TJ Rosenthal – “The Open Road”
Rather than relying on complex metaphors, the song embraces direct, conversational language that makes its message instantly relatable.
TJ Rosenthal – “The Open Road” Read More »
Rather than relying on complex metaphors, the song embraces direct, conversational language that makes its message instantly relatable.
TJ Rosenthal – “The Open Road” Read More »
The Americana Music Association has announced that Robert Plant will receive its prestigious Lifetime Achievement Award at the 25th Annual Americana Honors & Awards. The ceremony will take place on Wednesday, 16 September, at Nashville’s historic Ryman Auditorium, recognising Plant’s enduring contribution to Americana and American roots music. Robert Plant’s passion for Americana Although best known as the iconic lead singer of Led Zeppelin, Plant has spent decades championing roots music, embracing influences that span blues, folk, gospel, country and Americana. His musical curiosity has seen him continually explore American roots traditions, earning widespread respect as both an interpreter and advocate of the genre. Raising Sand helped bring Americana to a wider audience One of the defining moments in Plant’s Americana journey came with the release of Raising Sand, his Grammy Award-winning collaboration with Alison Krauss and producer T Bone Burnett. The critically acclaimed album introduced millions of listeners to the richness of Americana music and played a significant role in raising the genre’s profile. Its success also helped pave the way for the Recording Academy to establish the Best Americana Album category at the Grammy Awards. Plant later reunited with Krauss for Raise the Roof, while continuing to collaborate with leading Americana artists including Patty Griffin and Buddy Miller on “Band of Joy”. Continuing to champion roots music More recently, Plant has continued his exploration of Americana with “Saving Grace” and the follow-up EP “Saving Grace: All That Glitters…”, recorded alongside singer Suzi Dian and a group of musicians from near his home on the Welsh borders. The projects feature interpretations of songs by acclaimed Americana and folk artists including Gillian Welch, Memphis Minnie, Blind Willie Johnson, Martha Scanlan and Sarah Siskind among others. Americana Music Association celebrates Robert Plant The Lifetime Achievement Award recognises Plant’s decades-long commitment to preserving and promoting American roots music alongside his remarkable career as one of rock music’s most influential vocalists. Jed Hilly, Executive Director of the Americana Music Association, said: “Robert Plant’s relationship with Americana music extends far beyond influence—it is one of genuine passion, stewardship and artistic curiosity. “His willingness to immerse himself in the traditions of blues, folk, country and gospel, while continuing to push their boundaries, has expanded the audience for Americana around the world. “Few artists have done more to honor the music’s past while helping shape its future. We are thrilled to recognize his extraordinary contributions with the Americana Music Association’s Lifetime Achievement Award.” As Robert Plant prepares to recieve this recognition, Maverick Country takes a look back at his career so far: Few artists have enjoyed a career as diverse, influential and enduring as Robert Plant. Best known as the unmistakable voice of Led Zeppelin, Plant has spent more than five decades pushing musical boundaries, evolving from one of rock’s greatest frontmen into one of the most respected champions of blues, folk, country and Americana. Born in West Bromwich, England, in 1948, Plant developed an early fascination with American blues, inspired by artists including Robert Johnson, Muddy Waters, Howlin’ Wolf and Skip James. Those influences would shape his musical identity long before he found worldwide fame alongside Jimmy Page, John Paul Jones and John Bonham in Led Zeppelin. During the 1970s, Led Zeppelin became one of the biggest rock bands in history, selling hundreds of millions of records worldwide. Albums such as Led Zeppelin IV, Physical Graffiti and Houses of the Holy helped redefine rock music, while songs including Stairway to Heaven, Kashmir and Whole Lotta Love cemented Plant’s reputation as one of the greatest vocalists of all time. Following the death of drummer John Bonham in 1980, Plant resisted attempts to recreate Led Zeppelin’s success, instead embarking on a solo career built around artistic exploration rather than commercial expectation. Over the following decades, he embraced influences from world music, African rhythms, Celtic folk and traditional American roots music, continually reinventing himself while earning widespread critical acclaim. That spirit of musical curiosity ultimately led Plant towards Americana, where he found another creative home. His landmark collaboration with Alison Krauss on the 2007 album “Raising Sand”, produced by T Bone Burnett, proved to be one of the defining releases of the modern Americana movement. The Grammy Award-winning album blended country, folk, blues and bluegrass into a timeless collection that introduced millions of listeners to the genre and remains one of the most influential Americana releases of the 21st century.
