Bob Harris steps down from Radio 2 shows. maverick-country.com

Bob Harris steps down from Radio 2 shows

Legendary broadcaster Bob Harris has announced that he is stepping down from his BBC Radio 2 shows due to ill health. Nearly 56 years of broadcasting excellence Over a broadcasting career spanning almost 56 years, Bob Harris became one of the UK’s most respected and influential music broadcasters. His distinguished career included landmark roles on Radio 1, BBC 6 Music and television, most notably his celebrated tenure on the award-winning BBC music programme The Old Grey Whistle Test during the 1970s. However, the majority of his broadcasting career was spent at Radio 2, which Bob has described as the “Champions League” of radio, where he remained a key voice for three decades. Bob Harris’s legacy at Radio 2 Since joining Radio 2 in 1996, Bob has been a trusted companion for music lovers, presenting acclaimed programmes including Saturday evening shows, Bob Harris Country and Sounds of the 70s. Renowned for his warmth, encyclopaedic musical knowledge and commitment to championing new talent, Bob introduced generations of listeners to emerging artists alongside established stars. His influence helped shape Radio 2’s specialist music output and earned him the admiration of audiences and musicians alike. Championing country music in the UK A passionate advocate for country, folk, Americana and singer-songwriters, Bob has played a significant role in the growth of country music across the UK. From his time hosting his highly-popular Radio 2 show to being the Guest Editor Of Maverick Country, Bob helped bring country music to mainstream audiences, contributing to its rise as one of the UK’s fastest growing music genres. Bob has also been the host of Country to Country festival ever since its inaugural event in 2013. Throughout his career, Bob earned widespread respect from listeners, artists and colleagues, leaving an enduring legacy at Radio 2 and across the wider British music industry. Celebrating Bob Harris at 80 In April this year, Bob celebrated his 80th birthday. To mark the occasion, Radio 2 broadcast the special programme Bob Harris at 80: A Life in Music, which remains available on BBC Sounds. Joined by Zoe Ball, Bob reflected on the defining moments of his remarkable life and career, revisiting key musical milestones, memorable encounters and extraordinary achievements. From Radio 1 and Time Out to The Old Grey Whistle Test The programme explored Bob’s early accomplishments, including co-founding the listings magazine Time Out, launching his first Radio 1 programme in August 1970, touring with T. Rex and becoming the face of The Old Grey Whistle Test from 1972. During his time on the influential television series, Bob interviewed some of the era’s most iconic artists, including John Lennon and David Bowie. The documentary also revisited his return to Radio 1 during the 1990s, his work with BBC Greater London Radio, and the launch of Bob Harris Country on Radio 2 in 1999. Bob also discussed his health challenges and reflected on receiving an OBE in 2011. Final Radio 2 broadcasts The documentary concluded with Bob’s most recent chapter at Radio 2, including taking over as presenter of Sounds of the 70s in November 2024. Bob presented his final episode of Sounds of the 70s on Sunday, March 8 while his last edition of The Radio 2 Country Show aired on Thursday, April 2. Sounds of the 70s will be taken over by Shaun Keaveny and American singer Darius Rucker will continue to present The Radio 2 Country Show in the interim. Bob said: “It’s incredible to think that my broadcasting career has spanned almost 56 years. I am very fortunate to have spent my entire working life doing something I love so much. “I am a massive BBC loyalist, and I’m grateful that I have always been given the freedom to build my programmes in my own way. “Most of my time on air has been spent with my fabulous family at Radio 2 and it has been such a joy to broadcast on this world-class radio station. “I am so proud that The Radio 2 Country Show has played such a massive part in propelling Country to become the fastest growing music genre in the UK, and presenting Sounds of the 70s on Sunday afternoons has been a real pleasure and made my time here the most special of my entire life. “But more than anything, I want to say thank you to my listeners. I have put everything I have into every show I’ve ever done, and it’s all been because of you. “Your love and loyalty mean more to me than words can ever say. I am so sorry that my health issues are forcing me to step down, but I realise that I must concentrate on getting myself well again. “This has been one of the hardest decisions of my life, but I would never want to be doing programmes knowing that I am unable to give you 100%. “I am going to miss you, and I love you very much. Thank you for listening.” Radio 2 pays tribute to one of broadcasting’s most respected voices Helen Thomas, Head of Radio 2 said: “I would like to say a sincere thank you to Bob, a true radio legend, for many years of very special shows on Radio 2. “Bob has hosted The Radio 2 Country Show since 1999, becoming a trusted and respected tastemaker as the genre exploded in popularity. “Since taking the reins of Sounds of the 70s, he has filled the show with love, laughter and captivating stories of being at the heart of the music scene throughout the decade. “Bob is adored by the Radio 2 family and his listeners, and we are all going to miss him and his weekly shows very much. “Everyone at Radio 2 sends Bob and his family our love and support.”

