Folk

Kathryn Roberts & Sean Lakeman Lead Image 2026 maverick-country.com

The return of Barnsley Folk Festival 2027

This spring saw the return of Barnsley Folk Festival, a traditional song and dance festival that first took place in 1986. Hosted and managed by Barnsley Civic, the festival saw nearly 2,000 people attend a range of concerts, dances and workshops over a weekend in May. The weekend also included a sell-out concert from headliner Kate Rusby. Barnsley Folk Festival will take place over Wednesday 19 – Sunday 23 May 2027. Friday night will see the exclusive An Evening with The Roberts; an intimate concert with Barnsley’s foremost musical family; featuring both award-winning duos Kathryn Roberts & Sean Lakeman and Gilmore & Roberts sharing the stage together for the first time. Kathryn and Sean have forged a creative bond that is as enduring as it is inspiring. Their 30 year journey together stands as a testament to their artistry, authenticity, and masterful musicianship. From young trailblazers in the 1990s folk supergroup Equation, they have become one of Britain’s most admired and decorated folk duos. Their contribution to the British folk landscape has not gone unnoticed. Kathryn and Sean have twice been named ‘Best Duo’ at the BBC Radio 2 Folk Awards. Their live shows have earned them a devoted following and a reputation in the British folk and acoustic scene. Gilmore & Roberts celebrate 20 years Performing alongside Kathryn and Sean is Kathryn’s brother Jamie Roberts and Katriona Gilmore. The performance will combine award-winning songwriting with astounding musicianship and their trademark harmonies to create a powerful wall of sound. Nominated three times at the BBC Radio 2 Folk Awards, Katriona Gilmore and Jamie Roberts have toured Canada and mainland Europe. They have played some of the UK’s biggest acoustic festivals and toured with folk rock legends Fairport Convention. 2026 sees Gilmore & Roberts celebrate two decades of music with an album of newly recorded career highlights. Having both grown up in the Barnsley village of Dodworth, siblings Kathryn and Jamie have taken the UK folk scene by storm over the last few decades. Support for the evening comes from singer-songwriter Jasmine Fearn. On the festival’s Saturday night, Barnsley’s very own purveyors of comedy folk music, The Bar-Steward Sons of Val Doonican and their army of knit-wear clad fans will take over Barnsley Civic’s theatre. Now entering their twentieth year, The Doonicans are far from being your typical folk ensemble. Outspoken and energetic ringleader Scott Doonican, and his brothers-from-other-mothers, Alan Doonican, Mo-Jo Doonican, Dave Doonican and the Rt. Rev. Jeremiah Rickenbacker Doonican III, have made their name with their anarchic live shows and no-holds barred parodies of famous songs. Over the last two decades, the group have played over 1400 shows, played to 20,000 people at Fairport’s Cropredy Convention, the Avalon Stage at Glastonbury Festival, recorded collaborations with the likes of Frank Turner, Eliza Carthy and members of the Levellers. They have also scaled the  heights of a #1 and a #2 single as well as a #2 album on the iTunes Comedy Charts. A packed programme across the festival Alongside Barnsley Folk Festival’s headline concerts, there will be performances by Serious Sam Barrett, The Rhythm Chaps, The Hooliemen, Shoon, Parson’s Lot and Glass Ships. Also expect folk sessions, storytelling, theatre, traditional dance performances, craft activities and plenty of food and drink.

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Sam Shackleton maverick-country.com

