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Dolly PArton - maverick-country.com

Interview: Dolly Parton – Simply Dolly

In our exclusive interview back in 2017, Dolly Parton bares her heart to Eve Barlow. Truly a people’s artist, Dolly Parton’s lyrical inspiration on her latest album, Pure & Simple, is the same as it’s always been. She famously titled the character of the song Jolene after a child with that name at the front of her show. She insists her new guitar-led album highlight Head Over High Heels, which references Adele, is no shrewd attempt at luring the biggest popstar of 2016 into the studio. It’s just about who she uses for make-up inspiration these days. “Ah! Don’t you love that song?” she says. “I was just writing it and I didn’t even mean to [namecheck Adele]. I started singing, ‘Put on ma high heels/Lips painted…’ and I was thinking about painting my eyes up and all of a sudden it just came to me – ‘…my eyes like Adele’. And I thought, ‘Oh I love that line’. All my little nieces, all my girlfriends, everyone’s always trying to paint their eyeliner like Adele, and I thought, ‘What a clever little line for that’. You always hear that saying, ‘I’m head over heels in love.’ Well, for me, it would be ‘head over high heels’. That’s clever, right?” This year Dolly also celebrated her 70th birthday. “Did you say 17?” she jokes. “I heard 17”. Another time-old saying is that age ain’t nothing but a number, and the track I’m Sixteen is testament to that – a song about how she still acts like a teenager in love. It was written about her sister. “She had two terrible marriages, they broke her heart and she was so devoted to both of them. She thought, ‘I’ll never love again’. So down and depressed. All of a sudden she meets this guy, they’ve been through similar stuff, they got together and they are so happy they’re like two little silly kids. I thought, ‘My God, they think they’re 16!’ That’s where I got the inspiration for that.” Feminism When it comes to her stance on feminism – a word she still says makes her feel uncomfortable – Dolly is quick to attest to the important males she’s looked up to throughout her life. “I never think about it like that [men vs women]. Every once in a while I’ll look around and think, ‘Oh my, I’m the only girl in here’. But I just always had what I had to offer. I grew up in a family of six brothers and my dad, my uncles, my grandpas. I was very close to them. I just understand men, I’m comfortable with men, unlike a lot of women. But I’m so, so proud of women – of us.” Even when discussing her former boss Porter Wagoner, who she co-starred with on The Porter Wagoner Show, and wrote I Will Always Love You about after parting ways with him, she’s gracefully measured. “He gave me a wonderful opportunity. I’ll always be grateful for that. He was a country boy and there was that inbred male chauvinist thing in him that a woman’s place is in the home. So when I started, and all of a sudden not only did I write songs but I sang them too, and had business thoughts, we clashed. We still need each other, men and women. We need our boys in their places and we need to be left alone to be in ours to do what we do. I think it’s wonderful that we’ve got to that point where we can be equal. Of course, there’s still a lot of work to do.” Staying Power Parton’s appreciation of men stems from the fact she inherited her acumen from her father, then built her career from it to ensure longevity and real staying power. “My daddy was a real smart person. Daddy was not educated at all but daddy had horse sense – that’s what we call it in the country, they call it street smart in the cities. That innate knowledge of what to do, what not to do, how to bargain, how to barter, my daddy was great at that. So I got my business sense from my dad. My daddy took care of everything, he counted every penny, he needed to know where everything was going, he had to. I learned that early on and I just applied that to my own business.” Parton played the long game and it’s worked. “I knew I didn’t wanna get hick-rich like so many young people do in the business. I didn’t wanna just make a bunch of quick money and then be gone tomorrow. This is a fickle business. You can have one or two hit records, or even just one, and think you’re the biggest star in the world and it never [takes off].” Passing down the generations, her god-daughter Miley Cyrus seems to have picked up some of that horse sense too. Parton doesn’t speak to Miley too regularly but the relationship there is authentic. “Don’t you love her?” she says. “I love Miley. We’ll send little messages back and forth now and then. I think the girl is so talented, so smart. She’s young and when she was going through all her stuff, she was trying to become who she is and that’s been hard for her, to crack through that other glass ceiling – that Hannah Montana entity – to be allowed to be Miley Cyrus. Everybody was so worried about her and I said, ‘Look, I’m not worried about her. I know she may be doing a lot of stuff but she knows what she’s doing. I don’t worry about how far or how high she jumps, she’s gonna land on her feet!’” Artistic Integrity Dolly knows how to fight for artistic integrity, too, having been criticised in the 80s in particular for turning her back on the country scene, and charging ahead into something more mainstream pop. “You have to do

