Rochelle Mills

Rochelle Mills

Spotlight: Kris James

Who within the country music genre has influenced or inspired you?  Within the country music scene I absolutely adore big little town. Obviously I’ve been writing music while before discovering them but I think they’re album tornado was absolutely brilliant and in my opinion really raise their profile across the world. I suppose it’s more pop country but I absolutely love it it’s my go to album when I’m in the car especially when I’m in America.    Can you talk me through your songwriting process, do you like to start with a lyric or melody or is it different every time?  Songwriting for me is different every time it depends who I’m working with, although I usually just work with Stew. It can either be me going in with a melody or him with a melody and guitar. Usually my melodies come to me in my head and I record them on my iPhone. It’s kind of strange because those melodies can come when I’m asleep most recently I was on a boat and I had to stop the boat in the middle of the ocean obviously it was a small boat while I record of the melody otherwise if you don’t it disappears. So yeah it’s pretty hard to define how any songwriting session is going to go but usually comes from Melody with me anyway.     Can you remember the first song you ever wrote?  This is a funny question the first song I wrote was “ I’ll never love again!”  It was when I was 10 and I was dating a girl and then she kissed one of my mates which at the time I thought that I was going to die and so I remember leaving my dad‘s pub. When I say pub I wasn’t there drinking obviously I was 10 but I remember walking down the street actually nearly crying and the lyrics and Melody just came out. To think back to then it’s quite cute and sad but of course that song never made it to any album or any release for obvious reasons!!   Country music is all about storytelling, I know ‘The Way You Move’ isn’t strictly country but can you tell me the story behind that please?  Absolutely to be honest with you I think most songs is about storytelling and for me the way you move is kind of just a feelgood track that encapsulates the moment when you’re out and about generally in a club and you see that person could be a boy or a girl that really captures your eye and the way they move just drives you insane. I don’t know I write a lot of songs about being hurt been a romantic being happy and I just decided this time I just wanted to make it about going out on the weekend I’m finding that special person almost like Love At first sight.   Can you remember a live gig that you watched that changed your life?  Absolutely I think remembering myself watching live aid was just unbelievable. From the minute it started I think the pinnacle was when Freddie Mercury with Queen came on and sang we Will Rock you those type of concerts are ingrained in our history and we must never forget them and always go back to keep the remembrance. I can’t even imagine how Friddie must of felt on stage because I know when I’m on stage it’s an exhilarating feeling. And the maximum card I’ve done is about 20,000 so that was a whole other experience and a whole lot more people so I can only imagine it was electric on stage and I would love to have been there.  You’re supporting Will Young on tour, how excited are you about that run of dates?  I am so excited about the Will young tour, I’m also in two weeks about to go on tour with Anastasia which really freaks me out because growing up we listen to all of her music especially my mum so she is probably more excited than me but I’m so excited. Anastasia tall is around Europe which I’ve never really thought so that’s gonna be exciting. But I’m super excited for the Will young tour as it’s around our own country and I get to meet all the lovely people that have been following me for years maybe even 10 years now, wow that’s a scary thought!  So yeah I’m excited, I’m happy, I’m nervous I just can’t wait.    You’re working on a new album, can you tell us more about that please?  Yes, I’m working on a new album, I’m so excited about it. I’m working with the Legendury Sam Williams who is producing it and also now cowriting which Stu Boyle. This time around were really having a lot of fun we don’t necessarily have a timing on the album so it gives us a lot of time to get it right but all I can say with seven tracks in every song is a hit and they get better and better every time so I’m super excited for you guys to hear it. We’re just making this a cool funky disco electronic ambient sounding record with throwing everything but the kitchen sink and I really can’t wait for everyone to hear it.   What’s next for you?  So what’s next for me is continuing to finish the album I’m currently going to be on tour from the 18th of August with Anastasia and then Will Young to the end of the year then in December I’m going to take a well deserved and will need a trip to Asia I’ve got some business as I recently signed a publishing deal so it will be very interesting to see how the music goes out in and around Singapore another Asian territories . It kind of makes me really excited as I really love Asian cuisine. But if you’re really interested in keeping in contact and watching

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Jeannie Seely to Celebrate 55th Grand Ole Opry Anniversary After Party by Hosting World Famous ‘Midnite Jamboree’