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Little Big Town - photo credit: Becky Fluke maverick-country.com

Little Big Town announces 12th studio album

Multi-platinum Grammy Award-winning Little Big Town (Karen Fairchild, Kimberly Schlapman, Phillip Sweet, and Jimi Westbrook) have announced their 12th studio album, “It’s A Dying Art”, arriving August 28th via MCA. Co-produced by two-time Grammy winner Gena Johnson and Little Big Town’s own Karen Fairchild, the record blends intimate storytelling, emotional balladry, and standout collaborations with friends including Ashley Monroe, Jason Isbell, and Kelsea Ballerini. The album is available for pre-order now in multiple physical and digital configurations, including CD, vinyl and retailer-exclusive variants. LittleBigTown.com will feature limited runs of exclusive signed and special colour vinyl editions. Alongside the album announcement, the band have also released a new track from the project entitled “Over and Over”. The group delivered the debut performance of the song during their standout set at this year’s Stagecoach. “It’s A Dying Art” finds Little Big Town leaning into the sound and spirit of human-made music, embracing imperfection, emotion, and lived experience. Shaped by more than 25 years together, the record reflects the trust and artistry that have long defined the band. Highlighted by the poignant “Hey There Sunshine,” the relationship-worn “The Door” featuring Jason Isbell, the late-night soul of “Closing Time” with Kelsea Ballerini, the fiery “It’s Coming Around,” and the visceral “The Idea,” the album stands as a reminder of the enduring power of music. Earlier this month, the group debuted the first offering from the upcoming album, “Hey There Sunshine” at the 61st Academy of Country Music Awards to widespread praise. The Tennessean called it “a hopeful, healing moment” while Billboard praised their performance as “a timely message from one of country music’s greatest vocal groups.”

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CMA Fest 2026 lineup - Maverick Country

Beyond Nashville: International artists to look out for at this year’s CMA Fest 2026

