Page 56 – Maverick Country

Morgan Wade returns with new single ‘Moth to a Flame’

Leave a Comment / News / Rebecca Morpeth-Spayne

Morgan Wade has unveiled another glimpse into her forthcoming album ‘Obsessed’ with the release of her latest single, ‘Moth to a Flame’. Imbued with a sense of longing, ‘Moth to a Flame’ features a lilting acoustic guitar line, complemented by soulful lap steel and piano melodies. The song serves as an ode to the pursuit of dreamt-of love, placing Wade’s distinctive vocals at the forefront with a powerful yet gentle delivery. ‘Obsessed’, a 14-track collection, is entirely solo-written and stripped-down, highlighting Wade at her most raw and vulnerable. Produced by her touring guitarist Clint Wells, the album explores themes of longing for home, emotional reunions, and the intense preoccupation with a significant other. Wade’s lyrics delve into situations often considered unconventional by societal standards, showcasing her ability to write with compelling force. In ‘Obsessed’, Wade also undertakes a thorough examination of her personal journey, candidly addressing moments when she has been at fault. The album is set to be released on August 16th via Sony Music. It follows her acclaimed album’ Psychopath’, which was recognised as one of 2023’s best albums by The New York Times, Rolling Stone, and others. Following the conclusion of her headlining unplugged CROSSING STATE LINES world tour last month, Wade has joined Alanis Morissette’s TRIPLE MOON TOUR as an opening act. Sharing the stage with her musical icon and Joan Jett, Wade will continue to perform in arenas and amphitheatres across America this summer. Obsessed Tracklisting: Total Control Department Store Time to Love, Time to Kill Obsessed Juliet 2AM in London Hansel and Gretel Spin Reality Walked on Water (feat. Kesha) Halloween Crossing State Lines Moth to a Flame Deconstruction To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Dylan Scott pays tribute to Louisiana on ‘I Owe You One’

Leave a Comment / News / Rebecca Morpeth-Spayne

Dylan Scott has released his first new music since his deluxe album, ‘Livin’ My Best Life (Still)’, on 29 March. The new single, titled ‘I Owe You One’, is a heartfelt tribute to the small town in Louisiana that raised him. The song, penned by Morgan Wallen, Ernest K. Smith, Ashley Gorley, and producer Mark Holman, reflects on how Scott’s upbringing taught him valuable lessons about life, love, heartbreak, and redemption, shaping him into the person he is today. In the chorus, Scott expresses his gratitude with a humble “I owe you one!” “‘I Owe You One’ speaks right to me, the way I grew up, and the people I grew up with,” shared Scott. “I really connect with this song and think it’s a cool way to say thank you to everything and everyone who raised me.” ‘I Owe You One’ follows the release of Scott’s spring deluxe album, ‘Livin’ My Best Life (Still)’, a 26-song collection that achieved his highest chart position on the Billboard Top 200 upon its release. The album has already produced five Gold or Platinum singles, three No. 1 songs, and two radio charting singles. The expanded collection includes five highly-anticipated unreleased tracks, as well as fan favourites ‘Boys Back Home’ with Dylan Marlowe and ‘This Town’s Been Too Good To Us’, currently climbing the Country charts at No. 35 and No. 42 respectively on the Mediabase Country Airplay chart. The album also features the newly RIAA Platinum certified No. 1 hit ‘Can’t Have Mine (Find You A Girl)’ and the standout track ‘What He’ll Never Have’, which MusicRow described as a “surefire hit.” Scott continues to bring his electrifying live show to audiences as the direct support act for Cole Swindell on his Win The Night Tour, which will stop in Los Angeles in a few weeks and conclude in July. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Priscilla Block unleashes new EP, ‘PB2’