GRAMMY®-winning artist, Jeannie Seely, has been announced as the host for the return of the world-famous Ernest Tubb Midnite Jamboree on Saturday, September 17 at the Troubadour in Nashville, TN. The event will also be an after-party celebration for fans, friends and industry members to honor Jeannie for her milestone as a 55-year member of the Grand Ole Opry. This event has become a tradition for Seely who has hosted the Midnite Jamboree after milestone Opry celebrations including her 40th, 45th and 50th anniversaries. Listeners can tune in and hear the Midnite Jamboree on WSM AM 650 and online at midnight with Jeff Hoag brought to you by Springer Mountain Farms.Special guests slated to perform include Mark Wills, Sunny Sweeney, Dallas Wayne, Diane Berry & Joe Wade Smith, Moore & Moore, along with Jeannie Seely and the promise of some special guests.Jeannie Seely has performed on the Midnite Jamboree for several decades, from the time it was broadcast downtown from the Ernest Tubb Record Shop on Broadway and her association with Ernest Tubb holds a special place in her heart. Tubb recorded “Sometimes I Do” written by Seely, she was part of the weekly The Ernest Tubb Show syndicated on television and she fondly remembers and to this day follows the valuable advice he offered her.“So very glad the Midnite Jamboree is coming back!! I’m so thrilled to not only serve as host for this historic return, but also to be celebrating my Opry Anniversary here again.  My mind goes back to the first time Ernest Tubb introduced me on the Jamboree and back announced that ‘the future of country music is in the hands of this young lady,” reflects Jeannie Seely. “Hopefully he is smiling down and proud that we are carrying on his tradition. For my part, I’m hoping it shows my appreciation for the helping hand he so generously extended to me.” “It is hard to put into words just how excited I truly am to have The Ernest Tubb Midnite Jamboree back at the Troubadour starting this Saturday Night!” Exclaimed Troubador owner – Rodney Collins. “With the great Jeannie Seely hosting and celebrating her 55th year as a Grand Ole Opry member, history is being made this Saturday! We hope you will come and be a part of our special night.”“We are very excited to bring the Ernest Tubb Midnite Jamboree back to the Country music community. With the historical significance and the pedigree of the show, we could not be happier to have Jeannie Seely help us get this in motion,” stated Ernest Dale Tubb III Gives me the feeling that ET is applauding from above!”

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Chris Norman

Spotlight: Chris Norman

Chris Norman may be a familiar face to many of you. He first found fame as the original lead singer of English rock band Smokie. From 1964-86, Norman toured the world with the soft-rock group but, in 1986, Norman found success as a solo artist with the song ‘Midnight Lady’ which charted all around Europe, nestling at the top of the German charts for six weeks. After an illustrious career, with 20 solo records under his belt, Norman returns with a new album made up of some of the most beloved ‘Rediscovered Love Songs’ such as ‘Always On My Mind’. The record features songs originally made famous by the likes of Roy Orbison and The Temptations and comes out on October 21. The record was recorded and produced out in Nashville, Tennessee with some of the finest musicians in attendance. Norman joins me to talk me through the record and how he selected the songs which have been so perfectly reimagined.   When did you first know that you wanted to be a musician?  When I was about 15 years old when we formed our first band. We played at a school dance and I remember thinking I’d like to do this as a profession.  Who were your main inspirations when you were growing up?  In music, we used to listen to old time songs when I was a little kid, like from the 30s onwards. So people like Judy Garland, Frank Sinatra were interesting to me. When I was about 5 or 6 years old, rock ‘n’ roll burst onto the scene and I was inspired by Elvis Presley, Lonnie Donegan, Buddy Holly etc. Then later on the 60s music especially the Beatles were my biggest inspiration.  How did you decide which songs to put on this record?  I made a list of my favourite love song recordings and then asked friends and family to come up with some ideas of their favourites. Then I decided which were the ones that would suit my voice best and came up with the songs which are now on the album.  The classic ‘Always On My Mind’ is the lead single, what does that track mean to you?  I remember hearing Willie Nelson‘s version of this song after I was already familiar with Elvis Presley’s version and just thought that the lyrics really were timeless.  Tell me about the song ‘Stumblin In’ and it’s placement in Licorice Pizza?  Suzy Quatro and I recorded the song back in 1978 after we’d been singing together at an after show party at an award ceremony, we decided it might be cool to record something together. I didn’t know it was in licorice pizza until after the film came out so I don’t really know how it got placed in the film.  When you’re on stage and you’re performing are you completely focused or do you let your mind wander, we call it your mid-gig thoughts?  Sometimes it can happen that your mind wanders a little bit. But it’s not often for me that it’s happens as I’m concentrating and focused on the playing and  the sound and the audience reaction.  What’s next for you?  I’ll be doing some promotion for the new album next and touring in different countries and then back to writing and recording, pretty much the same as I always do.  ‘Rediscovered Love Songs’ will be out on October 21st  