Sam Shackleton announces UK tour for December

Following sold-out shows in London and Manchester earlier this year, Sam Shackleton has announced an extensive UK tour for December. Tickets for all shows go on sale at 10am on Friday 24th July. Widely known for his viral videos and songs, Sam Shackleton has developed a large touring fanbase across the UK and USA. He has earned a reputation for his energetic, rowdy and distinctive live performances. His powerful Scottish ballad singing recalls the style of Luke Kelly. He also delivers masterful interpretations of traditional folk music from Scotland, Ireland and the USA. Sam blends these influences with punk elements, original songs and deeply introspective lyrics. Whether moving audiences with a folk ballad or rousing rooms to sing and dance, the Scottish troubadour continues to gain global recognition. He has been consistently selling out headline shows across the UK and the USA. Inspired by Scotland’s musical heritage Sam Shackleton’s music is greatly inspired by the rich inter-connected musical oral traditions of Scotland, Ireland, and the United States. Strongly influenced by the 1960s folk revival, his unique sound is a mix of country, old time, traditional, folk, and blues with a Scottish spirit. He was born in Stirling and raised all over Scotland, from the Borders to the Highlands. His music draws deeply on Scotland’s oral tradition, musical culture and landscapes. Sam has had major viral success with his hit singles on Spotify, such as “The Lone Prairie”, “The Overgate”, and “Wild Bill Jones”. His success has also stemmed from his numerous viral videos on Instagram and TikTok from where he has developed a large, passionate, and dedicated global audience. He was subsequently invited to open major international tours across the world for artists like The Mary Wallopers, Pokey LaFarge, Lukas Nelson, Willi Carlise, and Oliver Anthony. Sam has also built up an impressive headline resume of his own, having sold out all of his own headline shows in the UK. UK tour dates Tue 08 Dec London Bush Hall Wed 09 Dec Manchester Night & Day Fri 11 Dec Leeds Hyde Park Book Club Sat 12 Dec Birmingham Dead Wax Sun 13 Dec Bristol Exchange Basement

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Robert Plant. maverick-country.com

Blast from the past: Robert Plant

The Americana Music Association has announced that Robert Plant will receive its prestigious Lifetime Achievement Award at the 25th Annual Americana Honors & Awards. The ceremony will take place on Wednesday, 16 September, at Nashville’s historic Ryman Auditorium, recognising Plant’s enduring contribution to Americana and American roots music. Robert Plant’s passion for Americana Although best known as the iconic lead singer of Led Zeppelin, Plant has spent decades championing roots music, embracing influences that span blues, folk, gospel, country and Americana. His musical curiosity has seen him continually explore American roots traditions, earning widespread respect as both an interpreter and advocate of the genre. Raising Sand helped bring Americana to a wider audience One of the defining moments in Plant’s Americana journey came with the release of Raising Sand, his Grammy Award-winning collaboration with Alison Krauss and producer T Bone Burnett. The critically acclaimed album introduced millions of listeners to the richness of Americana music and played a significant role in raising the genre’s profile. Its success also helped pave the way for the Recording Academy to establish the Best Americana Album category at the Grammy Awards. Plant later reunited with Krauss for Raise the Roof, while continuing to collaborate with leading Americana artists including Patty Griffin and Buddy Miller on “Band of Joy”. Continuing to champion roots music More recently, Plant has continued his exploration of Americana with “Saving Grace” and the follow-up EP “Saving Grace: All That Glitters…”, recorded alongside singer Suzi Dian and a group of musicians from near his home on the Welsh borders. The projects feature interpretations of songs by acclaimed Americana and folk artists including Gillian Welch, Memphis Minnie, Blind Willie Johnson, Martha Scanlan and Sarah Siskind among others. Americana Music Association celebrates Robert Plant The Lifetime Achievement Award recognises Plant’s decades-long commitment to preserving and promoting American roots music alongside his remarkable career as one of rock music’s most influential vocalists. Jed Hilly, Executive Director of the Americana Music Association, said: “Robert Plant’s relationship with Americana music extends far beyond influence—it is one of genuine passion, stewardship and artistic curiosity. “His willingness to immerse himself in the traditions of blues, folk, country and gospel, while continuing to push their boundaries, has expanded the audience for Americana around the world. “Few artists have done more to honor the music’s past while helping shape its future. We are thrilled to recognize his extraordinary contributions with the Americana Music Association’s Lifetime Achievement Award.” As Robert Plant prepares to recieve this recognition, Maverick Country takes a look back at his career so far: Few artists have enjoyed a career as diverse, influential and enduring as Robert Plant. Best known as the unmistakable voice of Led Zeppelin, Plant has spent more than five decades pushing musical boundaries, evolving from one of rock’s greatest frontmen into one of the most respected champions of blues, folk, country and Americana. Born in West Bromwich, England, in 1948, Plant developed an early fascination with American blues, inspired by artists including Robert Johnson, Muddy Waters, Howlin’ Wolf and Skip James. Those influences would shape his musical identity long before he found worldwide fame alongside Jimmy Page, John Paul Jones and John Bonham in Led Zeppelin. During the 1970s, Led Zeppelin became one of the biggest rock bands in history, selling hundreds of millions of records worldwide. Albums such as Led Zeppelin IV, Physical Graffiti and Houses of the Holy helped redefine rock music, while songs including Stairway to Heaven, Kashmir and Whole Lotta Love cemented Plant’s reputation as one of the greatest vocalists of all time. Following the death of drummer John Bonham in 1980, Plant resisted attempts to recreate Led Zeppelin’s success, instead embarking on a solo career built around artistic exploration rather than commercial expectation. Over the following decades, he embraced influences from world music, African rhythms, Celtic folk and traditional American roots music, continually reinventing himself while earning widespread critical acclaim. That spirit of musical curiosity ultimately led Plant towards Americana, where he found another creative home. His landmark collaboration with Alison Krauss on the 2007 album “Raising Sand”, produced by T Bone Burnett, proved to be one of the defining releases of the modern Americana movement. The Grammy Award-winning album blended country, folk, blues and bluegrass into a timeless collection that introduced millions of listeners to the genre and remains one of the most influential Americana releases of the 21st century.