CMA Fest 2026 once again demonstrates that country music’s growth is no longer confined to the American South. While Nashville remains the genre’s commercial and cultural centre, this year’s lineup features an increasingly international collection of artists bringing fresh perspectives to modern country music. Here, we profile just a small sample of the acts from the UK, Australia and Canada who are performing as part of this year’s line-up. Liam Price British country artist Liam Price has steadily built a reputation as one of the UK emerging Americana influenced performers. Originally from England, Price developed his musical identity through a combination of acoustic songwriting, live touring, and exposure to both British folk traditions and contemporary Nashville country music. Price first gained recognition as the UK’s leading Luke Combs tribute act while also building his own career as an original country artist. In 2025, he released his debut EP, The Grass Ain’t Green, with tracks including Little Star of August and Bangor, ME receiving support from Absolute Radio Country. He was later named winner of The Long Road Festival’s Homegrown Talent competition, leading to his invitation to perform at CMA Fest in 2026. Josh Ross Canadian singer songwriter Josh Ross arrives at CMA Fest as one of the fastest rising international names in contemporary country music. Born and raised in Ontario, Ross initially pursued competitive football before turning his attention fully toward music following injury setbacks. That sporting background still informs much of his public image, with Ross frequently presenting himself as an artist grounded in discipline, resilience, and small town values. Ross – who is now based in Nashville – has twice supported Bailey Zimmerman on tour and has won several Canadian Country Music Awards. More recently, he has released a song with hip-hop artist Akon. This summer, he will be peforming at The Long Road Festival.  Musically, Ross blends modern country production with rock influences and emotionally direct songwriting. His breakthrough singles helped establish him as a major streaming success in Canada before attracting wider attention in the United States. Songs such as Trouble and Single Again showcase his ability to combine radio friendly hooks with introspective themes surrounding heartbreak, identity, and personal reflection. Jade Bird English singer songwriter Jade Bird remains one of the most distinctive voices operating across the boundaries of Americana, indie folk and alternative country. Born in Hexham, Northumberland, and raised partly in Wales, Bird first gained critical recognition through her sharp songwriting and emotionally charged vocal style following a stint at the BRIT School. Unlike more conventional country performers, Bird’s work frequently blends Americana influences with British folk traditions and indie rock energy. Her lyrics often explore themes of independence, emotional conflict, family dynamics and self identity, delivered with an intensity that has earned widespread praise from critics and audiences alike. Bird first attracted international attention following appearances at major festivals including SXSW and Glastonbury. In 2019, she won an AIM Indepedent Music Award for International Breakthrough. Her self titled debut album introduced listeners to a songwriter capable of balancing vulnerability with lyrical precision. Fanny Lumsden Australian artist Fanny Lumsden has become one of the most respected voices within contemporary country and folk music. Raised on a sheep farm in western New South Wales, Lumsden’s songwriting remains deeply connected to regional Australian life, rural communities and the realities of isolation and resilience outside major cities. Fanny Lumsden – who is toruing Australia this summer – has developed a loyal following through independent touring and grassroots support before achieving wider recognition across the Australian country industry. Her albums have consistently received critical acclaim, earning multiple Golden Guitar Awards and Australian Independent Record Awards. Lumsden’s music blends traditional country instrumentation with folk storytelling and subtle pop influences. What distinguishes her work is its emotional honesty and observational detail. Rather than relying on commercial country clichés, her songs often focus on family life, community, hardship, humour and the changing realities of rural Australia. Importantly, Lumsden has built much of her success independently, demonstrating how modern artists can cultivate international audiences through touring, streaming, and direct audience engagement rather than relying solely on traditional industry structures.

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Buckle & Boots - Maverick Country

Buckle & Boots Festival launches tickets for 2027

Tickets are on sale now for Buckle & Boots Festival 2027 following its 10-year anniversary edition. Buckle & Boots confirms return to Whitebottom Farm in May 2027 The festival was held at Whitebottom Farm, Greater Manchester over the May bank holiday. The event will return between 27 and 30 May 2027 in the same location. Line-up featuring nternational and UK country artists This year, UK country fans were treated to performances from international artists including The Washboard Union, Halle Kearns, Dan Smalley, Payton Taylor, Roan Ash and Jeremy McComb. There were also appearances from UK talent including Gareth, Kezia and some of the country scene’s best emerging artists. Laura Hancock, Event Director of Buckle & Boots, said: “Celebrating 10 years of Buckle & Boots was incredibly emotional for all of us. “The atmosphere across the weekend was unbelievable and seeing so many people come together in the fields to celebrate what the festival has become meant the world to our whole team. “What started as a small grassroots event has grown into a genuine country music community, and we’re so grateful to every artist, fan, partner and member of staff who has been part of that journey over the last decade. “This year felt like a huge milestone for Buckle & Boots, but honestly, it also feels like the start of an exciting new chapter. “We’re already working on plans for 2027 and can’t wait to do it all again.” Over the four day festivalgoers got to experience writers’ rounds, camping, glamping, artisan food traders and late-night bars. Buckle & Boots Switzerland The festival now heads to the Alps for the very first Buckle & Boots Switzerland. The two-day event will take place between 28 and 29 May in Aararu and will feature performances from Dan Smalley, Halle Kearns, Jeremy McComb, Roan Ash, Payton Taylor, Jade Helliwell, Gary Quinn, Jenn Bostic and Kaylee Rose.

