Parmalee debut at UK Country Calling Festival maverick-country.com

Parmalee to make UK debut at Country Calling Festival

Parmalee will make their long-awaited UK debut this weekend when they headline Country Calling Festival in Chelmsford, Essex on Saturday, August 15th. Commenting on the upcoming performance, the band shared, “We can’t wait to get in front of a UK crowd! This is something we’ve dreamed about and worked toward our entire career. Knowing we’re going to play for our UK fans for the first time brings back the same feeling we had when we first started the band. It’s exciting, and we’re so ready for it!” The North Carolina band, comprised of brothers Matt and Scott Thomas, cousin Barry Knox, and lifelong friend Josh McSwain, has firmly established itself as one of country music’s biggest success stories. Their latest single, “Cowgirl” from their 2025 album “Fell In Love With A Cowgirl”, became the band’s longest-running No. 1 and the longest-running Billboard Country Airplay No. 1 by a band in nearly 14 years, marking their fifth consecutive chart-topper following hits including “Take My Name”, “Just the Way” with Blanco Brown, “Girl In Mine”, and “Gonna Love You”. Renowned for their explosive live performances, Parmalee continues to build momentum with recent releases including “I Need Somebody” and current single “God Knew Better” which is climbing the US country charts. With acclaim from the ACM Awards, iHeartRadio Music Awards and American Music Awards, Parmalee continues to prove they’re one of country music’s most consistent hitmakers, both on stage and on the charts.

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Brooks & Dunn - BRAND NEW MAN maverick-country.com

Brooks & Dunn celebrate 35 years of “BRAND NEW MAN”

Brooks & Dunn will celebrate 35 years of their highly-influential, culture-defining debut album with a first-ever vinyl pressing of “BRAND NEW MAN”, out Oct. 23. The announcement arrives as the Country Music Hall of Famers prepare for a special Grand Ole Opry appearance tonight. The show honours the album’s 35th anniversary and the enduring legacy of the record that launched one of country music’s most celebrated careers. The watershed album didn’t just introduce the world to Kix Brooks and Ronnie Dunn, but set a new bar for showmanship and songwriting. Thirty-five years after its release, the album’s songs remain fixtures of country culture, continuing to connect with longtime fans while finding new audiences around the world. Yet since it was first released in the cassette era, listeners have never heard it like this. The album that started it all Originally released on August 13, 1991, “BRAND NEW MAN” featured 10 self-penned standouts from a distinctive pair of young singer-songwriters. The pair went on to become Country Music Hall of Famers and one of country music’s most beloved duos. Matching revved up rock ‘n’ roll swagger with pure-country song craft and vocal originality, it sparked a career filled with chart-topping hits, sold-out tours and even a line-dance revival, underpinning three-plus decades as the most iconic duo in country history. “When we released “BRAND NEW MAN”, we were two songwriters trying to make the best record we could and hoping people would connect with it,” Kix Brooks shares. “To see those songs still finding their way to new fans 35 years later is something we never could have imagined. Getting to finally put this album on vinyl and celebrate where it all started is pretty special.” “We never set out to make a record that would still be talked about 35 years later. We were just two crazy guys chasing the Nashville dream,” Ronnie Dunn says. “The fans are the reason these songs have lasted. Seeing the younger generation connect with them is what keeps it exciting. “BRAND NEW MAN” will always be a special part of our story.” Four Number One hits and a lasting legacy Produced by Don Cook and Scott Hendricks, “BRAND NEW MAN” dominated the country charts through the early ‘90s with four consecutively-released Number One hits, “Brand New Man,” “Neon Moon,” “My Next Broken Heart,” and “Boot Scootin’ Boogie.” As a testament to the duo’s artistic quality, the 10 tracks were all penned or co-penned by at least one Brooks & Dunn member. The album landed in the Top 5 on Billboard’s Country Album chart and inside the Top 10 on the all-genre Billboard 200. This was before going on to become RIAA certified 7X PLATINUM. It inspired legions of fans and multiple generations of country artists, who still cite Brooks & Dunn’s influence today. Reaching a new generation of country fans That influence remains as visible as ever. Going on to release 12 studio albums, Brooks & Dunn remain one of country’s most vital acts. In recent years, the duo has embraced collaboration with a new generation of artists through the trailblazing REBOOT and REBOOT II projects. They continue the tradition with upcoming features on rising star Zach John King‘s debut album and Riley Green‘s anticipated new album. Fresh off a series of stadium dates alongside Morgan Wallen on the Still The Problem Tour 2026, the duo shows no signs of slowing down. More than three decades after its release, songs from “BRAND NEW MAN” continue to reach new audiences. Songs such as “Neon Moon” have been regularly resurfacing through viral social media trends and fan-driven moments online. The NEON MOON TOUR continues Looking ahead, Brooks & Dunn has extended their headlining NEON MOON TOUR with nationwide dates beginning Sept. 10 through Oct. 9. The duo continue to see the real-time impact of their work. Earning the CMA Vocal Duo of the Year trophy for the last two years running, and ACM Duo of the Year honors for the last two years as well, Brooks & Dunn are now the most-awarded artists in CMA history. They have also taken home 18 ACM awards.