Leave a Comment / News / Rebecca Morpeth-Spayne

Country music sensation Priscilla Block has set the stage for a thrilling new chapter in her career with the release of her latest EP, PB2, via Mercury Nashville. The highly anticipated EP features a blend of fan favourites and fresh tracks that showcase Block’s dynamic range as an artist. PB2 introduces listeners to Block’s current single, “Good On You,” which has already amassed over 14 million streams across various platforms. The EP also includes popular tracks like the gripping “Hey Jack,” alongside three new additions: “Apartment,” “Bad Guy,” and “Hell Out Of A Hometown.” Each song explores different facets of Block’s artistry, from vulnerable introspection to sassy anthems and heartfelt country storytelling. Reflecting on the EP, Priscilla Block shared her excitement, stating, “It’s been a while leading up to this next era for me and I’m so excited it’s finally here. I wanted to drop three songs that showcase three different sides of me as an artist.” Block’s co-writing contributions to four of the tracks underscore her role as both performer and storyteller, resonating deeply with her dedicated fanbase. Ahead of the EP release, Block treated fans to official lyric videos for “Apartment,” “Hell Out Of A Hometown,” and “Bad Guy,” providing an intimate visual backdrop to her evocative lyrics. In addition to her studio efforts, Priscilla Block recently wrapped up her successful headlining Hey Jack Tour, which saw sold-out shows across North America. Her international presence was also felt with performances at the C2C Music Festival in the United Kingdom and CMC Rocks Australia, solidifying her status as an “Artist to Watch” in country music. Known for her unfiltered songwriting and catchy melodies, Block has garnered acclaim for her honest approach and relatable narratives. Her previous hits, including “Just About Over You” and “You, Me, and Whiskey” (featuring Justin Moore), have resonated strongly with audiences, earning her critical praise and industry accolades. With PB2, Priscilla Block continues to redefine contemporary country music, blending elements of country pop and southern rock into what fans affectionately call “the Block Party sound.” As she embarks on this new musical journey, Block remains a compelling voice for her generation, promising more captivating stories and infectious tunes to come. For fans eager to experience PB2 and the latest from Priscilla Block, the EP is now available on all major streaming platforms. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Luke Bryan announces the 10th anniversary of Crash My Playa

Leave a Comment / News / Rebecca Morpeth-Spayne

Promising another year of sun-soaked, music-filled memories, Luke Bryan has announced the 10th annual Crash My Playa event. The five-time Entertainer of the Year and American Idol judge will host the event from January 15-18, 2025, at the luxurious Moon Palace Cancún, a AAA Four Diamond Awarded resort. ACM-nominated Crash My Playa has delivered sold-out concert vacations featuring country’s biggest stars for a decade, and this year promises to be the most spectacular yet. Bryan will headline for two nights, with Jason Aldean returning to perform on the beach for the third time, and Kane Brown making his debut at Crash My Playa. Additional artists include Bailey Zimmerman, Dustin Lynch, Dylan Scott, Elle King, Jackson Dean, Nate Smith, Dasha, Ella Langley, Tucker Wetmore, and DJ Rock. Fans can look forward to special guests, daily pool parties, and exclusive Alumni perks designed to make the 10th-anniversary celebration unforgettable. “This is one of those pinch-me moments. The 10-year anniversary of a festival that I got to create along with the Playa Luna team,” said Luke Bryan. “It is hands down one of my favourite times on stage – period. To get to celebrate in the most beautiful setting with the most incredible Playa crashers, along with the most incredible artists – it doesn’t get much better. My artist friends always leave here wanting to come back. Gonna be the best Playa party yet.” “Reaching the ten-year milestone for Crash My Playa is a testament to the incredible community of fans and artists who come together each year,” said Brett Keber, Partner at Playa Luna. “We’re honoured to continue producing this one-of-a-kind vacation experience with Luke in Mexico.” To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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The Long Road announces day splits and more artists