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George Strait. Maverick-country.com

Blast from the Past: George Strait

Earlier this week, George Strait celebrated his 74th birthday. Here, Maverick Country delves into the life and times of this record-breaking country legend.  A Texas Voice That Changed Country Music For more than four decades, George Strait has remained one of the defining voices of American country music. While trends have shifted dramatically around him, from the polished “Urban Cowboy” movement of the early 1980s to today’s stadium driven country pop crossover era, Strait has consistently represented the traditional heart of the genre. In doing so, he has not only preserved country music’s foundations, but reshaped its commercial future. Known universally as the “King of Country”, Strait’s influence extends far beyond his extraordinary catalogue of hit records. His career changed the trajectory of Nashville itself, proving that authenticity and commercial success were not mutually exclusive. Few artists in any genre have balanced cultural relevance, longevity and artistic consistency with such precision. George Strait’s Early Life and Influences Born in Poteet, Texas, in 1952 and raised in nearby Pearsall, Strait grew up immersed in ranch life and western culture. His musical influences came from classic country traditionalists including Hank Williams, Merle Haggard, Lefty Frizzell and George Jones. Unlike many performers who arrived in Nashville seeking reinvention, Strait arrived fully formed. He did not attempt to modernise himself for the market. Instead, the market eventually adjusted to him. That distinction became critically important during the early 1980s. At the time, country music was heavily influenced by pop crossover production following the commercial success of artists linked to the Urban Cowboy movement. Traditional instrumentation and western swing influences were becoming increasingly rare in mainstream radio. Strait’s arrival offered an alternative. The Rise of Neo Traditional Country His breakthrough single, Unwound, released in 1981, immediately stood apart. Featuring fiddle, steel guitar and a distinctly Texas influenced arrangement, it rejected the polished pop sheen dominating country charts. The success of the track, followed by his debut album Strait Country, helped trigger what many historians now describe as the neo traditionalist movement in country music. Alongside artists such as Randy Travis and Ricky Skaggs, Strait helped restore traditional songwriting and instrumentation to mainstream prominence. Yet even among that influential generation, Strait occupied a unique position. While others often leaned heavily into nostalgia, Strait’s music felt contemporary without abandoning country’s core identity. That balance became the foundation of his extraordinary longevity. George Strait’s Biggest Hits Across the 1980s and 1990s, Strait delivered an unprecedented run of commercial success. Songs including Amarillo by Morning, The Chair, All My Ex’s Live in Texas, Check Yes or No, and I Cross My Heart became defining records not simply because they were popular, but because they reflected emotional clarity and restraint. Strait rarely relied on vocal theatrics. His delivery remained calm, measured and conversational. In an era increasingly dominated by spectacle, that understated style became his greatest strength. His influence on country music’s vocal approach remains significant today. Countless artists, particularly male country singers, adopted aspects of Strait’s phrasing and emotional control. The modern country emphasis on smooth baritone storytelling owes much to the blueprint he established. Commercial Success and Industry Impact Commercially, the statistics surrounding Strait’s career remain staggering. He has achieved more than 60 number one singles across various charts, sold tens of millions of records worldwide and earned one of the highest grossing touring careers in country music history. Yet unlike many legacy acts, Strait never depended on reinvention cycles or headline controversy to sustain relevance. Part of his enduring appeal lies in consistency. Fans understood exactly what a George Strait record represented: strong songwriting, traditional musicianship and emotional honesty. That reliability created extraordinary audience loyalty across multiple generations. George Strait’s Influence on Modern Artists Perhaps more importantly, Strait helped establish commercial space for traditional country artists in modern Nashville. Without his success, it is difficult to imagine the mainstream rise of later artists such as Alan Jackson, Clint Black, or even contemporary traditionalists like Jon Pardi and Cody Johnson. Strait demonstrated that country audiences still valued western identity, fiddle driven arrangements and songs grounded in everyday realism. His influence also extends to live performance culture within country music. Strait avoided elaborate choreography and theatrical excess, focusing instead on musicianship and catalogue strength. That approach reinforced the idea that country concerts could succeed through connection rather than production scale alone. Even in stadium environments, Strait’s performances retained an almost intimate quality. Protecting Traditional Country Music Importantly, Strait’s career coincided with country music’s rapid commercial expansion during the 1990s. As Nashville increasingly pursued crossover audiences, Strait became a stabilising figure for listeners concerned about the genre losing its roots. He effectively bridged traditionalism and commercial accessibility without appearing politically positioned within industry debates. That subtlety allowed him to remain respected across virtually every segment of the country audience. Today, George Strait’s influence is visible not only in sound, but in philosophy. Many modern artists speak openly about maintaining authenticity, protecting songwriting integrity and resisting trend driven production. Those values became commercially viable largely because Strait proved they could succeed at the highest level. The Lasting Legacy of George Strait Few artists manage to define a genre while simultaneously preserving it. George Strait achieved both. His legacy is not simply built on hit records or awards, although he has accumulated more than most artists could imagine. His lasting contribution lies in safeguarding the emotional and musical language of country music during periods when it risked being diluted beyond recognition. In doing so, George Strait became more than a successful performer. He became the standard against which traditional country music continues to measure itself.