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Beyond Nashville: Tori Drake. maverick-country.com

Beyond Nashville: Tori Darke

Australian country artist Tori Darke is preparing to make her UK debut with an appearance at Country Calling Festival. Known for her powerhouse vocals, fearless songwriting and commanding live presence, Darke arrives in the UK following a significant year that has seen her continue to build her reputation on the international country music scene. Her recent appearances include performances at CMA Fest and Country Jam in the United States. Tori Darke releases “Prettiest Wreck” Darke’s UK debut follows the release of her latest single, *Prettiest Wreck*, a post breakup anthem co written with fellow Australian country artists The Wolfe Brothers. Following Country Calling, Darke will return to Australia before sharing major festival stages with Larry Fleet and Tyler Braden later in the year. Success on The Voice Australia Darke has established herself as one of the most compelling female voices in Australian country music, combining powerful vocals with honest lyrics and an energetic stage presence. In 2024, she joined Australian country music star Lee Kernaghan on a national tour, further strengthening her reputation as a live performer. That same year, Darke appeared on Channel 7’s The Voice Australia, where she turned chairs before joining Team LeAnn Rimes. Her time on the programme also resulted in a duet partnership with Brad Butcher. The pair received widespread praise for their chemistry and heartfelt reimagining of a Fleetwood Mac classic. “Trouble” earns APRA Music Awards nomination Darke has also found success through her collaboration with Jay Santilli, “Trouble”. The track is currently gaining momentum across multiple radio charts and was nominated at the 2026 APRA Music Awards, establishing it as one of the standout country recordings of the year. Country Calling marks next career milestone Darke’s appearance at Country Calling represents another important step in her growing international career, giving UK country music fans their first opportunity to see the Australian singer perform on British soil. Following appearances at major American events and continued recognition in Australia, her UK debut adds another international milestone to an increasingly impressive career.

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Donna Zanetti, Creative Director at Country Calling. maverick-country.com