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19-year-old rising country artist Waylon Wyatt has released his highly anticipated debut album, “Dustpiles”. The album showcases Wyatt’s acclaimed songwriting while marking a significant creative milestone, with the 19-year-old expanding his sound through collaborations with a number of respected songwriters and producers, including Joe Becker, Tofer Brown and Anderson East. “Dustpiles” explores love, loss and resilience The album’s title reflects the universal search for lasting love, following a journey from heartbreak and uncertainty to finding a relationship that endures a lifetime. Written across Nashville, Oklahoma and Arkansas, “Dustpiles” came together organically without a fixed timeline, allowing Wyatt’s songwriting to guide the project. The result is an emotionally honest collection of songs exploring heartbreak, grief and resilience with remarkable maturity. “The Dress” leads the new album The album’s focus track, “The Dress”, is a tender country ballad inspired by George Strait’s classic song “The Chair”. Built around the image of an old dress gathering dust in the corner of a room, the song reflects on the passing of time and the enduring strength of true love, suggesting that while material possessions may fade, genuine relationships only grow stronger. Waylon Wyatt showcases an evolving sound Ahead of the album’s release, Wyatt introduced fans to several tracks that highlighted the depth and diversity of “Dustpiles”. “Box of Bones” explores the fragility of idealised love, while “Leave It Alone” returns to the storytelling style that first earned him recognition. “But There Was a Time” reflects on the pain of a relationship that meant more to one person than the other. Elsewhere, “Dead Man Walkin’” sees Wyatt embrace a blues and Americana-inspired sound, while “In Loving Melody”, produced by Ian Fitchuk, offers a poignant meditation on love and loss. Waylon Wyatt continues headline tour The album arrives as Wyatt continues his Everywhere Under The Sun Tour, performing headline shows across the United States. Alongside his own tour dates, he has joined Sam Barber for select performances, including a return to the iconic Red Rocks Amphitheatre for just the second time in his career. Wyatt is also scheduled to support Turnpike Troubadours on selected dates before making his Lollapalooza debut later this month. Waylon said of the album: “Making this album has been quite a great time. So many amazing collaborators on it, and it was my first time working with a bunch of new producers. I’m so thankful for everyone who had a hand in this record and so glad it’s finally yours.”
Belfast-born singer, songwriter, and producer Gareth Dunlop returns on July 31st with his tender and deeply personal new single, “Freewheeling”. The song is about memory, growing older, and the parts of ourselves we never quite leave behind. “Freewheeling” finds Dunlop at his most reflective, reaching back into childhood to make sense of who he’s become. The single was born from an ordinary afternoon that turned into something much bigger. What started as nostalgia became a meditation on identity, how the distance between who we were and who we are now can feel enormous, even as something essential stays exactly the same underneath. Reflecting on childhood memories Speaking on the track, Gareth said, “I wrote Freewheeling after spending a day driving around my old neighbourhood. I had all these memories of my childhood come racing back. The differences between my life then and now felt massive. Looking back, I probably thought I’d have it all worked out by now. In a lot of ways, I’m still making it up as I go. “I wanted to write about that feeling. How so much around me has changed, but there are parts of me that are still on those streets without a care in the world. The kid recording the top 40 on his Hi-Fi, cycling around the streets on his BMX and watching action movies with his dad is still in there. I think that’s true for a lot of us. We grow older, take on more responsibility, and the world keeps changing. Deep down, we never really stop carrying the people we used to be” It’s a song about permanence hiding inside change. It’s about the idea that growing older doesn’t mean growing into someone new, but learning to carry every version of yourself at once. That sense of double vision, the adult and the child occupying the same body, runs through every corner of the song. Dunlop paints his younger self in vivid, specific detail: a boy shaped by ’80s action heroes and taping the charts off the radio, blissfully unaware of the responsibilities waiting for him down the road. Against that innocence, he sets the disorientation of adulthood, the strange, almost dizzying realisation that the kid who once had the whole world figured out is now the one trying to keep the lights on. And yet, as the song’s soaring, repeated refrain insists, nothing essential has really changed at