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Dolly Parton supported COVID-19 Research

A COVID-19 research fund that Dolly Parton donated $1m to has played a part in the Moderna vaccine, which has a 95% protection rate from the virus. Back in April, Parton donated the amount to the Vanderbilt University Medical Center in Nashville as one of her longtime friends, Dr. Naji Abumrad, was helping with the vital research to try and find a cure. On November 16, Moderna revealed that they had a vaccine with 95% effectiveness for COVID-19, which it made citing assistance from a number of funds and organisations – one of which being the Vanderbilt one that Parton donated to. Speaking to The One Show on BBC in the UK, Parton humbly downplayed her own part in the vaccine, but did state that she was extremely proud to be able to say that she had something to do with helping others. “I’m sure many, many millions of dollars from many people went into that [research fund], but I felt so proud to have been part of that little seed money that hopefully will grow into something great and help to heal this world – Lord knows we need it,” Parton said. “I’m a very proud girl today to know I had anything at all to do with something that’s going to help us through this crazy pandemic.” Dolly Parton is, along with being a true country music legend, very well known for her charity endeavours, with the artist regularly giving back to society – perhaps most prominent with her Imagination Library project, which have given over a billion books to children across America to ensure they have reading material from birth until starting school.

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Vernell Hackett maverick-country.com

Vernell Hackett passes away aged 77

Beloved veteran journalist Vernell Hackett, 77, died in Chicago on August 14, 2026, of cardiac arrest. Hackett collapsed in the Chicago airport en route to Mexico for vacation. Born Vernell Dell Boswank, Hackett was a proud Texan who grew up in the tiny town of Riesel in McLennan County. She graduated from Sam Houston State University in Huntsville, Texas. Her older brother Bubba was a Houston police officer, and Hackett initially planned a career in crime reporting, but her love of music won out, and she became one of the nation’s top entertainment journalists. Following college, she and her husband Ken moved to Buffalo, NY, to be near his family before later relocating to Nashville. As she built her career in Music City, Hackett took a job at Top Billing International, working for legendary booking agent Tandy Rice, who represented Dolly Parton, Jim Ed Brown, Jerry Clower, Porter Wagoner, Jeannie C. Riley, Tom T. Hall, and more. Hackett later worked in the communications department at the Country Music Association. A respected voice in country music Hackett’s skills as a journalist best exemplify her legacy in Nashville. She was a gifted writer, always able to bring her subjects to vivid life in her articles, and her integrity earned her the trust of country music’s most acclaimed artists. Hackett was always gracious with her time and frequently mentored young reporters while serving as editor of Country News, Country Rhythms, and American Songwriter magazines. One of her proudest accomplishments was being a founder of American Songwriter magazine. She shepherded the publication as editor-in-chief for more than a decade, and passionately championed songwriters all her life. Over the course of her career, she freelanced for numerous publications and radio syndicators. Hackett’s resume also includes public relations. In the 1980s, she worked with a struggling rodeo cowboy who was selling cassettes out of his trunk. The first time many heard of Chris LeDoux was because of Hackett. He went on to be a superstar, and Chris and his father Al never forgot the role Hackett played in launching his career. She represented award-winning bluegrass artist Dale Ann Bradley, singer/songwriter Ryan Murphey, western singer/songwriter Joni Harms, Americana duo Jesse & Noah, John McEuen, and cowboy singer/songwriter/rancher Randy Huston. Hackett was also an author. She penned Ghosts, Gangsters and Gamblers of Las Vegas with longtime friends Liz Cavanaugh and Michelle Honick and also wrote a biography of Carrie Underwood. A lifelong commitment to animal welfare Hackett was a noted philanthropist and was particularly passionate about animal rights. She worked tirelessly with animal rescues and was a major supporter of the Robyn’s Nest shelter. Decades ago, when friends threw a birthday party, Hackett told people not to bring gifts but to bring dog food. She gathered her musician friends for some good old-fashioned pickin’ and singin’, and thus an annual tradition was born that saw thousands of pounds of pet food as well as monetary donations go to Robyn’s Nest. Hackett is survived by her nephew Glen Boswank of Nashville and niece Katy Prewitt of Kaufman, Texas. She leaves behind a legacy of love and an excellent body of work that helped elevate many talented artists to prominence. Remembered by friends and artists Artists including Michael Martin Murphey, Duane Allen of The Oak Ridge Boys and David Bellamy of The Bellamy Brothers shared their condolences and happy memories of Hackett. “Vernell Hackett was the kindest, most down-to-earth journalist and human being I’ve ever known. She had a sense of what the common, everyday country music fan is looking for in a story. Vernell went out of her way to support me on my journey to put the “Western” back in “Country”. She really had fun with that! Vernell was a true friend who let nothing stand in the way of what friendship really means- accepting the many imperfections all people have. She was just as concerned about how your family and pets were doing as she was about your latest hit record. She led a life of love and laughter and joy, but when tears came, hers always washed away the sorrow.” said Michael Martin Murphey. Duane Allen said, “Vernell was my close personal friend for decades. Sometimes, we would talk two or three times a week. The last week of her life, she sent a beautiful poem that was suitable to hang on any wall. I look forward to seeing her in Heaven, rejoicing with our many mutual friends, and I can imagine that there will be many of our four-legged friends to keep us company.” “She was always so very kind to us, and we feel privileged to have known her through the years. We send prayers and condolences to her family and loved ones,” shared David Bellamy.

