Dan Jones – “Brother of Mine”
Rather than allowing tragedy to define the story, Jones transforms personal heartbreak into a message of remembrance and awareness.
Dan Jones – “Brother of Mine” Read More »
Rather than allowing tragedy to define the story, Jones transforms personal heartbreak into a message of remembrance and awareness.
Dan Jones – “Brother of Mine” Read More »
Janet Devlin is an Irish singer-songwriter whose music sits at the crossroads of modern country pop-rock, Americana and traditional Irish storytelling. Known and appreciated for her unfiltered lyricism and wicked sense of humour, Janet has built a career rooted in authenticity, total honesty and her ability to create a strong personal connection with her audience. After originally breaking through to an international fanbase at a young age, Janet has since evolved into a successful independent artist carving a unique space in the UK country scene. Her sound draws heavily from Nashville songwriting traditions while proudly retaining her Irish heritage; a combination that resonates strongly with country audiences seeking genuine voices and fresh perspectives.
Janet Devlin – Diane (Official Audio) Read More »
Janet Devlin is an Irish singer-songwriter whose music sits at the crossroads of modern country pop-rock, Americana and traditional Irish storytelling. Known and appreciated for her unfiltered lyricism and wicked sense of humour, Janet has built a career rooted in authenticity, total honesty and her ability to create a strong personal connection with her audience. After originally breaking through to an international fanbase at a young age, Janet has since evolved into a successful independent artist carving a unique space in the UK country scene. Her sound draws heavily from Nashville songwriting traditions while proudly retaining her Irish heritage; a combination that resonates strongly with country audiences seeking genuine voices and fresh perspectives.
When Luke Combs brings his My Kinda Saturday Night tour to London’s Wembley Stadium later this summer, many fans will be kicking themselves for missing out on tickets to see one of country music’s biggest stars in the flesh. But the message from Luke Combs UK is clear: if you were one of those who were not lucky enough this time, we hope we can be the next best thing. Backing from the man himself In the last couple of years, the band comprising singer Liam Price and four musicians have had a lot to be proud of. They recently completed a 12-date tour of the US and earlier this month, Liam performed some of his own material at CMA Fest in Nashville. Last year, Luke Combs even granted the band the honour of performing at his Category 10 bar, also in Nashville. It was no surpirse then when Liam proudly told the packed-out Central Theatre in Chatham that whilst there are 16 Luke Combs tribute acts in the world – and surprisingly, 13 of them are in the UK – his band is only tribute act in the world who are endorsed by the man himself. That is why the band’s website boasts, “Luke Combs UK is the closest you’ll get to the real deal with the look and authentic sound of the Grammy nominated country music megastar.” An authentic Luke Combs performance The show itself is a wonderful celebration of Luke Combs’ music and its ability to bring people together. Liam’s voice is strikingly close to the “Beautiful Crazy” singer’s. His performance, alongside a pitch-perfect band, is enhanced by a captivating stage presence and mannerisms which match Luke Combs’ own. Performing hits such as “Where the Wild Things Are”, “Beer Never Broke My Heart”, and “When it Rains It Pours”, Luke Combs UK undoubtedly got the crowd in the mood for a party. Luke Combs UK tour dates continue across the UK The band will be in just about every major UK town and city throughout the summer and into December. Next weekend, they will bring their show to Country on the Common in Tooting, before playing Nashville Fest in Leeds and getting the crowd warmed up for the man himself when they play BOXPARK Wembley on July 31. Ultimately, Luke Combs UK offer far more than a tribute show. They capture the spirit, energy and authenticity that have made Luke Combs one of country music’s biggest stars while bringing their own professionalism and passion to every performance. For fans who missed out on Wembley tickets, or simply want another opportunity to celebrate the music, this is about as close as it gets to the real thing. Judging by the reaction inside the Central Theatre, audiences are more than happy to sing along and believe it too.
Why Luke Combs UK is the ultimate Luke Combs tribute act Read More »
Hannah Wicklund has announced the release of her fourth studio album War On Women; Calling All Good Men, out on August 28th via Strawberry Moon Records. The album is available to pre-order now here and every album pre-order comes with an instant access digital download to Vol.1 of the The Strawberry Moon Tribune.
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Scott’s warm, expressive delivery is well suited to this type of narrative, and the universal message is likely to resonate with listeners who have experienced similar milestones.