Country Calling: Built by Country Fans, Centred Around the Fan Experience

Donna Zanetti, Creative Director at Country Calling Festival, talks about the process of planning a country music festival which champions the fans.  My favourite moment of the whole year happens before anyone has even walked through the gates. It’s standing in the middle of the festival site with the team, looking across the field at everything we’ve spent the last year bringing to life. For twelve months it’s lived in our heads, on site plans, spreadsheets and countless WhatsApp messages. And suddenly it’s real. The stages are built, the fencing is up, the traders are in place and, in just a matter of hours, thousands of country music fans will be walking through those gates. For a few minutes it’s quiet. We just stand there, take it all in and appreciate what we’ve built before everything gets busy. Then the gates open, the music starts and the whole place comes alive. The Country Calling experience People often ask what makes Country Calling different, and the honest answer is probably much simpler than people expect; we built the festival we’d want to go to ourselves. Every meeting, every site plan, every artist conversation and every little decision comes back to one question: if we were coming to this festival as fans, would we love it? I still have to pinch myself that I get to call myself Creative Director of Country Calling, but the title only tells part of the story. We’re a small team who genuinely love country music, and everyone wears about five different hats. Over the course of a year there are countless conversations, ideas, challenges and last-minute changes, but every decision comes back to making the festival better for the fans. If it doesn’t improve the experience, it usually doesn’t make the cut. Country Calling 2026 headliners One of the biggest moments during this year’s planning was getting the call from Nashville to say Randy Houser and Parmalee were confirmed as our 2026 headliners. There may even have been a little happy dance in my office. They’re artists I’ve admired for years, so knowing they’d be headlining a festival we’d all worked so hard to build felt pretty surreal. Getting the balance of the line-up right has always mattered to me. I wanted us to bring some of the biggest names from Nashville to Essex while continuing to champion the amazing homegrown talent we have here in the UK. I genuinely believe UK artists deserve to share the stage with some of the biggest names in country music. When I started putting the line-up together, I found myself going back to my Spotify playlists again and again. One minute it’s Randy Houser, the next it’s Ashley McBryde, then Brothers Osborne, Parmalee or Kezia Gill. That’s just how I listen to country music, and I know I’m not the only one. Most of us don’t sit there thinking about sub-genres – we just listen to songs we love. At some point it clicked that that’s exactly what I wanted Country Calling to feel like: a festival where people could discover something new, sing every word to an old favourite and come away feeling like the whole weekend celebrated everything we love about country music. Celebrating female talent One thing we spoke about a lot during planning was making sure the line-up reflected where country music is today. Some of the most exciting artists around right now are women, so we wanted that reflected on our poster. Seeing we’d achieved an almost 50/50 split between male and female artists is something we’re genuinely proud of, and we’d love to keep building on that in future years. One thing we’ve always believed is that festivals should be where you discover your next favourite artist. Alongside the bigger names, we’ve taken a few chances on new and emerging international artists who we honestly think are going to be huge. One artist I’m especially excited for people to discover is Lakelin Lemmings. The first time I heard her music, I knew there was something special about her. She’s an incredible songwriter and performer, and I genuinely think she’s got a really bright future. I’d love to think that in a few years’ time people might be able to say, “I saw them at Country Calling before they became huge.” Seeing the reaction when we announced the line-up was brilliant. Watching people share the poster, plan their weekends and tell us how excited they were made every late night worthwhile. A festival built by country fans I’ve always thought great festivals are about much more than who’s on the poster. It’s discovering an artist you hadn’t heard before, bumping into friends you only seem to see at festivals, sitting on the grass between sets with a drink and simply enjoying being there. That’s the bit I love. None of us really switch off once the festival ends. We’re already making notes. What worked? What didn’t? What did people love? What can we improve? Every year we learn something, and every year we try to make the next festival even better. We’re country fans building a festival for country fans, and that’s something we’ve never lost sight of. We hope that when people arrive, they can feel the care that’s gone into every part of the weekend. From the way the site is laid out to the little details people might not notice straight away, everything has been designed with the fan experience in mind. After a year of planning, we finally get to the part we’ve all been waiting for– seeing people enjoy it. We can’t wait to welcome everyone through the gates and watch Country Calling take on a life of its own.