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Dolly Parton and Belles Son of Jolene - Maverick Country

Belles and Dolly Parton to Unite on Son of Jolene

Country music legend Dolly Parton is due feature on a new song to continue the legacy of one of her most iconic songs. The Queen of Country will join emerging country artist, Belles, on a new track inspired by her 1973 hit, Jolene. Continuing the Classic Story Son of Jolene was written by Belles, whose real name is Kelli Belles, as a clever, character-driven continuation of the classic story, imagining a chance encounter years later with Jolene’s son. Sharing her inspiration for the song, Belles shared with her management company, Red Light Management, “I grew up so inspired by Dolly and the worlds she created through her songs. “Having her lend her voice to this record is beyond anything I could have imagined. It feels like a full-circle moment and a true honour.” Release Date and Promotion Plans The song is due out on Friday, April 17. Belles, who hails from Nebraska, released her self-titled EP in September last year. She is due to promote Son of Jolene at the Country Radio Seminar in Nashville next month. A History of Jolene Reinterpretations This certainly won’t be the first time someone has tried to re-imagine or re-frame Jolene; in 1995, Kirsty MacColl released Caroline, which is told from the other woman’s point of view. More recently, Chapel Hart released another answer song called You Can Have Him Jolene in 2021. A version of the song called Vaccine went viral in 2020 after Dolly donated $1 million towards research into a vaccine for COVID-19. The song has also been covered by numerous artists including Beyoncé who covered the song and changed some of the lyrics on her 2024 album, Cowboy Carter. Other artists who have covered the hit have included Pentatonix (this version featured Dolly herself), Olivia Newton-John, The White Stripes, Måneskin, Lil Nas X and Miley Cyrus.