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Amy Wadge

Live Review: The British Country Music Festival

It’s been a long festival season here at Maverick and we’ve seen some of the finest country stars from around the world over the course of six festivals. The British Country Music Festival saw some of the best artists from across the UK come together and showcase the stories of their roots through the genre that we’ve all come to know and love. Thursday began with a social event and a preview of the Blackpool illuminations from one of the famous heritage trams. There was music onboard and it offered festival goers a chance to meet like-minded people before the main festivities began on the Friday. As people sung along to ‘Jolene’ and ‘Country Roads’ they got in the mood for the weekend ahead. With three different stages dotted around the Winter Gardens, there was plenty of choice for attendees but it was Rosey Cale who started things off on the acoustic Arena stage. A large audience had already gathered when she kicked things off and she drew them in with her voice and storytelling lyrics. Next, it was the turn of Shellyann and her fabulous band to ramp up the energy with an upbeat set. Her powerhouse vocals demanded the attention of the room as she entertained the crowd. Following her set, Gasoline and Matches performed an extended full band show, Steven enjoying every guitar solo as Sally, with a smile on her face the whole time, confidently belted out each note. Attention turned to the Empress Ballroom where Matt Spracklen was hosting all weekend. It was Noble Jacks who opened the show with their toe-tappingly good brand of country followed by Harleymoon Kemp. Kemp broke onto the scene in lockdown and she has been entertaining crowds ever since. Dressed to the nines in a sassy, country themed red outfit, complete with cowboy hat and hooped earrings she had the audience in uproar as she told the stories, mostly about boys who have done her wrong, behind her songs. Headliner Amy Wadge couldn’t have been more different with her stripped back stage set-up, but both worked well. Wadge played an array of songs she’d written for other people including ‘Thinking Out Loud’ and a track that featured on Michael Ball’s record as well as playing songs from her own EPs and solo records including ‘Older’ and songs from the hit TV show ‘Keeping Faith’. All the while she told the stories behind each track whilst the audience listened attentively – you could hear a pin drop! She concluded on her rendition of ‘Spaceman’ the song she co-wrote for the UK’s entry to Eurovision song contest. It was a more delicate version, her voice was pure as she hit that top note. Saturday began with some jogging to and from venues as Katie O’Malley opened the Arena stage with a full band set whilst in the Horseshoe Pavillion, Celine Ellis held the audience with an endearing acoustic set. The Rising and The County Affair were standouts on the Arena stage in the early afternoon whereas it was a packed house for Kezia Gill on the Horseshoe Pavillion stage. She had the crowd laughing along as she forgot her own words and improvised a solution! She also played a couple of songs that had never been heard before, the audience obliged as she kindly requested they didn’t film and put it on the internet. Brooke Law captivated the room on the acoustic Arena stage. She was an unknown name to many before she bugged but they queued to meet her afterwards as her powerful voice reeled them in and her exemplary songwriting held them there. In the Empress Ballroom at night, people crowded the dance floor as The Wandering Hearts, with their beautiful harmonies ringing round the room took to the stage. They played a range of songs from their most recent release to their earliest singles with the audience stomping along to the likes of ‘Devil’. A surprising name followed who took the scene by surprise upon her announcement – Lucy Spraggan. But she would surprise those in attendance even further as she told the stories behind her funny and quirky songs which were performed by her very well rehearsed band. She was the talking point and the highlight for most at the festival as they began to see and hear the crossover into country that sits, deep rooted within her songwriting approach. She talked of her time on the X-Factor and played songs from that era as well as her latest album. She shared stories of the impact visiting the US has had on her craft. Headliner Tom Odell came on next, his voice was incredible and the moody lighting complemented his stripped back set full of piano ballads. Laura Evans couldn’t have been more different as she brought a lot of energy to the Blackpool stage as she closed the evening out. Her stage presence you couldn’t fault. The final day of the festival was much more relaxed. It began with a wonderful songwriters carousel hosted by Laura Oakes. It was a chance for the artists to dive into more detail about the songs they had written, how they had written them, and why. They each took it in turns and the crowd listened attentively as they went down the line three times. The rest of the day was full of energy as Robert J Hunter Band and Sunbirds played upbeat sets, the latter was a tight knit outfit with sublime harmonies and they went down a treat with the Blackpool audience. Jess Moskaluke, who was the only international act on the line up continued to ramp things up as she strutted around the stage with her powerhouse vocals echoing around the room. The Canadian has some stellar songs on her record ‘The Demos’ which she played some songs from. Everything was well thought out, from the staging, lighting, to the sound, it was such a brilliant weekend, packed full of the best country talent, Britain has