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Luke Combs wins three Guinness World Records. maverick-country.com

Luke Combs receives three Guinness World Records

Country music superstar Luke Combs has been presented with three Guinness World Records certificates following his historic run of shows at Wembley Stadium. The awards were presented backstage by Official Guinness World Records Adjudicator Will Munford before Combs took to the stage for the second night of his sold-out “My Kinda Saturday Night Tour” last weekend. Luke Combs becomes first solo country artist to headline Wembley Stadium Combs secured a new Guinness World Record after becoming the first solo country artist to headline London’s iconic Wembley Stadium. The milestone was achieved on Friday, 31 July, during the first of three sold-out performances at the 90,000-capacity venue. Each show attracted a full house of devoted fans, known affectionately as “Bootleggers”, making the concerts the first at Wembley to feature a solo country musician as the headline act. The Wembley dates formed part of Combs’ 23-date “My Kinda Saturday Night Tour”, which supports his sixth studio album, “The Way I Am”, featuring the singles “Back in the Saddle”, “Sleepless in a Hotel Room” and “Be By You”. Billboard Country Airplay records recognised In addition to his Wembley achievement, Combs was recognised for two long-standing Billboard Country Airplay records. He holds the record for the most consecutive No. 1 singles on Billboard’s Country Airplay chart from debut, with five chart-topping hits: “Hurricane”, “When It Rains It Pours”, “One Number Away”, “She Got the Best of Me” and “Beautiful Crazy”. Combs also holds the record for the most consecutive No. 1 singles on Billboard’s Country Airplay chart from one album, achieving seven successive chart-toppers with: “Beer Never Broke My Hear”, “Even Though I’m Leaving”, “Does to Me” featuring Eric Church, “Lovin’ On You”, “Better Together”, “Forever After All” and “Cold as You”. Another milestone for Luke Combs The latest Guinness World Records recognition adds another remarkable achievement to Combs’ career, further cementing his status as one of the biggest names in modern country music. Official Adjudicator Will Munford said: “Luke is truly a superstar of country music and three sell-out nights at Wembley Stadium showcase his reach and transcendent ability beyond the genre.”

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Old Soul, New Sound: How Country Music's Instruments Have Evolved maverick-country.com