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Country Calling cements its place on the UK country music scene. maverick-country.com

Country Calling cements its place on the UK country music scene

Over the weekend, UK country fans joined together at Country Calling in Chelmsford, Essex. As well as catching up with the artists, Maverick Country had the pleasure of spending the weekend soaking up the festival atmosphere at King’s Farm. A celebration of all things country In its sophomore year, the promoters wanted to emphasise how this is a festival built by and for country music fans, and as you walked around the arena, you could really feel the attention to detail that has gone in to planning it. The intentional way the festival had been laid out worked exceptionally well, with plenty of space to roam among the music lovers sporting cowboy hats and boots. Both could be picked up at the trading post which featured lots of exciting vendors including Ariat, Vera Black, UK Country, and The Cow Girl Club. Western fashion has really picked up this year and anyone who is into this scene would have been at home among the market stalls at Country Calling, and coming away a few pounds lighter for it! All things Americana were celebrated at this year’s Country Calling, with American food vendors, muscle cars, fairground rides, and a Nashville-style dive bar where punters could take part in line dancing classes or jam out to some of the acts performing on its stage. Country Calling is also a family friendly festival with free tickets for under 16s when accompanied by a paying adult and a dedicated area for arts and crafts and line dancing. A festival on the rise As for the music, there was ample opportunity to soak in a wealth of talent from artists from the UK, USA, Canada and Australia; whether on the Main Stage, Caffè Nero Stage, the dive bar, or sat on top of a hay bale at the Homstead stage, the festival proved to be a feast for country fans. Another key ingredient of the Country Calling formula is that every artist on the bill is an original recording artist which sets it apart from other country music events in the UK which rely heavily on tribute acts. What is particularly exciting about attending Country Calling is the prospect of discovering your new favourite artist or someone who may go on to top the charts. Overall, Country Calling feels like a festival which is quickly cementing itself into the UK country music scene. Between the carefully-curated way the festival was laid out to the exceptional selection of artists, there is no doubt this festival will soon become a fan favourite that will have many returning in 2027.

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Maverick Country at Country Calling. maverick-country.com

Catching up at Country Calling

This past weekend, Maverick Country had the pleasure of attending Country Calling at King’s Farm in Chelmsford, Essex. As well as getting the chance to have a chat with Sunday night headliner, Randy Houser, we also caught up with many of the other talented performers who graced the Main Stage and the Homestead stage. Jack Browning The London-based singer-songwriter is set to release his second album, “Painted Skies” next month via Two Fine Records in Nashville. So, you’ve already performed this morning. How did it go? How was the atmosphere? It was great, it was really fun. Obviously, the first slot on the main stage can kind of go either way sometimes, but it was great. Everyone was super up for it. It filled up really nice. 
I think we got everyone two-stepping. So we got the job done, got everyone set up for Janet and Randy and all the folks playing today. What are your biggest inspirations behind your music? I love John Prine. I think he’s always like a bit of a yardstick for me. I love performers like Charlie Crockett and Tyler Childers and I’ve been lucky to see them from tiny rooms up to where they are now, so it’s been really cool following that along and it’s kind of given me a little bit of fire to hopefully do the same thing. Those guys are big ones for me. If you could work with any other musician, dead or alive, who would it be and why? I’m a sucker for Glen Campbell, I really am. I’d love to have seen what we could have written together. He’s a big influence. I’m probably not good enough to lace up his boots, but if he’d have heard me, I’d love to have written with Glen. 
That would have been very special. What do you like about performing at festivals like this one? I mean, this one kind of is particularly special. 
I played the first year which was the first year, and I was on one of the third stages. I was was raised around here in Chelmsford – that’s where I cut my teeth, playing in clubs in town. So it’s really nice to come back and open up the main stage in front of family, friends, and a bunch of people who are up for a weekend of country music. What can we expect from you next? What’s going down the line? I’ve got a new record coming out on September 16th, it’s called “Painted Skies”. It will be out via Too Fine Records in Nashville. It’s a whole new album of original music. I have started writing the next one already and it means a lot to get this one out. We started recording it two and a half years ago, so it’s nice to know it’s finally going to reach people’s ears in less than a month’s time. What’s a random fact that about you that not many people would know? I can do an amazing impression – even if I had to say so myself – of Phil Harding from Time Team. Kasey Tyndall Kasey Tyndall is known for blending rock and roll with country. The songwriter and guitarist is from North Carolina. She was named in CMT’s Next Women of Country class in 2023. How do you feel about performing at festivals like this? I love it. 
The energy’s always high. Everybody’s here to listen to music all day, and they’re drinking, having a good time, and so it’s usually some of the best shows. Who or what do you normally look towards when you’re looking to write a song or perform your music? When it comes to inspiration for shows and events and stuff…I mean, my family, I love my family so much, and so just knowing that I’m doing it for them and doing it for the fans as that’ve come so far to see us play, it’s just, that’s my inspiration for the day. As far as music goes and creating music, my influences are all the way from Joan Jett, Pat Benatar, Heart, Avril Lavigne, Brantley Gilbert, Alison Krauss. I mean, it’s just a big hodgepoge.  If you could work with anyone, either dead or alive, who would be your dream collaboration? Oh, that’s so tough. I mean, probably Joan Jett. What’s a random fact that nobody would know about you? 
 Oh, now that’s the toughest question…I fresh mill my own flour and make my own bread. Janet Devlin Janet Devlin is a Northern Irish singer-songwriter who released her debut album in 2013. A new chapter came in 2024 when she released “Emotional Rodeo”. What’s your favourite thing about performing at festivals like this? That it’s not my show!
Putting on your own tour and stuff like that is a lot of pressure. So, yeah that’s my favourite bit, which is ridiculous! When you’re writing songs, who or what do you look towards for the inspiration behind your music? 
 Honestly just my life, it’s always been my life. There’s some storytelling from time-to-time, but usually it’s all my stuff. For the silly songs, I’m normally like driving or something and a funny phrase will come in my head. If you could work with any other musician, dead or alive, who would your ideal collaboration be with? 
 Oh that’s so hard…Dolly Parton would obviously be swell, based on what she’s done for the country genre. You rose to prominence being on The X factor. What’s one thing about being on a reality show that not many people would know, like? Music TV shows, they are still a TV show, they still have to like make it entertaining. It can’t all just be about the music. What can we expect from you next? Is there any projects down the line? I’ve got a new album coming out early next year. So I’m just going to be releasing singles up till then. What’s a random fact that

