid to sit inside difficult, tender emotions and translate them into songs that feel universal With his latest offering, “Take A Bow”, Dunlops adds to an impressive and eclectic body of work. Picking apart and stitching back together songs about the big themes in life. Through the lens of friendship – Dunlop yet again unpacks his emotions in a unique and captivating way. Beyond his own music Beyond his own releases, Dunlop has produced Foy Vance’s album ‘Sign of Life’. He has also written songs recorded by artists including Tim McGraw, Faith Hill, T.I., and John Oates. He has shared stages with Van Morrison, Snow Patrol, Bonnie Raitt, Stereophonics, and Jeff Beck, among others. His music has been featured across major television series, including Nashville, Lucifer, This Is Us, Suits, Tulsa King, and Found, as well as film and advertising campaigns worldwide. Dunlop will bring his dynamic performances to audiences in UK and Ireland with Canadian favourites Crash Test Dummies for eight dates.

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C2C 2027 announces Ashley McBryde, Riley Green and Jelly Roll as headliners

Uncategorized / Editor

Country To Country Festival has announced its 2027 lineup, with Ashley McBryde, Riley Green and Jelly Roll set to headline the three day country music event across London, Glasgow and Manchester. C2C returns from 12 to 14 March 2027, with its revolving lineup travelling between The O2 in London, OVO Hydro in Glasgow and, for the first time, AO Arena in Manchester. Tickets will be available through the C2C 2027 Official Presale, powered by AXS, from 10am on 30 September. General sale begins at 10am on 2 October. Three first time C2C headliners All three of the newly announced headliners will top the C2C bill for the first time. Grammy, CMA and ACM Award winner Ashley McBryde returns after a long association with the festival. McBryde first performed in the UK at C2C in 2018 on the Spotlight Stage and has subsequently toured the country and returned to the festival several times. Jelly Roll will use his headline appearances to play his first UK headline shows, while Riley Green will return to the UK following his sold out tour in 2025. C2C 2027 lineup revealed Joining the three headliners across the weekend will be Cooper Alan, Midland, Cole Swindell, Jackson Dean, Dasha, Chase Matthew, Carter Faith, Emily Ann Roberts, Kashus Culpepper, Blake Whiten, Mack Geiger and Laci Kaye Booth. The announcement continues C2C’s established format of combining major international country artists with performers building their audiences on both sides of the Atlantic. Since launching in 2013, C2C has grown into one of Europe’s major country music events and was recently presented with the ACM International Award in recognition of its efforts to expand country music internationally. CMA Spotlight Stage expands The CMA Spotlight Stage will appear in all three C2C cities for the first time, expanding a platform designed to introduce audiences to emerging country artists. Late Night Thoughts, Colin Lynch, Chandler Walters, Benny G, Owen Riegling, Jason Scott & The High Heat, Greylan James, Lanie Gardner and Belles are confirmed to perform across London, Manchester and Glasgow. Brittany Schaffer, CMA’s Incoming Chief Executive Officer, said: “Bringing the CMA Spotlight Stage to all three cities this year is a wonderful reflection of C2C’s continued growth and the appetite UK fans have for what’s next in Country music. “This lineup shows just how global our genre has become, with artists from around the world sharing the stage. “As a trade association, CMA works year-round, well beyond our awards show and festival, to support the people who power this industry. Part of that work is helping artists build careers beyond the US and supporting our growing community of international industry members, and it’s a joy to see it come to life at C2C.” C2C expands into Manchester One of the biggest changes for 2027 is the addition of Manchester to the festival’s UK destinations. C2C Manchester will be based at AO Arena and will also extend into the city centre, with further artists performing at New Century during the weekend. The Manchester event will be supported by Manchester Accommodation BID, an initiative led by hotel and serviced apartment providers that works to bring new events to Manchester and Salford. Absolute Radio Country will provide coverage, interviews and highlights from Manchester throughout the weekend. Ricky Marshall, Head of Content at Absolute Radio Country said: “C2C Festival coming to Manchester is the next step in celebrating how big country music is becoming in the UK. “Absolute Radio Country has proudly been a trailblazer for introducing audiences to the genre and we’re delighted to be working with C2C Manchester to showcase the amazing talents of the performers in a city with such a proud live music heritage.” BBC Radio 2 continues C2C partnership The Country Music Association remains a key C2C partner, while BBC Radio 2 continues its longstanding role as a broadcast partner. Radio 2 has worked with C2C since the festival launched in 2013. Helen Thomas, Head of Radio 2, said: “Radio 2 have been broadcast partners with C2C since the festival’s launch in 2013, and it’s been a privilege to have witnessed the festival and country music rocketing in popularity during this period. “Radio 2’s commitment to such a wide range of specialist music is unrivalled in UK radio, and the station’s Country show continues to be the most popular country music programme in the UK. “We’re very much looking forward to broadcasting from the 2026 event in March, to once again introduce the Radio 2 and BBC Sounds listeners to the best of both new and established country artists.” C2C supports Dolly Parton’s Imagination Library C2C has also recently announced a partnership with Dolly Parton’s Imagination Library UK, connecting the festival with the organisation’s work to provide books to young children. A £1 donation will be added for every C2C 2027 day ticket and £2 for every weekend ticket, subject to taxes and performing rights society charges. Proceeds will support Imagination Library UK in providing children aged from birth to five with a new, age appropriate book every month. The partnership was announced as part of C2C’s support for the book gifting programme and Dolly Parton’s wider legacy of encouraging childhood literacy. Amazon Music joins C2C 2027 Amazon Music has also teamed up with C2C as the festival’s Official Music Streaming Service. Fans can listen to music from the C2C 2027 lineup through a dedicated Amazon Music collection ahead of the festival. With three first time headliners, the arrival of Manchester and the expansion of the CMA Spotlight Stage across all three cities, C2C 2027 will mark another significant development for the festival as it continues bringing international country music to audiences across the UK.