Dylan Scott – “Dear Big City” Read More »
Legendary broadcaster Bob Harris has announced that he is stepping down from his BBC Radio 2 shows due to ill health. Nearly 56 years of broadcasting excellence Over a broadcasting career spanning almost 56 years, Bob Harris became one of the UK’s most respected and influential music broadcasters. His distinguished career included landmark roles on Radio 1, BBC 6 Music and television, most notably his celebrated tenure on the award-winning BBC music programme The Old Grey Whistle Test during the 1970s. However, the majority of his broadcasting career was spent at Radio 2, which Bob has described as the “Champions League” of radio, where he remained a key voice for three decades. Bob Harris’s legacy at Radio 2 Since joining Radio 2 in 1996, Bob has been a trusted companion for music lovers, presenting acclaimed programmes including Saturday evening shows, Bob Harris Country and Sounds of the 70s. Renowned for his warmth, encyclopaedic musical knowledge and commitment to championing new talent, Bob introduced generations of listeners to emerging artists alongside established stars. His influence helped shape Radio 2’s specialist music output and earned him the admiration of audiences and musicians alike. Championing country music in the UK A passionate advocate for country, folk, Americana and singer-songwriters, Bob has played a significant role in the growth of country music across the UK. From his time hosting his highly-popular Radio 2 show to being the Guest Editor Of Maverick Country, Bob helped bring country music to mainstream audiences, contributing to its rise as one of the UK’s fastest growing music genres. Bob has also been the host of Country to Country festival ever since its inaugural event in 2013. Throughout his career, Bob earned widespread respect from listeners, artists and colleagues, leaving an enduring legacy at Radio 2 and across the wider British music industry. Celebrating Bob Harris at 80 In April this year, Bob celebrated his 80th birthday. To mark the occasion, Radio 2 broadcast the special programme Bob Harris at 80: A Life in Music, which remains available on BBC Sounds. Joined by Zoe Ball, Bob reflected on the defining moments of his remarkable life and career, revisiting key musical milestones, memorable encounters and extraordinary achievements. From Radio 1 and Time Out to The Old Grey Whistle Test The programme explored Bob’s early accomplishments, including co-founding the listings magazine Time Out, launching his first Radio 1 programme in August 1970, touring with T. Rex and becoming the face of The Old Grey Whistle Test from 1972. During his time on the influential television series, Bob interviewed some of the era’s most iconic artists, including John Lennon and David Bowie. The documentary also revisited his return to Radio 1 during the 1990s, his work with BBC Greater London Radio, and the launch of Bob Harris Country on Radio 2 in 1999. Bob also discussed his health challenges and reflected on receiving an OBE in 2011. Final Radio 2 broadcasts The documentary concluded with Bob’s most recent chapter at Radio 2, including taking over as presenter of Sounds of the 70s in November 2024. Bob presented his final episode of Sounds of the 70s on Sunday, March 8 while his last edition of The Radio 2 Country Show aired on Thursday, April 2. Sounds of the 70s will be taken over by Shaun Keaveny and American singer Darius Rucker will continue to present The Radio 2 Country Show in the interim. Bob said: “It’s incredible to think that my broadcasting career has spanned almost 56 years. I am very fortunate to have spent my entire working life doing something I love so much. “I am a massive BBC loyalist, and I’m grateful that I have always been given the freedom to build my programmes in my own way. “Most of my time on air has been spent with my fabulous family at Radio 2 and it has been such a joy to broadcast on this world-class radio station. “I am so proud that The Radio 2 Country Show has played such a massive part in propelling Country to become the fastest growing music genre in the UK, and presenting Sounds of the 70s on Sunday afternoons has been a real pleasure and made my time here the most special of my entire life. “But more than anything, I want to say thank you to my listeners. I have put everything I have into every show I’ve ever done, and it’s all been because of you. “Your love and loyalty mean more to me than words can ever say. I am so sorry that my health issues are forcing me to step down, but I realise that I must concentrate on getting myself well again. “This has been one of the hardest decisions of my life, but I would never want to be doing programmes knowing that I am unable to give you 100%. “I am going to miss you, and I love you very much. Thank you for listening.” Radio 2 pays tribute to one of broadcasting’s most respected voices Helen Thomas, Head of Radio 2 said: “I would like to say a sincere thank you to Bob, a true radio legend, for many years of very special shows on Radio 2. “Bob has hosted The Radio 2 Country Show since 1999, becoming a trusted and respected tastemaker as the genre exploded in popularity. “Since taking the reins of Sounds of the 70s, he has filled the show with love, laughter and captivating stories of being at the heart of the music scene throughout the decade. “Bob is adored by the Radio 2 family and his listeners, and we are all going to miss him and his weekly shows very much. “Everyone at Radio 2 sends Bob and his family our love and support.”