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Maverick meets Randy Houser. maverick-country.com

Maverick meets Randy Houser at Country Calling

This past weekend, country music fans came together at Country Calling at King’s Farm in Chelmsford, Essex. The Sunday headliner, Randy Houser, played to a packed out crowd, rounding off an exceptional weekend of music and a celebration of all things country. With hits including “Runnin’ Outta Moonlight”, “Goodnight Kiss”, and “Like a Cowboy”, Randy appeared at the festival as part of a UK tour. Maverick Country was lucky enough to catch up with Randy ahead of his performance. You’ve performed in Glasgow and Manchester this week. How would you say UK audiences differ to US audiences? Well, I will say this: while we were in Glasgow, I noticed that everybody looks at you and sort of sings along, but won’t sing out loud. And then you think, “I think they hate me.” 
And then the end of the song comes and they’re like, “WOOOOO!”, so it’s definitely different, you know? And then in Manchester last night they were a little more vocal, like they would sing along a lot more. They were great. 
Well, they were great in Glasgow too, it’s just a different kind of thing. In America, they just want to make noise and throw shit at you and stuff like that. And I’m like, I’m not down for the throwing stuff at me thing. The interesting thing is that UK fans know…like if I want to play a deep cut, like a B side song that not many people have heard, they know it here. It’s insane! So we’re very thankful to have people that actually are there to listen to music as well, not just have their own party. You released your first album in 2008. 
How would you say country music has changed since then? It definitely has. About two times I’ve seen it change and circle back around to itself. I think it has definitely went through a more rappy kind of thing. And I feel like now it’s swinging back more country again, which I love and I’m thankful for. I just think that’s what country music does. It always goes back to its roots. Being an actor as well, how do you think being a country music artist translates? What are the differences you have noticed? I mean, it’s easier for me to probably point out the similarities than anything.
I’m not really an actor at all; I can just be me and get the point across of what you want to say, basically. The only thing I can be is uniquely me and say what you want to say. 
The first time I was walking to a movie set, felt like every night I walk out on to a stage. I was so scared to go to the first film I did. The first real film was with Martin Scorsese, and I was so nervous to go out there. But as soon as I started walking to the set, the parallel of walking to a stage to go play music happened, and I got pumped up and excited and you overcame those fears. When can we expect new music from you? We have a brand new one out now called “Back in the Bottle”, and we got some more music in the can to release as soon as we decide to.