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Liam Price releases new single Two Horse Town. Maverick-country.com

Liam Price releases new single Two Horse Town

UK country artist Liam Price has released his latest single, Two Horse Town, following a breakout run of UK tour dates earlier this year. Traditional country sound and collaboration Co-written with Ryan Evans, the track features Grammy-nominated musician Jenee Fleenor on fiddle. Fleenor is a five-time CMA Musician of the Year and ACM Specialty Instruments Player of the Year, known for her work with artists including George Strait, Blake Shelton and Jon Pardi. The song represents the most traditional country sound Price has explored to date, combining classic instrumentation with a strong narrative focus. Lyrically, the track explores themes of perseverance, adversity and resilience, centred around the idea that difficult periods are temporary and often lead to greater opportunities. The phrase “two horse town” reflects the feeling of being trapped in a dead end place while believing there is something larger ahead. The narrator speaks to his brother, sharing personal experiences and encouraging persistence through challenging times. Nashville debut at CMA Fest The release arrives ahead of Price’s debut appearance at CMA Fest in Nashville, where he will perform on the Tractor Supply Spotlight Stage on Saturday, June 6. He said: “As a UK country artist writing and performing original music, this is without doubt the biggest moment of my career so far. “Getting the chance to share my songs in Music City is something I’ve dreamed about for years.” Expanding UK country music career Price first gained recognition as the UK’s leading Luke Combs tribute act while also building his own career as an original country artist. In 2025, he released his debut EP, The Grass Ain’t Green, with tracks including Little Star of August and Bangor, ME receiving support from Absolute Radio Country. He was later named winner of The Long Road Festival’s Homegrown Talent competition, leading to his invitation to perform at CMA Fest in 2026.

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Country on the Road: The Rise of RV Touring and Festival Travel. Maverick-country.com

