Bill Wyman and The Rhythm Kings


Review Date: October 29, 2011

Review By: Sean Marsh

Location: The Sage, Gateshead

Nearly four years after I last saw them, the Rhythm Kings were back in North East England. Two hours of high-class musical entertainment followed. The show started promptly at 7.30pm. There was no support act. Bill Wyman was the first person to arrive on the stage and was greeted by a call of: “Happy Birthday!’ from a member of the audience (he had turned 75 five days before the concert). Bill explained the ethos of the Rhythm Kings: “We do a mixture of music, we play some jazz, blues, soul, rock and roll music … and we just have fun, that’s why it’s all about, that’s why we’re here … so have fun with us and it’ll be a great night.’ Then he introduced the band, one by one, until the stage was packed with personnel. Seven of the nine were to take a turn as lead vocalist before the evening was through. The first few songs all featured different singers. Georgie Fame sang on Good To Me and this was swiftly followed by Jitterbug Boogie (Albert Lee); Tell Mama (Beverley Skeete); Too Late (Terry Taylor, complete with virtuoso harmonica from Frank Mead) and Man Smart, Woman Smarter (Geraint Watkins). Quite remarkable! Then it was back to Georgie for Three Cool Cats, featuring some fine saxophone interplay from Nick Payne and Frank Mead. A special guest was then announced-Mary Wilson, original member of the Supremes, who sang the classics Baby Love and Stop In The Name Of Love, followed by a duet with Georgie on Stormy Weather. Mary left the stage with a promise to return in the second half. Four more songs followed before the interval, namely Mule Skinner Blues (Albert on vocals), I’ll Be Satisfied (Beverley), It’s Raining (Geraint) and then Bill at last took a turn, on Chuck Berry’s You Never Can Tell. After the first hour, there was a 20-minute interval. The second half started with Beverley on a slow-burning This Is A Man’s World. Geraint was next up with 300 Pounds Of Heavenly Joy . He prefaced it with an in-joke at Bill’s expense: “Some of you, of course, might be still working in stones…’ Albert Lee was then unleashed again to pick up the pace on Race With The Devil, followed by Georgie Fame announcing: “… the oldest song in the programme tonight-suggested by Bill Wyman …’ which turned out to be Just For A Thrill. Back to Beverley for I Just Want To Make Love To You and then Frank Mead stepped forward to blast out a stirring Sugar Bell. Frank was on great form on the harmonica between verses too. Just two of the band didn’t get an opportunity to take the lead vocals; one was Nick Payne and the other was drummer Graham Broad (although both helped out on the backing vocals from time to time). Mary Wilson returned to sing Can’t Hurry Love followed by Don’t Know Why and Green River. Then, after That Is Rock And Roll, Frank’s tapping on the cowbell heralded Honky Tonk Women, sung by Bill, after which the second half of the show drew to a close (although there was still the encore to come, of course). Albert took to the keyboards and shared duet vocals with Beverley on So Sad accompanied only by Terry Taylor on guitar, before the rest of the band re-emerged. This included Mary Wilson, who finished the show with a terrific Dancing In The Street. Terrific entertainment.

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