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Waylot Wyatt. maverick-country.com

Waylon Wyatt

19-year-old rising country artist Waylon Wyatt has released his highly anticipated debut album, “Dustpiles”. The album showcases Wyatt’s acclaimed songwriting while marking a significant creative milestone, with the 19-year-old expanding his sound through collaborations with a number of respected songwriters and producers, including Joe Becker, Tofer Brown and Anderson East. “Dustpiles” explores love, loss and resilience The album’s title reflects the universal search for lasting love, following a journey from heartbreak and uncertainty to finding a relationship that endures a lifetime. Written across Nashville, Oklahoma and Arkansas, “Dustpiles” came together organically without a fixed timeline, allowing Wyatt’s songwriting to guide the project. The result is an emotionally honest collection of songs exploring heartbreak, grief and resilience with remarkable maturity. “The Dress” leads the new album The album’s focus track, “The Dress”, is a tender country ballad inspired by George Strait’s classic song “The Chair”. Built around the image of an old dress gathering dust in the corner of a room, the song reflects on the passing of time and the enduring strength of true love, suggesting that while material possessions may fade, genuine relationships only grow stronger. Waylon Wyatt showcases an evolving sound Ahead of the album’s release, Wyatt introduced fans to several tracks that highlighted the depth and diversity of “Dustpiles”. “Box of Bones” explores the fragility of idealised love, while “Leave It Alone” returns to the storytelling style that first earned him recognition. “But There Was a Time” reflects on the pain of a relationship that meant more to one person than the other. Elsewhere, “Dead Man Walkin’” sees Wyatt embrace a blues and Americana-inspired sound, while “In Loving Melody”, produced by Ian Fitchuk, offers a poignant meditation on love and loss. Waylon Wyatt continues headline tour The album arrives as Wyatt continues his Everywhere Under The Sun Tour, performing headline shows across the United States. Alongside his own tour dates, he has joined Sam Barber for select performances, including a return to the iconic Red Rocks Amphitheatre for just the second time in his career. Wyatt is also scheduled to support Turnpike Troubadours on selected dates before making his Lollapalooza debut later this month. Waylon said of the album: “Making this album has been quite a great time. So many amazing collaborators on it, and it was my first time working with a bunch of new producers. I’m so thankful for everyone who had a hand in this record and so glad it’s finally yours.”

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Zac Brown Band Photo credit: Tyler Lord maverick-country.com