Country on the Road: The Rise of RV Touring and Festival Travel

There was a time when country music tourism meant booking a hotel in Nashville, buying a ticket to a headline show, and perhaps squeezing in a visit to Broadway before flying home. That version of the country fan experience still exists, but it no longer defines the culture. Across the United States, and increasingly throughout Europe and the UK, country music audiences are building entire lifestyles around the journey itself. RV touring, campervan travel and festival road trips have become central to the modern country experience. Why RV Travel Fits Country Culture The appeal is not difficult to understand. Country music has always celebrated freedom, movement and escape. Whether through songs about open highways, small-town America or restless adventure, the genre has consistently romanticised life on the road. What has changed is that fans are now actively living that identity rather than simply listening to it. Events such as CMA Fest, Stagecoach, Watershed, and Country Thunder have evolved beyond music festivals into temporary lifestyle communities. Thousands of fans arrive in motorhomes, trailers and customised vans, turning campsites into social hubs filled with acoustic jam sessions, barbecue cookouts, line dancing and late-night storytelling. The festival becomes only one part of the experience. The travel itself now carries equal value. Festivals Are Becoming Lifestyle Destinations Social media has accelerated the trend considerably. Platforms such as TikTok and Instagram are filled with creators documenting country road trips through Tennessee, Texas, Montana and the American South West. Vintage Airstream trailers, cowboy boots hanging from truck tailgates, and carefully curated roadside diners have become part of a growing visual identity tied to modern country culture. It blends nostalgia with aspiration, offering audiences an escape from increasingly fast-paced urban living. The UK country scene is beginning to mirror this behaviour. Festivals including The Long Road and C2C are seeing growing demand for glamping, caravan stays and road-trip style attendance. British fans are increasingly embracing Americana-inspired travel experiences, often extending festival weekends into countryside escapes or themed touring holidays. The influence of Yellowstone and the broader western aesthetic has only strengthened this appetite. Importantly, this shift reflects a wider cultural movement beyond music alone. Younger audiences are placing greater value on experiences rather than possessions. RV travel offers flexibility, affordability, and a sense of independence that traditional tourism often struggles to replicate. For many country fans, the road represents authenticity, something the genre itself continues to champion. Brands Are Investing In Country Travel The industry has responded quickly. RV manufacturers, western apparel brands, outdoor cooking companies and whiskey producers are all investing heavily into country music partnerships and experiential marketing. Festival campsites increasingly feature branded activations, mobile retail spaces and lifestyle zones tailored to travelling audiences. Country tourism is no longer simply about concerts. It has become an ecosystem. Artists themselves are also contributing to the shift. Musicians such as Lainey Wilson, Zach Bryan, and Luke Combs project lifestyles closely connected to travel, simplicity and rural identity. Their audiences are not merely buying tickets. They are buying into a way of life. Ultimately, country music’s relationship with the road has always existed. What is changing is the scale at which fans are embracing it. The open highway has become more than a lyrical backdrop. For a growing number of listeners, it is now part of their identity.

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Moody Center Photo credit: Jill Trunnell maverick-country.com

Moody Center dedicates backstage lounge to country music icon

Moody Center unveiled a new backstage lounge dedicated to George Strait at a private ceremony during his historic final weekend at the arena. Dubbed “The Troubadour” in homage to Strait’s GRAMMY-winning album and title track, the lounge reflects both the spirit of his music and his enduring legacy as one of Texas’ most prolific and influential musicians, songwriters and entertainers. The Troubadour captures the feel of a classic Texas honky-tonk. It features a refurbished vintage jukebox programmed with his extensive catalogue, a burnt orange pool table, a restored neon sign, and carefully curated décor. At its heart, The King of Country’s iconic boot prints are permanently enshrined in a bronze plaque embedded in the floor. Moody Center recognizes Strait for his contributions to music and his role in shaping the arena’s early history. Strait performed two nights at Moody Center’s grand opening celebration in April 2022 alongside Willie Nelson. This Spring, he made his triumphant return for a four-night, sold-out series of shows that attracted over 60,000 fans. The Troubadour unveiling The Troubadour dedication, marked by a toast of Codigo tequila shots. It was attended by Strait, his close friends and family, Moody Center executives and representatives from Messina Touring Group. The lounge is reserved exclusively for artists and industry hospitality. “This lounge is more than just a space. It’s a tribute to an artist whose music and presence helped define the Moody Center from day one,” said Jeff Nickler, President of Oak View Group Austin, and General Manager of the arena. “We’re proud to honor him in a way that will be experienced for years to come.” Strait added, “I’ve played a lot of places over the years. To have a space like this honoring the music, the memories, and the fans, it means a lot to me. Thank you, Moody Center and Messina, for such a thoughtful dedication.” “So many touring artists look up to George and aspire to model their career after his, but there’s only one King George. Thank you Moody Center for recognizing his unique contributions with this lounge,” shared Louis Messina. The Troubadour stands as a lasting fixture, reflecting George Strait’s legacy and long-standing connection to Moody Center.

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Eurovision 2026. Maverick-country.com