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Country To Country Festival has announced a new partnership with Dolly Parton’s Imagination Library UK to support its work providing free books to young children. maverick-country.com

C2C announces partnership with Dolly Parton’s Imagination Library UK

News / Editor

Country To Country Festival has announced a new partnership with Dolly Parton’s Imagination Library UK to support its work providing free books to young children. Announced to mark Give Like Dolly Day on 25 September, the partnership will see money from every C2C 2027 day and weekend ticket directed towards the early childhood book gifting programme. C2C tickets to support free books Under the initiative, £1 will be added to every C2C 2027 day ticket and £2 to every weekend ticket, subject to taxes and performing rights society charges. All proceeds will go directly to Dolly Parton’s Imagination Library, which provides children from birth to the age of five with a free, age appropriate book every month. C2C 2027 will take place from 12 to 14 March at The O2 in London, the OVO Hydro in Glasgow and Manchester’s AO Arena. Across the three-day festival, organisers expect to welcome almost 90,000 country music fans. Partnership marks Give Like Dolly Day Give Like Dolly Day is a global celebration inspired by Parton’s commitment to giving back, encouraging individuals and organisations to support causes that are important to them. Clare Cook, Director of Fundraising and Communications at The Dollywood Foundation UK, said: “We are absolutely delighted that C2C has chosen to support Dolly Parton’s Imagination Library. “Dolly’s music means so much to the country music community, and it feels incredibly special to have C2C and its fans helping to continue another important part of her legacy.” C2C community backs reading programme Jack Dowling (SJM Concerts) and Rachel Lloyd (AEG Presents) added “The work of Dolly Parton’s Imagination Library has created a legacy that will be felt for generations to come. “As one of country music’s most influential figures, Dolly has always championed giving back, and we’re proud that the C2C community can help play a part in supporting this inspiring programme that will benefit children in the UK.” Imagination Library reaches thousands of UK children Dolly Parton’s Imagination Library was launched in 1995 after Parton was inspired by her father’s inability to read and write. The programme began in her home county of Sevier County, Tennessee, before expanding internationally. The first Imagination Library book was gifted in the UK in 2008. The programme now reaches almost 90,000 children in the UK each month. Books are selected according to age before being individually addressed and posted directly to participating children at no cost to their families. Globally, the programme has gifted more than 300 million books to children across the UK, United States, Canada, Australia and Republic of Ireland, with more than three million books currently posted each month. The new C2C partnership will use the country music festival’s audience to provide further support for that work, connecting Parton’s musical legacy with her longstanding commitment to childhood literacy.