Leave a Comment / News / Rebecca Morpeth-Spayne

The Long Road, the UK festival for country, Americana, and roots music, has unveiled the day splits and the third wave of artists for its highly anticipated summer event. Building on the excitement of previous announcements, the festival has detailed the performance schedule for its eclectic lineup. With tickets selling fast, the fifth edition of The Long Road promises to be its biggest yet, set to take place at Stanford Hall in Leicestershire from 23rd to 25th August 2024. The festival kicks off on Friday with a headlining performance by American country vocal group Chapel Hart. Returning by popular demand after a memorable appearance during Rissi Palmer’s Color Me Country takeover, Chapel Hart will headline the Interstate Stage. The opening night will also feature performances by alt-country band American Aquarium and hip-hop country group Gangstagrass, among others. Additionally, audiences can look forward to sets from folk duo Campbell Jensen and pop-rock artist Gina Larner, ensuring a dynamic start to the weekend. Saturday promises to be a highlight, with the Rhinestone Stage hosting a UK-exclusive headline show by the legendary Don McLean. Famous for timeless hits like “American Pie” and “Vincent (Starry, Starry Night),” McLean’s evocative storytelling and musical legacy resonate globally. The Saturday lineup is further enriched by Paula Cole and Brittney Spencer, known for her collaborations with Beyoncé. Meanwhile, the Interstate Stage will feature performances by The Red Clay Strays and Colbie Caillat, adding to the day’s diverse musical offerings. The festival culminates on Sunday with a high-energy performance by country-pop star Russell Dickerson. Known for his electrifying live shows and chart-topping hits, Dickerson will headline the Rhinestone Stage. Joining him is West Texas native Randall King. The Interstate Stage on Sunday will showcase folk-country group Flatland Cavalry and country artist Pokey LaFarge, while Ron Pope, renowned for his viral hit “A Drop in the Ocean,” will lead performances from The Front Porch Stage. Newly confirmed additions to the lineup include country singer Redferrin, whose song “Jack & Diet Coke” gained significant popularity on Spotify’s US Viral 50 Chart. Redferrin is noted for his collaborations with artists like Florida Georgia Line and Nelly. Also joining the Friday lineup are Georgia songwriter Jonah Kagen, Wood Burnt Red, Oscar Corney, Bailey Tomkinson & the Locals, and Alan Finlan. On Saturday, the festival will welcome Pearl Charles, who blends rock and country, alongside Charlotte Young. Ollie Hawkins has been added to the Sunday lineup. With an impressive array of talent across its stages, The Long Road 2024 is set to deliver an unforgettable experience in the heart of the English countryside. To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Instrumental deep dive: Steel guitar

Leave a Comment / Exclusives / Rebecca Morpeth-Spayne

What is a steel guitar? Steel guitar is considered a staple of country music. The softer, lilting sound of a steel guitar can be found in country music throughout the 20th century and into the 21st. The steel guitar is usually played on the lap, by plucking the strings with one hand – as opposed to strumming – whilst running a steel bar over the strings with the other hand, hence the name. It’s known to create a smoother sound, with glissando (notes stepping up in half tones quickly) and vibrato (the ‘wobbly’ sound when a note is held), this unique tone makes it instantly recognisable to the ear and incredibly popular. Called the ‘frying pan’ in its early days, for its long neck and circular body shape, steel guitar is played sitting down. The history of steel guitar Believed to have been originally conceived by teenager Joseph Kekuku in his Lāʻie high school dormitory around 1889, the guitar hails – like Kekuku – hails from Hawaii. Hawaiian music dominated the US music charts in the 1910s. Following the fall of the Hawaiian Kingdom orchestrated by US settlers and colonialism, Hawaiians travelled to the US and took their culture, art and instruments with them. The economic hardship in Hawaii led many to leave behind their home islands in pursuit of better jobs and more security, many Hawaiians turned to music to preserve their heritage and language (which was being discouraged in Hawaii after the fall of the Kingdom). The steel guitar was an innovation on the six-string guitar, which itself was brought over to Hawaii by vaqueros (cowboys from Mexico and Spain), these Spanish-speaking cowboys taught locals to play the six-string guitar, all long before Kekuku’s invention came into being. Kekuku himself left Hawaii in 1904, setting up a shop in Seattle where he also taught local musicians about his instrument, the steel guitar. The sound of steel guitar gained popularity and by 1915, Hawaiian guitar music was outselling every other genre of music in the US. Of course, many Hawaiians moved to the Southern US. It was under the rule of segregation that the steel guitar met blues music. As native Hawaiians were banned from staying in whites-only spaces, performers – and other natives who played steel guitar – lived and worked in places where African-American, native and other immigrants also lived. The mixing together of cultures, through shared experience, sowed fertile ground for musical flowers to grow. It was here, in shared spaces that the steel guitar became a mainstay in blues, featured on tracks by Robert Johnson and Muddy Waters. Using the slide method of guitar playing, the steel guitar was quickly a mainstay in American music. Kekuku toured for many years, before settling down in Chicago and continuing to teach steel guitar. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Sierra Ferrell: The roots revival punk