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Spotlight: Aliens Don’t Ring Doorbells

When did you first know you wanted a career in music?  Dorian:  When I was 14 years old I started a band with school friends and we did a small concert at our school auditorium for Talent Day at the end of the school year, we played Alice Cooper’s School’s Out  and the place went crazy and that’s when the music bug really  bit me I guess. Years of practice later and here we are!  Adam: When I was just 10 years old, I remember  mum and dad had a singing duo act in Liverpool in the sixties around the time of The Beatles and, in fact, my parent’s duo group on more than one occasion played the same clubs. With both parents singers, well, wouldn’t you know, I found a could carry a tune and I’ve been in music ever since.      How did you guys first meet?  Dorian:  I had just moved to Spain with my family in 2017 and I was looking for a band to join, I saw Adam singing in a cover band at a club on the Costa Blanca of Spain and I thought “That’d be a good band to join if only there was an opening”, luckily for me, the guitarist in the band left to return home to the UK and, through a friend, I was put in touch with Adam and soon I joined his cover band which ultimately resulted in Aliens Don’t Ring Doorbells.    What kind of music did you grow up listening to?  Dorian: I’m a guitarist so I’ve always been drawn to guitar driven music whether it’s classic rock, jazz or fusion but at the same time I love melody and harmony so I listened a lot to the Beatles, Styx, Kansas, Supertramp, Return to Forever to name just a few.  Adam:  As a singer, I am always drawn to great melodies and great vocalists; I listened to a lot of pop growing up like Simon & Garfunkel, Take That and many others along these lines. I must admit I’m a pop Fan, but I truly love all music that I can sing along to and join in with.    Who within the country music genre influenced or inspired you?  Dorian: Musically, I would say Johnny Hiland is a great influence on me and I use a few licks I’ve learned from him; he’s really great. In terms of a vocal type band I would definitely site the band Alabama has a strong influence.    Can you talk me through your songwriting process, do you like to start with a lyric or melody or is it different every time?  Dorian: Always a great question because everybody does it differently, for example, when I write I like to see what can be done to make the song interesting. There are a number of ingredients you can start with: rhythm, melody, chord movements/harmony. I find a lot of current music is too rhythm driven often at the expense of melody and harmony.  What’s interesting to me is to use rhythmic hooks along with more harmonic movement. Once I have the essence of the song (harmony and rhythm), I then look at all the chord movements and within these chords of course are individual notes from which I create a melody. I often sit with Adam as we fine tune words and melody to ensure we both are happy  Adam: When I write songs for Aliens I often picture a song in my head as a series of pictures to which I sing a melody line into the voice memo on my phone.  Once I bring this to Dorian and the rest of the band the process of developing the song becomes a joint effort.    Country music is all about storytelling, can you tell me the story behind Hello 2 You?  Adam: The song Hello 2 You was written at a time when my family and I were going through a challenging time with health issues. The song is about never giving up and believing in yourself such that no matter what your age, you can rediscover a new part of you that can make all the difference.    What’s the strangest thing you’ve written a song about?  Adam:  I think our song ‘It’s Your Night’ was strange in the sense that it is written about an alien encounter between two species on an unknown planet who somehow find each other. We tried to get this message across in the It’s Your Night music video and people generally agree it’s a strange but cool music video.     What’s next for you?  Dorian:  We toured the UK and Europe in 2022 and now we are very busy working on our second album which will be released in March 2023.  We have just release the first EP from the new album with the single ‘Hello 2 You’ and the b-side song ‘Don’t Touch’; both are seeing good airplay in the UK, Europe and the USA. This is very important for us as it sets the groundwork for our hoped for tour of the USA in 2023 for the first time so there’s lots to look forward to with the Aliens! 