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Pittsburgh, Pennsylvania country singer songwriter Ashley Puckett is preparing to release her latest single, “Stone Cold Broken Heart". maverick-country.com

Ashley Puckett to release new single “Stone Cold Broken Heart”

News / Editor

Pittsburgh, Pennsylvania country singer songwriter Ashley Puckett is preparing to release her latest single, “Stone Cold Broken Heart”, continuing a run of music built around personal storytelling and contemporary country production. The forthcoming track will place heartbreak at its centre, exploring the emotional aftermath of a relationship while drawing on Puckett’s established combination of vulnerability and resilience. New single explores heartbreak “Stone Cold Broken Heart” continues Puckett’s focus on relatable experiences including love, loyalty, disappointment and overcoming difficult moments. The song follows her previous release, “Anchor”, and represents another step in a catalogue that combines traditional country influences with a modern approach. Puckett first introduced her music to a wider audience with her debut album, “Never Say Never”, establishing an approach centred on country storytelling and accessible melodies. Ashley Puckett builds country radio success Since the release of her debut album, Puckett has continued to develop her profile as an independent country artist. Her single “Tequila” reached the Top 80 of the MusicRow CountryBreakout Radio Chart, providing the Pennsylvania singer songwriter with further exposure across American country radio. The achievement added momentum to Puckett’s growing catalogue as she continued releasing new material and expanding her audience. Adam Ernst returns as producer For “Stone Cold Broken Heart”, Puckett has again worked with producer Adam Ernst, who also collaborated with her on “Anchor”. Ernst’s previous credits include work connected with country artists Bailey Zimmerman, Mickey Guyton and Chase Matthew. His contemporary production background provides a complement to Puckett’s more traditional country foundations and emotionally direct songwriting. A new chapter for Ashley Puckett Heartbreak has long provided fertile ground for country songwriting, and “Stone Cold Broken Heart” sees Puckett returning to that tradition while approaching the subject through her own perspective. Rather than presenting romantic disappointment solely as defeat, Puckett’s songwriting frequently combines sadness with determination, allowing vulnerability and strength to sit alongside one another.

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Logan Mac Makes His Wembley Mark

Live Events / Editor

There was already a sense of occasion around Wembley Stadium on Saturday as the first Union Jack Classic brought American football to one of the world’s most recognisable sporting venues. For Maverick Senior Editor, Joseph Clarke, however, one of the most interesting parts of the day came away from the action itself, when rising American artist Logan Mac stepped out to perform at half-time. Joseph had the opportunity to interview Logan shortly afterwards, and what became clear very quickly was just how significant the performance had been for him. “This was an artist who told me that, only two years ago, he had never performed in front of an audience. Before Wembley, the largest crowd he had played to was around 1,000 people. Suddenly, he was walking out into one of the biggest stadiums in world sport.” Joseph explains Even the British weather wanted to play a part, with rain arriving around the time of his performance. Yet, rather than allowing the scale of the occasion or the conditions to overwhelm him, Logan looked increasingly comfortable as his set developed. “From where I was watching, there was an honesty to the performance that suited both Logan and his music. He did not appear to be trying too hard to manufacture a ‘stadium moment’. Instead, the songs, his voice and his personality were allowed to do the work.” Finding his place at Wembley “Perhaps the biggest compliment I can give Logan is that the size of Wembley did not seem to swallow him up. “There was something refreshingly uncomplicated about his performance. He looked like an artist enjoying an enormous opportunity rather than someone intimidated by it, and the reaction as he left the field suggested the crowd had connected with him too.” Joseph adds Logan admitted afterwards that he had surprised himself. It was also striking how much he appreciated everything surrounding the performance. From the sound team to those helping backstage – even somebody wiping the rain from his guitar – he repeatedly described his Wembley experience as “top-notch”. Where does Logan go next? Wembley arrives during what appears to be a rapidly changing period for Logan. He explained how his social media following has been growing quickly, while several recent shows have sold out. His music remains deeply personal. Family is a major inspiration, while his songwriting frequently draws on his own experiences, relationships, loss and the place he comes from. That vulnerability is perhaps part of what makes the songs connect. One track particularly important to him is ‘Memories’, which began as a song about his late father. Logan described it as comfortably his favourite song on the record and one he still looks forward to performing every night. Following Wembley, his attention turns to further UK appearances, including shows at The Black Horse, Country Café and Half Moon. The smaller listening-room environment remains important to him because it gives him the opportunity to explain the stories behind the songs and show more of his personality. Keep your eyes peeled for Logan’s full interview!