Beyond Nashville: Eurovision

The Eurovision Song Contest returns to screens this month with the 70th edition being held in Vienna, Austria later this month. To coincide with the start of the world’s larget music competition, we’ve taken a look at the times country music has seeped its way into a competition usually synonymous with pop songs and ballads. While country music remains a niche genre across much of Europe, a handful of artists have successfully introduced Nashville-inspired songwriting, roots instrumentation and Americana storytelling to one of the world’s most mainstream music platforms. Among the many acts to blur the boundaries between Eurovision and country music, four artists stand above the rest for their influence, authenticity and wider cultural impact. The Common Linnets No country influenced Eurovision act has achieved greater critical and commercial success than Dutch duo The Common Linnets. Formed by Ilse DeLange and Waylon, the group represented the Netherlands at Eurovision 2014 with Calm After the Storm, a stripped back Americana ballad that stood in stark contrast to the contest’s usual high energy performances. Built around acoustic guitars, close harmonies and understated production, the song embraced classic Americana influences rarely heard on the Eurovision stage. Its quiet confidence resonated across Europe, ultimately finishing second in the competition while becoming a major international hit. The Common Linnets proved that authenticity and simplicity could still command attention within a contest often dominated by spectacle. Their success also introduced many European audiences to contemporary Americana music for the first time. Texas Lightning Germany’s Texas Lightning delivered one of Eurovision’s clearest examples of traditional country music in 2006. Performing No No Never, the band embraced western swing, rockabilly and classic Nashville aesthetics with complete confidence. The song finished 14th. Led by vocalist Jane Comerford, the group appeared visually and musically rooted in vintage American country traditions. Steel guitars, cowboy styling and retro country arrangements gave the performance a distinctive identity within the competition. While some Eurovision country entries merely borrow stylistic elements from Americana, Texas Lightning approached the genre with genuine musical commitment. Their appearance demonstrated that classic country could still find an audience within mainstream European entertainment. Waylon Following his success with The Common Linnets, Dutch artist Waylon returned to Eurovision in 2018 as a solo performer with Outlaw In ’Em, which came 18th. This time the emphasis shifted towards southern rock and outlaw country influences, drawing inspiration from artists such as Waylon Jennings, Lynyrd Skynyrd, and contemporary Americana rock acts. The performance embraced gritty guitars, blues driven rhythms, and a more aggressive country rock energy than typically seen at Eurovision. Although reactions were divided, Waylon reinforced the Netherlands’ growing reputation as one of Europe’s strongest modern country music nations. His willingness to bring authentic country rock influences to an international pop audience helped broaden perceptions of what Eurovision performances could sound like. Waterloo & Robinson Long before Americana became fashionable within European music circles, Austria’s Waterloo & Robinson introduced soft country rock textures to Eurovision during the 1970s. Representing Austria in 1976 with My Little World, the duo blended folk harmonies, acoustic instrumentation, and west coast country rock influences into a melodic and accessible sound. The song finished 5th. The duo attempted to represent Austria again in 2004, joining the preselection process at the time. At a time when country music remained relatively unfamiliar to many European audiences, Waterloo & Robinson helped establish an early crossover between Eurovision pop and American roots inspired songwriting. Their contribution remains historically important because it demonstrated that country influenced material could work effectively within the Eurovision format decades before the genre gained wider European acceptance.

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Ringo Starr. Maverick-country.com

