The instant this record started, we could only think of one thing; Pettitt embodies Led Zeppelin. Pettitt’s singing style is highly reminiscent of 1970s folk rock, but for the modern age. In particular the track ‘Drop Out’ highlights the use prescription medication as a means of escape, with Pettitt’s flow of consciousness writing working perfectly well with the subject matter – the track sounds like someone struggling increasingly until the close. ‘Stones You Throw’, near the middle of the record, proves to be a left-hand turn into a more morose Pettitt. It’s ideally placed in the track list to keep the listener engaged and bring them back into a sense of intimacy. The album also includes something we love; a starting song with a reprise at the end. It adds structure to a record that is irresistible and brings ‘Messages In Blood’ full circle. Pettitt is just a man and his guitar on this album and, as always, it is a delight.
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