all. Underneath it all, he’s still that same boy, still freewheeling. One heartfelt song at a time “Freewheeling” arrives as the latest chapter in what has become one of the most creative periods of Dunlop’s career. Since the release of his acclaimed third album, “Welcome To The House Of I Don’t Know”, Dunlop hasn’t slowed down for a moment. He has delivered a steady stream of music that has deepened and expanded his emotional palette. He followed the album with standalone singles “Goodbye All Over Again” and “Worlds”. This year alone has already brought two further releases: “Find Myself” and the raw, aching “Wish I Couldn’t Feel A Thing”. The latter marked a striking creative turn for Dunlop, pulling him into alt-R&B territory. The song’s unflinching honesty about grief and the strange comfort of numbness and its willingness to sit inside heartbreak rather than resolve it. “Freewheeling” feels like a natural evolution from that moment. It trades the aching grief of “Wish I Couldn’t Feel A Thing” for something gentler and more affectionate. Together, the recent run of singles paints a portrait of an artist unafraid to sit inside difficult, tender emotions and translate them into songs that feel universal. Dunlop will bring “Freewheeling” and the rest of his catalogue to audiences across the UK and Ireland this year. It begins with an intimate single-promotion show in his hometown before joining Canadian favourites Crash Test Dummies for an extensive co-headline run. With “Freewheeling”, Dunlop adds another chapter to a body of work that keeps returning to the same central question: how do we hold onto who we were, while becoming who we’re meant to be? It’s a question he seems determined to keep asking, one heartfelt song at a time. Upcoming Live Shows 1st August — Around The Tabletop, EastSide Arts, Belfast, UK (single promotion) 1st October — Wylam Brewery Tap, Newcastle-upon-Tyne, UK 2nd October — Glasgow, UK (with Crash Test Dummies) 3rd October — Edinburgh, UK (with Crash Test Dummies) 4th October — Morecambe, UK (with Crash Test Dummies) 7th October — Belfast, UK (with Crash Test Dummies) 8th October — Vicar Street, Dublin, Ireland 9th October — Liverpool, UK (with Crash Test Dummies) 10th October — Manchester, UK (with Crash Test Dummies) 11th October — Leeds, UK (with Crash Test Dummies) 12th October — Norwich, UK (with Crash Test Dummies) 14th October — Islington Assembly Hall, London, UK 15th October — Trinity Centre, Bristol, UK 16th October — O2 Academy Oxford, Oxford, UK 18th October — The Brook, Southampton, UK
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Mile 0 Fest Key West will celebrate its milestone 10th anniversary when it returns to Florida from 26 to 30 January 2027, promising its biggest and most immersive festival yet. Recognised as one of America’s premier destination festivals, Mile 0 Fest has become a bucket list event for fans of Americana, Red Dirt and Texas Country, combining world-class live music with the laid-back atmosphere of Key West. Unlike traditional music festivals, Mile 0 Fest transforms the entire island into a live music destination. More than ten venues across Key West come alive throughout the week, including the Truman Waterfront Amphitheater, the historic Key West Theater, intimate songwriter stages, waterfront bars and surprise pop-up performances, giving fans the chance to experience live music around every corner. To mark its 10th anniversary, organisers are introducing several new additions. The Reach Key West, Curio Collection by Hilton joins the festival as a new daily venue, while improvements to the Truman Waterfront Amphitheater, enhanced premium viewing experiences and expanded hotel takeovers aim to create an even more immersive festival atmosphere. Named USA Today’s No. 1 Music Festival in the Country in 2025, Mile 0 Fest has also earned praise from Rolling Stone Country, Saving Country Music and Galleywinter for its unique community spirit and close connection between artists and fans.
REDWEST Country Festival is one of Utah’s premier country music events, bringing thousands of fans together at the Utah State Fairpark in Salt Lake City for a weekend of live entertainment, great food and an unforgettable festival atmosphere. Taking place on 16 and 17 October 2026, the festival features more than 20 country artists performing across two stages, alongside an exclusive VIP+ stage experience. In addition to a diverse lineup of established stars and rising talent, REDWEST offers food trucks, bars, local vendors and a range of VIP hospitality options designed to enhance the fan experience. The festival also places a strong emphasis on community, working with festival ambassadors and partnering with local and national charities to support worthwhile causes. Set against the backdrop of Salt Lake City, REDWEST combines live country music with a welcoming festival environment, making it one of the region’s standout celebrations of country music and culture.