Blast from the past: Ringo Starr

The Beatles legend Ringo Starr has released his new album, Long Long Road. The album is the 85 year old’s 22nd studio album and his third foray into country music. It features guest appearances from Billy Strings, Sheryl Crow, St. Vincent, Mully Tuttle and Sarah Jarosz. The album was recorded in Nashville and Los Angles in collaboration with legendary record producer and guitarist, T Bone Burnett.  We look back on Ringo Starr’s career, spanning close to seven decades.  The Beat Behind The Beatles and Beyond Few musicians in modern history have experienced a career as remarkable, unlikely, and enduring as Ringo Starr. For more than six decades, Starr has remained one of the most recognisable figures in popular culture, moving from the back streets of Liverpool to the centre of global fame as drummer of The Beatles. Yet his story is far more nuanced than the familiar image of the affable Beatle flashing a peace sign behind a drum kit. It is a life shaped by hardship, resilience, reinvention, and a surprising willingness to evolve long after many of his contemporaries stopped trying. Although John Lennon and Paul McCartney often dominated headlines and songwriting credits, Starr’s contribution to The Beatles was fundamental. His feel, timing, and instinctive musicianship helped shape some of the most influential recordings ever made. Beyond that, his personality became essential to the group’s chemistry. Starr brought warmth, humour, and a grounded presence to a band increasingly pulled apart by fame, pressure, and artistic ambition. More than fifty years after The Beatles disbanded, Starr continues to tour, record music, collaborate with younger artists, and explore new creative directions. His recent embrace of country music has introduced yet another chapter to a career that has consistently defied expectation. Growing Up In Liverpool Born Richard Starkey on 7 July 1940 in the working class Dingle area of Liverpool, Starr’s early years were marked by severe illness and instability. His parents separated when he was young, and much of his childhood was spent recovering from life threatening health problems. At the age of six he fell into a coma after suffering complications from appendicitis. Later, tuberculosis confined him to a sanatorium for almost two years. Ironically, it was during this prolonged recovery that music entered his life in a meaningful way. Hospital staff encouraged patients to participate in music activities, and Starr was introduced to percussion instruments for the first time. The rhythm and escapism of music offered something transformative. Unlike Lennon, McCartney, and George Harrison, Starr did not come from a particularly academic or artistically ambitious background. He left school with few qualifications and worked a series of manual jobs before becoming involved in Liverpool’s booming skiffle and rock and roll scene during the late 1950s. He joined Rory Storm and the Hurricanes, one of Liverpool’s most popular groups before Beatlemania emerged. It was during this period that he adopted the stage name “Ringo Starr”, inspired partly by the rings he wore and partly by the country and western influences he admired. Joining The Beatles By the early 1960s, Liverpool’s Cavern Club circuit was thriving, and Starr became acquainted with The Beatles through regular performances in Hamburg and around Merseyside. Even before officially joining the band in 1962, he was widely regarded as one of the best drummers on the local scene. When The Beatles decided to replace original drummer Pete Best, Starr was the obvious choice. His arrival completed what would become the most famous line up in music history. Initially, the transition was not universally welcomed. Some fans protested Best’s dismissal, and Starr briefly faced hostility from sections of the audience. However, it quickly became clear that his style suited the band perfectly. His drumming was economical, inventive, and highly musical. Rather than dominating songs with technical excess, he focused on groove, feel, and supporting the arrangement. Tracks such as Ticket to Ride, Rain, Tomorrow Never Knows, and A Day in the Life demonstrated how sophisticated his playing really was. Modern drummers continue to study Starr’s unconventional fills and left handed approach on a right handed kit, which contributed to his distinctive phrasing. Just as importantly, Starr became the emotional centre of The Beatles. Lennon later described the band as feeling incomplete whenever Starr was absent. During the recording of The White Album in 1968, Starr briefly quit the group after feeling undervalued. The remaining Beatles reportedly struggled emotionally and musically during his absence, persuading him to return with flowers covering his drum kit at Abbey Road Studios. Fame Beyond Imagination Beatlemania transformed Starr’s life beyond recognition. By 1964, The Beatles had become a global phenomenon unlike anything the entertainment industry had previously witnessed. Constant touring, screaming crowds, film appearances, and relentless media scrutiny created pressures few people could fully comprehend. Yet Starr often appeared more relaxed than his bandmates. His dry wit and approachable personality made him especially popular with fans and journalists. Films such as A Hard Day’s Night and Help! highlighted his natural comedic timing, with many critics considering him the strongest screen presence among the four Beatles. Behind the scenes, however, life inside The Beatles was becoming increasingly difficult. Exhausting schedules, creative tensions, and changing personal relationships gradually eroded the unity that had defined the group. As Lennon and McCartney pursued increasingly ambitious songwriting directions, Starr adapted alongside them. Although never a prolific songwriter, he contributed occasional compositions and became known for delivering memorable vocal performances on tracks such as With a Little Help from My Friends, Yellow Submarine, and Octopus’s Garden. His voice, unpretentious and sincere, offered contrast within a catalogue increasingly filled with experimentation and complexity. Life After The Beatles When The Beatles officially split in 1970, expectations for the members’ solo careers varied enormously. Starr was often underestimated compared with Lennon, McCartney, and Harrison. Yet he achieved significant commercial success during the early 1970s. Albums such as Ringo and Goodnight Vienna produced major hits including Photograph, It Don’t Come Easy, Back Off Boogaloo, and You’re Sixteen. His 1973 album

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