Zac Brown Band kicks off Love & Fear 2026 tour

Zac Brown Band officially launched their highly anticipated Love & Fear 2026 tour, presented by Margaritaville at Sea, this weekend. It featured back-to-back performances at Van Andel Arena in Grand Rapids, Michigan, and Rocket Arena in Cleveland, Ohio, kicking off an expansive nationwide run in support of the band’s latest studio album, Love & Fear. Both nights featured special guests Fitz and The Tantrums, setting the stage for an unforgettable tour. Zac Brown Band delivered a dynamic, career-spanning set showcasing the musicianship, versatility, and high-energy live performance that have made the group one of the most celebrated touring acts of their generation. The opening-night show featured new songs from Love & Fear, surprise covers, and fan favorites. Building on the band’s groundbreaking Love & Fear engagement at Sphere in Las Vegas, where Zac Brown Band made history as the first country band to perform at the iconic venue, the new tour carries elements of the immersive visual and sonic production from the historic run into arenas and amphitheaters across the country. Released last year, Love & Fear is a 13-track exploration of resilience, gratitude, and connection featuring collaborations with Dolly Parton, Snoop Dogg, and Marcus King. The album marks a bold creative chapter for Zac Brown Band, pairing the group’s roots-driven foundation and signature musicianship with expansive storytelling and continued cross-genre evolution. The Love & Fear 2026 Tour, presented by Margaritaville at Sea, continues across the country through November, with upcoming stops including Fenway Park in Boston on August 2, Forest Hills Stadium in New York on August 27 and 28, and Red Rocks Amphitheatre on October 19 and 20, among many others. Select dates will feature special guests Grace Potter, Brothers Osborne, Old Crow Medicine Show, and Fitz and The Tantrums. Love & Fear tour dates Friday, July 31, 2026 – Albany, NY – MVP Arena Sunday, August 2, 2026 – Boston, MA – Fenway Park Thursday, August 13, 2026 – Pittsburgh, PA – PPG Paints Arena Friday, August 14, 2026 – Columbus, OH – Nationwide Arena Saturday, August 15, 2026 – Columbia, MD – Merriweather Post Pavilion Thursday, August 27, 2026 – Forest Hills, NY – Forest Hills Stadium Friday, August 28, 2026 – Forest Hills, NY – Forest Hills Stadium Saturday, August 29, 2026 – Philadelphia, PA – TD Pavilion at Highmark Mann Thursday, September 10, 2026 – Kansas City, MO – T-Mobile Center Friday, September 11, 2026 – St. Louis, MO – Enterprise Center Thursday, September 17, 2026 – Charleston, SC – Credit One Stadium Friday, September 18, 2026 – Tampa, FL – Benchmark International Arena Saturday, September 19, 2026 – Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino Thursday, October 8, 2026 – Knoxville, TN – Thompson-Boling Arena at Food City Center Friday, October 9, 2026 – Greenville, SC – Bon Secours Wellness Arena Saturday, October 10, 2026 – Greensboro, NC – First Horizon Coliseum Monday, October 19, 2026 – Morrison, CO – Red Rocks Amphitheatre Tuesday, October 20, 2026 – Morrison, CO – Red Rocks Amphitheatre Friday, October 23, 2026 – Minneapolis, MN – Target Center Saturday, October 24, 2026 – Sioux Falls, SD – Denny Sanford PREMIER Center Thursday, November 5, 2026 – Buffalo, NY – KeyBank Center Friday, November 6, 2026 – Detroit, MI – Little Caesars Arena Thursday, November 19, 2026 – Lincoln, NE – Pinnacle Bank Arena Friday, November 20, 2026 – Des Moines, IA – Casey’s Center Saturday, November 21, 2026 – Rosemont, IL – Allstate Arena

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Gareth Dunlop new single "Freewheeling" maverick-country.com

Gareth Dunlop returns with “Freewheeling”