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Multi-platinum Grammy Award-winning Little Big Town (Karen Fairchild, Kimberly Schlapman, Phillip Sweet, and Jimi Westbrook) have announced their 12th studio album, “It’s A Dying Art”, arriving August 28th via MCA. Co-produced by two-time Grammy winner Gena Johnson and Little Big Town’s own Karen Fairchild, the record blends intimate storytelling, emotional balladry, and standout collaborations with friends including Ashley Monroe, Jason Isbell, and Kelsea Ballerini. The album is available for pre-order now in multiple physical and digital configurations, including CD, vinyl and retailer-exclusive variants. LittleBigTown.com will feature limited runs of exclusive signed and special colour vinyl editions. Alongside the album announcement, the band have also released a new track from the project entitled “Over and Over”. The group delivered the debut performance of the song during their standout set at this year’s Stagecoach. “It’s A Dying Art” finds Little Big Town leaning into the sound and spirit of human-made music, embracing imperfection, emotion, and lived experience. Shaped by more than 25 years together, the record reflects the trust and artistry that have long defined the band. Highlighted by the poignant “Hey There Sunshine,” the relationship-worn “The Door” featuring Jason Isbell, the late-night soul of “Closing Time” with Kelsea Ballerini, the fiery “It’s Coming Around,” and the visceral “The Idea,” the album stands as a reminder of the enduring power of music. Earlier this month, the group debuted the first offering from the upcoming album, “Hey There Sunshine” at the 61st Academy of Country Music Awards to widespread praise. The Tennessean called it “a hopeful, healing moment” while Billboard praised their performance as “a timely message from one of country music’s greatest vocal groups.”
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Tickets are on sale now for Buckle & Boots Festival 2027 following its 10-year anniversary edition. Buckle & Boots confirms return to Whitebottom Farm in May 2027 The festival was held at Whitebottom Farm, Greater Manchester over the May bank holiday. The event will return between 27 and 30 May 2027 in the same location. Line-up featuring nternational and UK country artists This year, UK country fans were treated to performances from international artists including The Washboard Union, Halle Kearns, Dan Smalley, Payton Taylor, Roan Ash and Jeremy McComb. There were also appearances from UK talent including Gareth, Kezia and some of the country scene’s best emerging artists. Laura Hancock, Event Director of Buckle & Boots, said: “Celebrating 10 years of Buckle & Boots was incredibly emotional for all of us. “The atmosphere across the weekend was unbelievable and seeing so many people come together in the fields to celebrate what the festival has become meant the world to our whole team. “What started as a small grassroots event has grown into a genuine country music community, and we’re so grateful to every artist, fan, partner and member of staff who has been part of that journey over the last decade. “This year felt like a huge milestone for Buckle & Boots, but honestly, it also feels like the start of an exciting new chapter. “We’re already working on plans for 2027 and can’t wait to do it all again.” Over the four day festivalgoers got to experience writers’ rounds, camping, glamping, artisan food traders and late-night bars. Buckle & Boots Switzerland The festival now heads to the Alps for the very first Buckle & Boots Switzerland. The two-day event will take place between 28 and 29 May in Aararu and will feature performances from Dan Smalley, Halle Kearns, Jeremy McComb, Roan Ash, Payton Taylor, Jade Helliwell, Gary Quinn, Jenn Bostic and Kaylee Rose.