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Singer songwriter Stephanie Rabus has released the official music video for her latest single, “Payback’s A Beach”, following its premiere with RFD TV. maverick-country.com

Stephanie Rabus releases “Payback’s A Beach” music video

News / Editor

Singer songwriter Stephanie Rabus has released the official music video for her latest single, “Payback’s A Beach”, following its premiere with RFD TV. Written by Rabus alongside Mark Roma and Corey Lee Barker, the upbeat track puts a playful twist on heartbreak and betrayal, replacing post breakup sadness with sunshine, margaritas and a trip to Cabo. “Payback’s A Beach” puts fun spin on heartbreak Rather than dwelling on a relationship that has gone wrong, “Payback’s A Beach” focuses on moving forward and enjoying life after discovering a partner has been unfaithful. The song takes its central idea from the familiar phrase about payback, transforming it into a beach-themed breakup anthem filled with ocean views, cabana boys and a carefree attitude. “My dad calls this song ‘Calypso Country’,” Rabus says. “It’s a fun summer song that also happens to be a breakup song, with margaritas, cabana boys, and a carefree attitude that says nothing, not even a breakup, is going to ruin your day.” Stephanie Rabus embraces “Calypso Country” The tropical setting gives the breakup song a lighthearted character, with Rabus using a holiday in Cabo as the backdrop for leaving a failed relationship behind. “There’s something about a million dollar ocean view that resonates with just about everyone, because the ocean really is the cure to almost everything,” Rabus says. With summer drawing to a close, the singer wanted the release to provide one final taste of the season. “I know summer is coming to an end, but I wanted to give everyone one more fun, familiar taste of summer before we head straight into pumpkin spice everything! I hope you enjoy!” New video premieres with RFD TV The official video for “Payback’s A Beach” premiered with RFD TV and accompanies a song built around independence, confidence and finding happiness after heartbreak. Its lyrics see Rabus ignoring missed calls while enjoying the sunshine and accepting that she knows what her former partner has been doing. Instead of allowing the betrayal to ruin her day, she embraces her surroundings and turns the situation into her own form of lighthearted revenge. Rabus builds Nashville music career Now based in Nashville, Rabus continues to perform throughout Music City alongside selected appearances outside Tennessee. Her songwriting draws heavily from personal experiences, combining country storytelling with elements of pop, soul and rock. Originally from St. Louis, Missouri, Rabus discovered her passion for singing at an early age. After spending several years in Arizona with her family, music became a way of building confidence while she navigated childhood health challenges and insecurities. Her parents first recognised her vocal ability when she spontaneously sang “Part of Your World” from “The Little Mermaid”, leading to years of vocal practice, school talent shows and choir performances. From St. Louis to Nashville At 21, Rabus joined her first band, with her father playing drums. Her musical journey later led her to the St. Louis-based band Borderline before she began developing her career as a solo artist. She now divides her time between Nashville and St. Louis while continuing to expand her audience. Rabus cites Martina McBride, Shania Twain, Whitney Houston, Kelly Clarkson, Pat Benatar and Evanescence among her musical influences, reflecting the country, pop, soul and rock elements found throughout her own music. During her career, she has shared stages with artists including Bryan White, Toby Keith, Lonestar, Little Texas, Lee Brice, Cassadee Pope, Tyler Farr and Lindsey Ell.

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