Belfast-born singer, songwriter, and producer Gareth Dunlop returns on July 31st with his tender and deeply personal new single, “Freewheeling”. The song is about memory, growing older, and the parts of ourselves we never quite leave behind. “Freewheeling” finds Dunlop at his most reflective, reaching back into childhood to make sense of who he’s become. The single was born from an ordinary afternoon that turned into something much bigger. What started as nostalgia became a meditation on identity, how the distance between who we were and who we are now can feel enormous, even as something essential stays exactly the same underneath. Reflecting on childhood memories Speaking on the track, Gareth said, “I wrote Freewheeling after spending a day driving around my old neighbourhood. I had all these memories of my childhood come racing back. The differences between my life then and now felt massive. Looking back, I probably thought I’d have it all worked out by now. In a lot of ways, I’m still making it up as I go. “I wanted to write about that feeling. How so much around me has changed, but there are parts of me that are still on those streets without a care in the world. The kid recording the top 40 on his Hi-Fi, cycling around the streets on his BMX and watching action movies with his dad is still in there. I think that’s true for a lot of us. We grow older, take on more responsibility, and the world keeps changing. Deep down, we never really stop carrying the people we used to be” It’s a song about permanence hiding inside change. It’s about the idea that growing older doesn’t mean growing into someone new, but learning to carry every version of yourself at once. That sense of double vision, the adult and the child occupying the same body, runs through every corner of the song. Dunlop paints his younger self in vivid, specific detail: a boy shaped by ’80s action heroes and taping the charts off the radio, blissfully unaware of the responsibilities waiting for him down the road. Against that innocence, he sets the disorientation of adulthood, the strange, almost dizzying realisation that the kid who once had the whole world figured out is now the one trying to keep the lights on. And yet, as the song’s soaring, repeated refrain insists, nothing essential has really changed at all. Underneath it all, he’s still that same boy, still freewheeling. One heartfelt song at a time “Freewheeling” arrives as the latest chapter in what has become one of the most creative periods of Dunlop’s career. Since the release of his acclaimed third album, “Welcome To The House Of I Don’t Know”, Dunlop hasn’t slowed down for a moment. He has delivered a steady stream of music that has deepened and expanded his emotional palette. He followed the album with standalone singles “Goodbye All Over Again” and “Worlds”. This year alone has already brought two further releases: “Find Myself” and the raw, aching “Wish I Couldn’t Feel A Thing”. The latter marked a striking creative turn for Dunlop, pulling him into alt-R&B territory. The song’s unflinching honesty about grief and the strange comfort of numbness and its willingness to sit inside heartbreak rather than resolve it. “Freewheeling” feels like a natural evolution from that moment. It trades the aching grief of “Wish I Couldn’t Feel A Thing” for something gentler and more affectionate. Together, the recent run of singles paints a portrait of an artist unafraid to sit inside difficult, tender emotions and translate them into songs that feel universal. Dunlop will bring “Freewheeling” and the rest of his catalogue to audiences across the UK and Ireland this year. It begins with an intimate single-promotion show in his hometown before joining Canadian favourites Crash Test Dummies for an extensive co-headline run. With “Freewheeling”, Dunlop adds another chapter to a body of work that keeps returning to the same central question: how do we hold onto who we were, while becoming who we’re meant to be? It’s a question he seems determined to keep asking, one heartfelt song at a time. Upcoming Live Shows 1st August — Around The Tabletop, EastSide Arts, Belfast, UK (single promotion) 1st October — Wylam Brewery Tap, Newcastle-upon-Tyne, UK 2nd October — Glasgow, UK (with Crash Test Dummies) 3rd October — Edinburgh, UK (with Crash Test Dummies) 4th October — Morecambe, UK (with Crash Test Dummies) 7th October — Belfast, UK (with Crash Test Dummies) 8th October — Vicar Street, Dublin, Ireland 9th October — Liverpool, UK (with Crash Test Dummies) 10th October — Manchester, UK (with Crash Test Dummies) 11th October — Leeds, UK (with Crash Test Dummies) 12th October — Norwich, UK (with Crash Test Dummies) 14th October — Islington Assembly Hall, London, UK 15th October — Trinity Centre, Bristol, UK 16th October — O2 Academy Oxford, Oxford, UK 18th October — The Brook, Southampton, UK

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Folk-IndieBob maverick-country.com

Folk-IndieBob to Perform at Edinburgh Fringe Festival

Pittsburgh-based singer-songwriter Bob Augustine, known professionally as Folk-IndieBob, will bring his heartfelt original music to the world-renowned Edinburgh Fringe this August in Edinburgh, Scotland. Performing in the Cask Room at The Mash House, Folk-IndieBob will appear daily from the 20th through the 30th. He is performing as part of the internationally celebrated arts festival. Known for his poetic songwriting, soulful vocals, and intimate acoustic performances, Folk-IndieBob has steadily built a loyal following through appearances at arts festivals, galleries, coffee houses, concerts, restaurants, and poetry readings throughout the United States. His performances blend thoughtful lyricism with warm folk and indie-inspired melodies, creating a deeply personal connection with audiences. The Edinburgh Fringe Festival appearance marks an exciting international milestone for Augustine. He will be introducing his original music to one of the largest and most respected arts audiences in the world. The Fringe has long been recognized as a launching pad for emerging artists and innovative performers across the globe. These factors make it a fitting stage for Folk-IndieBob’s introspective and authentic musical style. Indie-FolkBob’s growing audience In recent years, Folk-IndieBob has continued to gain recognition within the independent music community. He has earned praise from critics and listeners alike for his emotionally honest songwriting and acoustic-driven sound. His growing visibility has included recognition in independent music circles and online music publications. He has also begun to recieve award nomination attention on the indie and singer-songwriter scene. His single, “The Candy Wrapper” reached #9 on the UK iTunes Singer Songwriter chart. “Performing at Edinburgh Fringe is an incredible opportunity,” said Augustine. “My songs are rooted in storytelling and human connection. I’m honoured to share them with audiences from around the world in such an inspiring artistic environment.” Festival attendees can expect an engaging live set featuring original compositions that combine acoustic guitar accompaniment with reflective, emotionally resonant lyrics. Folk-IndieBob’s music has earned praise for its sincerity, originality, and ability to connect with listeners on a deeply human level.