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Jacquie Roar teams up with Stee for new single "Lie with You". maverick-country.com

Jacquie Roar teams up with Stee for new single “Lie with You”

The Voice Season 24 finalist Jacquie Roar has announced her new single, “Lie with You”, a sultry country duet featuring fellow Season 24 contestant, Stee. Set for release on 28 August at midnight, the mid tempo track explores the tension between temptation and consequence, focusing on the attraction and fantasy surrounding a relationship that crosses a line. Rather than approaching infidelity from a judgemental perspective, the song captures the internal conflict of knowing something is wrong while still feeling drawn towards it. Nashville songwriters collaborate on “Lie with You” Roar co wrote the single alongside a team of Nashville songwriting talent. The collaborators include Jordan Gray, a Grammy Award winning songwriter behind “Amen”, performed by Shaboozey and Jelly Roll, and Steve Fee, who co wrote Max McNown’s No. 1 “A Lot More Free”. Also involved are Canadian born, Nashville based songwriter Jesse Slack, who scored a No. 1 with Owen Riegling’s “Moonshines”, and producer and songwriter Jason Mater. Stee joins Jacquie Roar Roar enlisted her friend and fellow The Voice Season 24 artist Stee to provide his vocals on the track. The pair first met while competing on the hit television series. Roar progressed to the Season 24 finale, ultimately finishing in fourth place. Their reunion on “Lie with You” creates a duet built around chemistry and tension, with the two vocalists portraying the temptation at the centre of the song. The lyrics reinforce the track’s provocative theme, depicting two people contemplating what could happen if they give in to their attraction, featuring lyrics such as: “Underneath the covers, baby let’s discover what two hearts on fire can do”

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Richard Lynch announces emotional new single Wait For Me. maverick-country.com

Richard Lynch announces emotional new single Wait For Me

Award winning traditional country artist Richard Lynch has released his deeply personal new single, “Wait For Me”, alongside its official music video through Fence Row and MTS Records. Written by Lynch and John Lee, the poignant ballad tells the story of a son racing to his mother’s bedside for one final goodbye, exploring themes of love, gratitude, family and faith. “Wait For Me” celebrates a mother’s love Rooted in the storytelling traditions of classic country music, “Wait For Me” focuses not only on loss, but also on the sacrifices and unconditional love that can define the relationship between a mother and her children. The lyrics recall the comforting hands that soothed childhood fears, repaired torn clothes and wiped away tears, while reflecting on the influence a mother can have across generations. As the narrator makes his journey to his mother’s bedside, the song transforms a moment of heartbreak into one of hope and gratitude. New music video explores family memories The official music video expands on the song’s emotional narrative through cinematic storytelling. Present day scenes depicting a son visiting his mother in hospital are interwoven with memories from childhood, creating a portrait of a family shaped by compassion, faith and love. Rather than concentrating entirely on grief, the video explores themes of peace, healing and the hope of reunion. Classic country sound takes centre stage Produced with a restrained approach, “Wait For Me” places Lynch’s warm vocal performance at the centre of the recording. Gentle acoustic instrumentation, steel guitar and an unhurried arrangement provide the backdrop for the song’s emotional storytelling, remaining firmly rooted in Lynch’s traditional country sound. The release continues his commitment to creating music centred on faith, family, patriotism, rural life and traditional values. Richard Lynch celebrates three decades in country music For more than three decades, Ohio based singer songwriter Richard Lynch has established himself as a prominent independent champion of traditional country music. He has achieved more than a dozen No. 1 radio singles across independent country charts, including success on the Independent Music Network and National Radio Hits. His music has also charted on iTunes Country and Cashbox, while receiving airplay from international country radio. Lynch has received numerous Independent Music Network Awards, including honours for Country Artist of the Year. He has also been recognised by the Josie Music Awards, Academy of Western Artists and International Singer Songwriters Association.

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