Old Soul, New Sound: How Country Music’s Instruments Evolved

There was a time when country music needed very little to tell a story. One singer, one acoustic guitar, perhaps a fiddle or mandolin, and an audience willing to listen. The earliest pioneers of the genre created music that could be performed on a porch, in a church hall, or around a campfire without amplification or elaborate production. That simplicity remains at the heart of country music’s identity, but the instruments that shape today’s sound have travelled a remarkable journey. Modern country still respects its acoustic roots, yet today’s artists are just as likely to rely on sophisticated pedalboards, digital modelling amplifiers, wireless systems, in-ear monitors and studio technology as they are on a well worn Martin or Gibson. The evolution of country music is, in many ways, the evolution of the instruments that bring it to life. The acoustic foundation For much of country music’s early history, the acoustic guitar was more than an accompaniment. Brands such as Martin and Gibson became synonymous with the genre, prized for their rich tone and projection long before microphones became commonplace. Artists such as Jimmie Rodgers, The Carter Family and later Hank Williams proved that powerful songwriting needed little more than six strings and an honest voice. Every scratch on the guitar became part of the instrument’s story, reflecting thousands of miles travelled and countless songs performed. Alongside the acoustic guitar came the fiddle, banjo, mandolin and upright bass, instruments borrowed from Appalachian, Celtic and folk traditions that helped define what audiences came to recognise as country music. The electric revolution The arrival of electricity transformed country music forever. As dance halls became larger and bands grew louder, musicians needed instruments capable of filling bigger venues. The electric guitar arrived not as a replacement for the acoustic, but as a practical solution. Few instruments have become as closely associated with country music as the Fender Telecaster. Introduced in the early 1950s, its unmistakable bright, cutting tone became the soundtrack of honky tonk, Bakersfield country and countless Nashville recordings. Artists including Buck Owens and Merle Haggard helped demonstrate that electric guitars could retain country music’s storytelling while adding a new level of energy and expression. The pedal steel guitar also emerged as one of the genre’s defining voices. Its sweeping bends and emotional phrasing created a sound unlike anything else in popular music, becoming almost inseparable from traditional country recordings. Nashville meets technology As recording studios evolved, so too did the equipment behind the music. The famous Nashville Sound of the 1960s introduced smoother production, string sections and sophisticated studio techniques designed to broaden country music’s commercial appeal. Instruments were no longer judged solely on how they sounded in a room, but on how they responded to microphones, mixing consoles and advanced recording equipment. Today, even the most traditional sounding albums often rely on cutting edge technology behind the scenes. Digital recording allows producers to capture performances with incredible detail, while modern editing tools offer flexibility unimaginable to previous generations. Importantly, however, technology has rarely replaced musicianship. The best country recordings still depend on authentic performances rather than digital perfection. The modern country toolkit Walk onto the stage of a contemporary country artist and the contrast with the genre’s origins is striking. Wireless guitar systems give performers complete freedom to move across stadium stages. Digital amp modellers recreate the sounds of dozens of classic amplifiers without the weight or maintenance of traditional valve equipment. In-ear monitoring systems provide crystal clear mixes for performers while reducing stage volume. Programmable pedalboards allow guitarists to switch instantly between acoustic simulations, vintage overdrives, delays and reverbs throughout a performance. Many artists also perform with multiple guitars, each selected for a specific tuning, song or tonal character. What once required a single acoustic now involves carefully curated collections designed to meet the demands of modern touring. The acoustic guitar remains Despite these advances, the acoustic guitar remains the emotional centre of country music. Whether it is Chris Stapleton opening a stripped back ballad on a Gibson J45, Zach Top embracing traditional bluegrass influences, or Lainey Wilson writing new material with little more than an acoustic and a notebook, songwriting still begins in much the same way it always has. The acoustic guitar continues to provide something that technology cannot manufacture: intimacy. It exposes every nuance of a performance, every imperfection in a vocal, and every emotion within a lyric. In a genre built on authenticity, that honesty remains invaluable. Tradition meets innovation Perhaps the greatest strength of country music is its willingness to embrace progress without abandoning tradition. Artists now blend vintage instruments with digital technology, analogue warmth with modern precision, creating recordings that respect the past while speaking to contemporary audiences. A songwriter may begin with an acoustic guitar in a quiet room, develop ideas on a smartphone voice recorder, refine arrangements in a digital audio workstation, and ultimately perform the finished song through wireless systems to tens of thousands of fans. Every stage of that journey reflects how far the instruments of country music have evolved. At its core, country music has never been about the equipment. It has always been about telling honest stories through instruments that serve the song. Whether those stories are carried by a weathered Martin acoustic, a road worn Telecaster, or the latest digital touring rig, the spirit of country music continues to resonate with audiences because authenticity still matters more than technology. The tools may have changed dramatically over the decades, but the heart of country music remains firmly rooted in the simple relationship between a musician, an instrument, and a great song.

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Morgan Wallen maverick-country.com