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Janet Devlin - Diane - maverick-country.com

Janet Devlin – Diane (Official Audio)

Janet Devlin is an Irish singer-songwriter whose music sits at the crossroads of modern country pop-rock, Americana and traditional Irish storytelling. Known and appreciated for her unfiltered lyricism and wicked sense of humour, Janet has built a career rooted in authenticity, total honesty and her ability to create a strong personal connection with her audience. After originally breaking through to an international fanbase at a young age, Janet has since evolved into a successful independent artist carving a unique space in the UK country scene. Her sound draws heavily from Nashville songwriting traditions while proudly retaining her Irish heritage; a combination that resonates strongly with country audiences seeking genuine voices and fresh perspectives.

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Shrewsbury Folk Festival

The moments that keep audiences coming back to Shrewsbury

With excitement building ahead of this year’s Shrewsbury Folk Festival, organisers are reminding visitors that the event is about far more than the headline performances, offering a weekend packed with music, dance, workshops, family entertainment and the unique sense of community that has become synonymous with the festival. Returning to the West Mid Showground over the August bank holiday weekend, the award-winning festival will once again bring together an international line-up of artists alongside dance displays, participatory workshops, children’s activities, craft stalls and a wide selection of food and drink. While the live performances remain at the heart of the event, organisers say many of the most memorable moments happen away from the main stages. Festivalgoers can spend the day discovering new artists, learning traditional dance, joining music sessions, browsing independent traders or relaxing with friends while live music drifts across the site. For families, the dedicated children’s programme offers a packed schedule of activities designed to keep younger visitors entertained throughout the weekend. The festival is also known for its welcoming atmosphere, where first-time visitors quickly become part of the community and conversations with fellow festivalgoers often develop into lasting friendships. Hobsons Brewery Dance Tent Whether it is singing along in the Salopian Brewery Berwick Bar, dancing late into the evening in the Hobsons Brewery Dance Tent, sampling local food and drink or simply enjoying the atmosphere from the campsite, organisers believe these shared experiences are what continue to make the festival a highlight of the UK’s folk calendar. As visitors prepare to arrive, organisers say many attendees will recognise the familiar signs that they are back at Shrewsbury Folk Festival – aching legs from hours of dancing, discovering new favourite artists before the weekend is over, children returning from activities with stories to tell, and wondering how they managed to exceed their daily step count before lunchtime. Above all, they say the festival creates memories that last long after the final encore, with many visitors already planning their return before they’ve even packed away their tents. Looking ahead, organisers are also encouraging those who have already secured tickets for the 2026 festival to look forward to another weekend celebrating live music, creativity, friendship and community. For many returning visitors, Shrewsbury Folk Festival has become more than an annual event. It is a tradition built around shared experiences, musical discovery and the moments between the performances that make every bank holiday weekend one to remember.

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DANNI NICHOLS maverick-country.com

Danni Nicholls releases new album “Making Moves”

British Americana singer songwriter Danni Nicholls is continuing her musical journey following the release of her fourth studio album, “Making Moves”. Originally from Bedford and now based in Nashville, Tennessee, Nicholls continues to grow her presence in the United States while writing and recording from the city she has long described as her spiritual home. The album features “The Wreckage”, a standout track that was considered by BBC Radio 2 for its ‘New to 2’ playlist ahead of its release. “Making Moves” sees Nicholls exploring themes of growth, courage and letting go. The record follows her previous studio album, “The Melted Morning”, released in 2019. It was produced by Jordan Brooke Hamlin, and it was widely praised for its vulnerability and originality. Nicholls’ career was shaped by a chance meeting with Nashville producer and bassist Chris Donohue. This led to the making of her critically acclaimed albums “A Little Redemption” and “Mockingbird Lane”. Both records featured musicians including Al Perkins, Will Kimbrough and Steve Fishell. Nicholls has also received support from Bob Harris, who described her music as having “elegance and beauty”. He featured her on his BBC Radio 2 Country show. A three time nominee at the UK Americana Music Association Awards, Nicholls has performed at festivals including Cambridge Folk Festival, Tønder Festival, AmericanaFest, Mile of Music and the 30A Songwriters Festival. She has also shared bills and tours with artists such as Lucinda Williams, The Secret Sisters and Sturgill Simpson. Her music has also featured on the television series “Sons of Anarchy”.

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