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Review: Long Overdue – Steve Yanek

Steve Yanek is back with a new album aptly titled ‘Long Overdue’. I criticised Yanek’s last album as whilst he could write in a variety of styles, I felt he hadn’t quite decided what he wished to do. However this record is much more cohesive and polished and has a clear sense of direction. The production is strong, his vocals shine and from the opening track – the title track – he has a brand of country-rock that sees your foot tapping along from the off. Melodically, this is a stand out collection as those choruses will get stuck in your head. ‘Like Now’ is a favourite of mine, I think that build up to the chorus is executed well and really helps the message to land with the listener. Meanwhile, the harmonies and backing vocals in ‘On Your Side’ are brilliant and effective. This is my favourite album from Steve Yanek and as he promises there’s more songs waiting in the wings, I’m excited to see him progress with this style! 

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Review: Auf Wiedersehen, Me Duck – Paul Walker & Karen Pfeiffer

Auf Wiedersehen, Me Duck is the eagerly awaited new album from Anglo-German duo Paul Walker & Karen Pfeiffer. The arrangements throughout complement Walker and Pfeiffer’s style and the sound that fans have come to know and love from the pair. The album opens with ‘Our Golden Age’ which transports us back to the industrial age complete with a sing-along chorus. Meanwhile, Paul gets to show off his finger-picking guitar skills on ‘Where I Live’ whilst ‘The Answer’ has a lovely Irish Flute in the mix. The record concludes with the title track taken from a live performance. It shows the humour the pair can inject into their writing and the engagement they have with their audience. All in all, it’s another great album from the duo who go from strength to strength. Producer Ed Bersey has done a fantastic job of the subtle yet effective arrangements whilst Paul Hutchinson (accordion) and Ciaran Algar (fiddle) really help bring the music to life with their contributions.   

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Review: Beyond The Reservoir – Julian Taylor

‘Beyond The Reservoir’ is the exciting new album from Toronto based singer-songwriter Julian Taylor. The album opens with the melancholy ‘Moonlight’ with it’s beautiful backing vocals and Hammond B3 laying the foundations. The swooning pedal steel making you feel at home, this track is a strong opening to a well written record. The single ‘Seeds’ with it’s upbeat folksy feel to it, dives into the themes of loss and rising from the the ashes of that. Taylor’s conversational style vocals are stronger than they’ve ever been, the melodies on this track are catchy and could help it cross over into the mainstream. The record is one of his most personal to date and you can hear the vulnerability in his voice in certain tracks where he perfectly balances the emotion. In the closing track, ‘Opening the Sky’ he sends a message to his daughter, “What I’m saying to her here is, it’s ok to keep going”. The whole record boasts a polished production which is credit to Taylor and Saam Hashemi. This is Taylor’s best work to date and a strong contender for one of the records of the year! 

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Review: Spellbound – Judy Collins

After 82 years, most of which she has spent entertaining people across the globe, Judy Collins is back with her first all original record, ‘Spellbound’. The album details the highs and lows of her life and career. The record takes you on a journey and lyrically was inspired by her journal entries she keeps. A stand out track is ‘Hell on Wheels’ in which Collins revisits her reckless teenage years. Though much of the record was written in the pandemic, Collins goes back to the late 80s with ‘The Blizzard’ which is another brilliant track that has become a fan favourite in her live shows. What strikes me as I listen to the title track ‘Spellbound’ is just how wonderful her melodies are and how, after all these years, her voice is still pure and strong as she captivates you with those melodies. It’s a fantastic record from Collins who, after a busy summer of festivals, is still touring round the world with this fabulous collection of songs. 

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Review: The Broken Road Back Home – Jennifer Crook

Jennifer Crook’s vocals shine on the melancholy record, The Broken Road Back Home. The album has been ten years in the making and her beautifully crafted lyrics are perfectly framed by multi-platinum award-winning engineer Stuart Bruce who is on production duties for this one. Previously released song ‘Battle Scars’ is a stand out track as Crooks injects emotion into her vocal performance. Meanwhile, ‘Build A Shelter’ is a very well written track, the lyrics really stand out. Whilst, the final track ‘Lay Your Weary Head Down To Rest’ is a fitting end to a wonderful album. It feels familiar and soothing. This record is some of Crooks finest work to date and it will be good to hear them in a live setting. If you appreciate great songwriting then it’s well worth a listen!

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