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St. Pete Country Fest is a three-day celebration of country music held at the iconic Vinoy Park on the waterfront in St. Petersburg, Florida. Taking place from 20 to 22 November 2026, the festival brings together more than 50 artists across five stages, offering one of the deepest country music lineups in the region. Alongside live performances, attendees can enjoy food and drink vendors, interactive activations, retail stalls and a family-friendly atmosphere, all set against the backdrop of Tampa Bay. Ticket options include General Admission and VIP experiences, with re-entry permitted throughout the weekend. Designed to deliver the perfect blend of live music and Sunshine State vibes, St. Pete Country Fest welcomes thousands of fans each year to enjoy three full days of entertainment, community and unforgettable performances in one of the nation’s premier waterfront festival venues.
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Born & Raised is a three-day country music festival held each September in Pryor, Oklahoma, bringing together country music fans for a weekend of live entertainment and camping. The 2026 festival takes place from 17 to 19 September, with attendees encouraged to arrive early and enjoy the full festival experience, including on-site camping and a Wednesday night pre-party. Designed as an all-ages event, Born & Raised combines major headline performances with a welcoming atmosphere that celebrates country music and community. Fans can choose from a range of ticket options, including General Admission, VIP and glamping packages, while enjoying food vendors, merchandise, camping facilities and a variety of festival amenities. Set against the backdrop of Oklahoma, just a short drive from Tulsa, Born & Raised has established itself as one of the region’s premier country music festivals, offering an immersive weekend where fans can dust off their boots, enjoy live music and create lasting memories.
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Country music star Riley Green has released the official music video for his latest single, “Think As You Drunk”, ahead of the arrival of his forthcoming album, “That’s Just Me”. The new album is set for release on 18 September via Nashville Harbor Records & Entertainment, with “Think As You Drunk” offering fans another taste of the project’s blend of traditional country storytelling and modern country charm. Filmed at Riley Green’s Duck Blind venue in Nashville, Tennessee, the video was directed by Wes Edwards and even features a cameo appearance from Green’s beloved corgi, Carl. The light-hearted clip follows Green through an eventful night at the bar as one drink too many leads to a series of increasingly chaotic mishaps before he eventually takes to the stage to entertain a lively crowd. “Think As You Drunk” pays tribute to Toby Keith Released earlier this summer, “Think As You Drunk” serves as both a rowdy drinking anthem and a heartfelt tribute to late country music legend Toby Keith. The song was written by Riley Green alongside Jessi Alexander, Erik Dylan, Wyatt McCubbin, Scotty Emerick and the late Toby Keith, whose contribution came posthumously. Emerick also co-wrote Keith’s classic hit “Ain’t As Good As I Once Was”. Combining humour with classic country themes, the single highlights Green’s ability to balance heartfelt songwriting with his trademark Southern wit. New album “That’s Just Me” arrives in September Produced by Dan Huff, “That’s Just Me” was written and recorded during one of the busiest periods of Green’s career. The album explores themes including love, heartbreak, country pride and carefree escapism, while showcasing the singer-songwriter’s honest, down-to-earth style. It also features previously released tracks “My Way”, which appeared in the CBS drama Marshald, and “Go Again”, a duet with Hannah McFarland released last week. Riley Green continues landmark year The release of “Think As You Drunk” caps another milestone year for Green. The multi-Platinum artist recently announced ten additional dates for his biggest headlining tour to date, the Cowboy As It Gets Tour, which will visit major cities including Los Angeles, Long Beach and Austin. Away from music, Green recently made his acting debut in CBS’s Marshals, portraying former Navy SEAL Garrett, and was also announced as a coach for the upcoming 30th season of NBC’s The Voice. He also celebrated his seventh US Country radio No. 1 with “Change My Mind”, won the ACM Award for Music Event of the Year, and launched his own spirits brand, Duck Club Bourbon. With a new album, an expanding tour schedule and success across television and business ventures, Riley Green continues to strengthen his position as one of contemporary country music’s biggest stars.
Janet Devlin is an Irish singer-songwriter whose music sits at the crossroads of modern country pop-rock, Americana and traditional Irish storytelling. Known and appreciated for her unfiltered lyricism and wicked sense of humour, Janet has built a career rooted in authenticity, total honesty and her ability to create a strong personal connection with her audience. After originally breaking through to an international fanbase at a young age, Janet has since evolved into a successful independent artist carving a unique space in the UK country scene. Her sound draws heavily from Nashville songwriting traditions while proudly retaining her Irish heritage; a combination that resonates strongly with country audiences seeking genuine voices and fresh perspectives.
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