Morgan Wallen closes out 2026 Still The Problem tour

Morgan Wallen has officially concluded the Still The Problem Tour. Across 23 sold-out stops at 12 North American stadiums, the tour saw shows at iconic venues including Bryant-Denny Stadium, Soldier Field, U.S. Bank Stadium, Allegiant Stadium, Michigan Stadium, University of Clemson’s Memorial Stadium and Lincoln Financial Field. Along the historic run, Wallen became the first artist in history to perform two consecutive nights at Michigan Stadium as well as University of Clemson’s Memorial Stadium. Additionally, Wallen played the first concert at Alabama’s Bryant-Denny Stadium in 43 years, following Hank Williams Jr’s 1983 show. Chart success continues after the tour As a testament to the impact of the latest tour, Wallen’s latest album “I’m The Problem” has returned to the top spot on the Billboard 200 chart. The album spends its 14th non-consecutive week at No.1. After debuting the track at his sold-out show at M&T Bank Stadium in Baltimore, Wallen recently released his newest track and first solo release of the year, “Been By Now.” Upon release, the track debuted No. 2 on the Billboard Hot 100 – his 20th Top 10 track. The track also debuted No. 1 on the Streaming Songs and Digital Songs Sales charts. Wallen currently has two songs in the Top 5 including his duet with Ella Langley, “I Can’t Love You Anymore.” In addition, “You Proof” has officially been certified Diamond by the RIAA. This becomes Wallen’s sixth Diamond-certification, maintaining the record for the most Diamond-certified singles by any country artist. Giving back through the Morgan Wallen Foundation During the Still The Problem Tour, Wallen donated a portion of every ticket sold to his Morgan Wallen Foundation (MWF). The foundation supports youth music and athletic programs and gives communities access to essentials in times of crisis. Those donations enabled MWF to donate over $1 million worth of instruments to 26 schools in need across U.S. touring cities. One of the schools, Sto-Rox Junior/Senior High School in Pittsburgh, PA, received $40,000 worth of instruments. “We are truly honored and excited to receive this generous donation of musical instruments from the Morgan Wallen Foundation. This gift will have a lasting impact on our students and our music program by providing access to high-quality instruments that will inspire creativity, enhance learning opportunities, and help our young musicians continue to grow both artistically and personally,” Sonya Coleman, Sto-Rox School District Superintendent states. “Partnerships like this demonstrate the power of giving back to communities. It also creates opportunities that will positively influence students for years to come.” Throughout the run, Wallen transformed each tour stop into a one-of-a-kind hometown event, welcoming athletes and local legends for his now-iconic walkouts.

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Ronnie Wood. Maverickcountry.com

Ronnie Wood and Imelda May to headline The Long Road Festival 2026

The Long Road Festival has announced that music legend Ronnie Wood and his band will headline the festival’s main stage on 29 August, joined by acclaimed Irish singer-songwriter Imelda May. It comes after Bailey Zimmerman had to pull out of the festival after canceling the UK and Europe leg of his “Different Night Same Rodeo” tour. The special performance forms part of the festival’s seventh edition, which returns to Stanford Hall, Leicestershire, over the August Bank Holiday weekend. Together, Wood and May will deliver a set featuring timeless classics and fan favourites, adding another high-profile moment to this year’s line-up. Ronnie Wood brings legendary career to The Long Road A two-time inductee into the Rock and Roll Hall of Fame with both The Rolling Stones and Faces, Wood has spent decades shaping the sound of British rock music. Award-winning Irish artist Imelda May has become one of the UK’s and Ireland’s most celebrated female performers, selling millions of records worldwide. Star-studded Long Road Festival line-up Known as the UK’s favourite immersive country, roots and Americana festival, The Long Road has assembled another outstanding line-up for 2026. Festivalgoers can look forward to performances from 14-time Grammy Award winner Emmylou Harris, who will play the final show of her European farewell tour, Maren Morris, making her only UK festival appearance of the summer, Steve Earle, The Shires, and rising country star Josh Ross. Country lifestyle at the heart of the festival Visitors can enjoy activities including line dancing for all abilities, late-night afterparties, open mic sessions, Stateside food traders, craft beers, food competitions, the Lucky Dice Car & Bike Show, vintage funfair rides, country bingo, cowboy Olympics, country crafting, barn dances and the ever-popular Country-oke. Food lovers will also be able to enjoy authentic Austin-style barbecue as Red Dog Saloon brings its renowned smokers and restaurant experience to the festival site. With world-class music, authentic country culture and a welcoming festival atmosphere, The Long Road Festival 2026 promises another unforgettable Bank Holiday weekend for country, roots and Americana fans.