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The Beatles legend Ringo Starr has released his new album, Long Long Road. The album is the 85 year old’s 22nd studio album and his third foray into country music. It features guest appearances from Billy Strings, Sheryl Crow, St. Vincent, Mully Tuttle and Sarah Jarosz. The album was recorded in Nashville and Los Angles in collaboration with legendary record producer and guitarist, T Bone Burnett. We look back on Ringo Starr’s career, spanning close to seven decades. The Beat Behind The Beatles and Beyond Few musicians in modern history have experienced a career as remarkable, unlikely, and enduring as Ringo Starr. For more than six decades, Starr has remained one of the most recognisable figures in popular culture, moving from the back streets of Liverpool to the centre of global fame as drummer of The Beatles. Yet his story is far more nuanced than the familiar image of the affable Beatle flashing a peace sign behind a drum kit. It is a life shaped by hardship, resilience, reinvention, and a surprising willingness to evolve long after many of his contemporaries stopped trying. Although John Lennon and Paul McCartney often dominated headlines and songwriting credits, Starr’s contribution to The Beatles was fundamental. His feel, timing, and instinctive musicianship helped shape some of the most influential recordings ever made. Beyond that, his personality became essential to the group’s chemistry. Starr brought warmth, humour, and a grounded presence to a band increasingly pulled apart by fame, pressure, and artistic ambition. More than fifty years after The Beatles disbanded, Starr continues to tour, record music, collaborate with younger artists, and explore new creative directions. His recent embrace of country music has introduced yet another chapter to a career that has consistently defied expectation. Growing Up In Liverpool Born Richard Starkey on 7 July 1940 in the working class Dingle area of Liverpool, Starr’s early years were marked by severe illness and instability. His parents separated when he was young, and much of his childhood was spent recovering from life threatening health problems. At the age of six he fell into a coma after suffering complications from appendicitis. Later, tuberculosis confined him to a sanatorium for almost two years. Ironically, it was during this prolonged recovery that music entered his life in a meaningful way. Hospital staff encouraged patients to participate in music activities, and Starr was introduced to percussion instruments for the first time. The rhythm and escapism of music offered something transformative. Unlike Lennon, McCartney, and George Harrison, Starr did not come from a particularly academic or artistically ambitious background. He left school with few qualifications and worked a series of manual jobs before becoming involved in Liverpool’s booming skiffle and rock and roll scene during the late 1950s. He joined Rory Storm and the Hurricanes, one of Liverpool’s most popular groups before Beatlemania emerged. It was during this period that he adopted the stage name “Ringo Starr”, inspired partly by the rings he wore and partly by the country and western influences he admired. Joining The Beatles By the early 1960s, Liverpool’s Cavern Club circuit was thriving, and Starr became acquainted with The Beatles through regular performances in Hamburg and around Merseyside. Even before officially joining the band in 1962, he was widely regarded as one of the best drummers on the local scene. When The Beatles decided to replace original drummer Pete Best, Starr was the obvious choice. His arrival completed what would become the most famous line up in music history. Initially, the transition was not universally welcomed. Some fans protested Best’s dismissal, and Starr briefly faced hostility from sections of the audience. However, it quickly became clear that his style suited the band perfectly. His drumming was economical, inventive, and highly musical. Rather than dominating songs with technical excess, he focused on groove, feel, and supporting the arrangement. Tracks such as Ticket to Ride, Rain, Tomorrow Never Knows, and A Day in the Life demonstrated how sophisticated his playing really was. Modern drummers continue to study Starr’s unconventional fills and left handed approach on a right handed kit, which contributed to his distinctive phrasing. Just as importantly, Starr became the emotional centre of The Beatles. Lennon later described the band as feeling incomplete whenever Starr was absent. During the recording of The White Album in 1968, Starr briefly quit the group after feeling undervalued. The remaining Beatles reportedly struggled emotionally and musically during his absence, persuading him to return with flowers covering his drum kit at Abbey Road Studios. Fame Beyond Imagination Beatlemania transformed Starr’s life beyond recognition. By 1964, The Beatles had become a global phenomenon unlike anything the entertainment industry had previously witnessed. Constant touring, screaming crowds, film appearances, and relentless media scrutiny created pressures few people could fully comprehend. Yet Starr often appeared more relaxed than his bandmates. His dry wit and approachable personality made him especially popular with fans and journalists. Films such as A Hard Day’s Night and Help! highlighted his natural comedic timing, with many critics considering him the strongest screen presence among the four Beatles. Behind the scenes, however, life inside The Beatles was becoming increasingly difficult. Exhausting schedules, creative tensions, and changing personal relationships gradually eroded the unity that had defined the group. As Lennon and McCartney pursued increasingly ambitious songwriting directions, Starr adapted alongside them. Although never a prolific songwriter, he contributed occasional compositions and became known for delivering memorable vocal performances on tracks such as With a Little Help from My Friends, Yellow Submarine, and Octopus’s Garden. His voice, unpretentious and sincere, offered contrast within a catalogue increasingly filled with experimentation and complexity. Life After The Beatles When The Beatles officially split in 1970, expectations for the members’ solo careers varied enormously. Starr was often underestimated compared with Lennon, McCartney, and Harrison. Yet he achieved significant commercial success during the early 1970s. Albums such as Ringo and Goodnight Vienna produced major hits including Photograph, It Don’t Come Easy, Back Off Boogaloo, and You’re Sixteen. His 1973 album
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