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Country Calling - Maverick Country

Country Calling: The Festival Redefining Country Music Discovery

Country Calling brings together international and homegrown country talent for a lively summer celebration between Friday, August 14 and Sunday, August 16 2026 at Kings Farm, Chelmsford, Essex. Here, the organisers give us an insight into the festival where the fans come first.  There’s something special happening in the British country music scene. What was once a niche genre has become one of the UK’s fastest-growing music communities, and few events capture that spirit quite like Country Calling. Set against the backdrop of Kings Farm in Chelmsford, Country Calling has established itself as one of the UK’s most exciting country music festivals. Bringing together international stars, rising talent and passionate fans, the festival combines authentic country music with a welcoming, family-friendly atmosphere and a strong sense of community. International country music artists This year’s festival continues that tradition by bringing major international artists to UK audiences, including US country stars Randy Houser and Parmalee, both making their UK country festival headline debuts. Alongside these acclaimed performers, the festival presents a diverse line-up reflecting the global growth of country music. By the fans, for the fans Country Calling was created by country music fans, for country music fans. The small team behind the festival have watched the genre flourish across the UK, but recognised that many country-themed events were centred around tribute acts. They believed fans wanted more opportunities to experience the real artists behind the music. With several members of the team having worked professionally within the country music industry for more than a decade, they understood both the audience and the artists, giving them a unique perspective on what was missing from the UK festival landscape. When the opportunity arose to create something different, the stars aligned and Country Calling was born. “The growth of country music has become a truly global phenomenon,” says Country Calling Festival Creative Director Donna Zanetti. “While Nashville and the USA continue to shape the top end of our line-up with many of the genre’s biggest and most widely recognised stars, we’re equally passionate about championing the next generation of talent. Our aim is to create a programme that reflects the exceptional calibre and diversity of country music globally, balancing established headline artists with emerging acts we believe are on the verge of something special. “That’s why we continue to seek out talent from around the world, bringing artists from countries including Australia, Canada, New Zealand, across Europe and the UK to perform alongside major US stars. “Country Calling has built a reputation for giving audiences the opportunity to experience future stars early in their journey, often through UK festival debuts, and that’s something we’re incredibly proud of.” Diversity champions That commitment to diversity extends beyond geography. Country Calling has also worked hard to champion female artists, striving for a near 50/50 split between male and female performers. In a genre where festival line-ups have historically been dominated by men, the festival is proud to showcase the breadth of talent shaping modern country music. Beyond the music, Country Calling delivers a complete country lifestyle experience. Alongside performances across multiple stages, visitors can enjoy line dancing, a Nashville-style dive bar, live cooking demonstrations, American muscle car displays, shopping villages, family entertainment and a wide range of food and drink experiences. Family friendly fest The festival is equally committed to ensuring live music remains accessible to the next generation of country fans. Every paid adult ticket includes a free ticket for a child under 16, with additional children’s tickets available from just £10 for a day ticket or £26 for the weekend. At the heart of the festival, the free Little Wranglers Kids Club offers artist singalongs, arts and crafts led by the teachers behind That Kid Life, children’s line dancing lessons and plenty more, while food vendors provide affordable, child-friendly meal options throughout the weekend. At the heart of the festival’s music discovery experience is the Caffè Nero Stage, where great coffee meets great live music. While country music remains at its core, the programme broadens the musical landscape to include Americana, blues and folk, creating a unique soundtrack across the weekend. Curated in partnership with Talentbanq and Imagesound, it’s a welcoming space to discover new artists, enjoy intimate performances and recharge between headline sets. Original recording artists What sets Country Calling apart is its commitment to discovery, authenticity and opportunity. Every artist on the bill is an original recording artist, ensuring audiences experience the real voices shaping modern country music rather than tribute acts. This year alone, fans can enjoy first-time UK festival performances from artists including Australia’s James Johnston, Canada’s Madeline Merlo and many more from around the world. Every year, there are artists on the bill who the team believe are just one great performance away from becoming country music’s next big stars. Some of the artists making their UK debuts at Country Calling today may well return as future headliners. In a festival landscape increasingly crowded with tribute acts and familiar formats, Country Calling has carved out its own identity by championing authentic artists, international and homegrown talent, and genuine music discovery. For fans looking to experience the real voices shaping modern country music, it has become one of the most exciting destinations on the UK country music calendar.

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