Leave a Comment / Beyond Nashville, Exclusives / Rebecca Morpeth-Spayne

It would be remiss to say that the title of this article is original, in fact, it’s stolen from a comment underneath Sierra Ferrell’s performance on Jimmy Kimmel – her first US television appearance – which reads: “Love the texture the percussion adds, she’s an absolute angel, the punk rock outlaw of country music”. Disagreeing is difficult, especially considering Ferrell’s new album, ‘Trail of Flowers’. In the ever-evolving landscape of folk and Americana music, there are artists whose voices echo through the corridors of time, carrying with them the essence of tradition while forging new paths of creativity. Sierra Ferrell is undeniably one of these voices. With a sound that harks back to the roots of American music while resonating with modern audiences, Ferrell has captivated listeners with her haunting vocals, masterful instrumentation and poetic songwriting. For Ferrell, it’s all about the roots revival. Back to her roots Sierra Ferrell’s journey into the world of music began in the hills of West Virginia, where she was born and raised. After her parents divorced when she was five years old, she lived in a trailer with one of her two siblings and her mother. It was here that Ferrell would forge her connection with the outdoors. Instead of picking up on the bluegrass roots of West Virginia, Ferrell found herself drawn to the typical popular 90s music of the time, listening to cassette tapes of Tracy Chapman and 10,000 Maniacs. Ferrell’s first instrument was the clarinet, quickly followed by joining a choir in high school. It ignited the musical spark in her. From there, she picked up guitar and started to teach herself, playing a set of Shania Twain covers at a local bar and joining a band she would later find out was a Grateful Dead cover band. After joining the band and starting to learn the songs, the other members of the band giggled behind her back before telling her the truth. This would be Ferrell’s fatal flirtation with bluegrass that set her on the ‘Trail of Flowers’. The road less travelled: Ferrell’s artistic evolution As Ferrell’s passion for music grew, so did her desire to explore new horizons and push the boundaries of her artistry. Fuelled by a restless spirit and an insatiable hunger for creativity, she embarked on a journey that would take her across the country, from the bustling streets of New Orleans to the intimate venues of Nashville and beyond. It was on this journey that Ferrell began to carve out her own unique sound, blending elements of folk, blues, country and jazz into a tapestry of sound that defies categorisation. With each new city she visited and each new encounter she had, Ferrell’s music evolved, taking on new dimensions and reaching new heights of expression. On her ‘Trail of Flowers’, Ferrell takes the time to pay tribute to the string band Fox Hunt, naming a song after them. In particular, Ferrell counts John R. Miller – the vocalist of Fox Hunt – as the inspiration behind the track, which serves as a nod to her exploration of the bluegrass scene in her early 20s. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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ACM announces Industry and Studio Recording Award winners

Leave a Comment / News / Rebecca Morpeth-Spayne

The Academy of Country Music® has announced the winners of the ACM Industry Awards and Studio Recording Awards for the 59th Academy of Country Music Awards™ through a series of video announcements. Featured presenters included Kelsea Ballerini, Dierks Bentley, Dan + Shay, Jordan Davis, Vince Gill, Cody Johnson, Parker McCollum, Justin Moore, Thomas Rhett, Tigirlily Gold, Keith Urban, and local media personalities from across the country. All award winners, along with the soon-to-be-announced Special Award recipients, will be honoured at the 17th Academy of Country Music Honors™ on Wednesday, 21 August 2024, at the historic Ryman Auditorium in Nashville, Tennessee. Details about the ACM Special Award honourees, hosts, and ticket information will be revealed on Tuesday, 18 June. Information about performers will follow in the coming weeks. Studio Recording Awards Highlights Paul Franklin secured his second ACM Specialty Instrument Player of the Year Award, marking his 18th ACM Award overall. This achievement ties him with fellow steel guitar player J.D. Maness for the most ACM Studio Recording Award wins. Dann Huff received his fifth ACM Producer of the Year Award, bringing his total ACM Award count to 11. Huff is the most-nominated non-artist in ACM Awards history with 57 nominations, surpassed only by artists such as Alabama, Brooks & Dunn, Kenny Chesney, Merle Haggard, Alan Jackson, Miranda Lambert, Tim McGraw, and George Strait. Jimmie Lee Sloas achieved his fifth win as ACM Bass Player of the Year. Rob McNelley won his first ACM Electric Guitar Player of the Year award, bringing his total ACM Award count to four; his previous three awards were in the ACM Guitar Player of the Year category, which was split into separate Electric and Acoustic categories in 2021. Jim “Moose” Brown secured his third win as ACM Piano/Keys Player of the Year. Audio Engineer Jim Cooley, piano/keys player David Dorn, and guitar player Charlie Worsham each received their second career ACM Awards for Audio Engineer of the Year, Piano/Keys Player of the Year, and Acoustic Guitar Player of the Year, respectively. Drummer Jerry Roe celebrated his first ACM Award with his recognition as ACM Drummer of the Year. Industry Awards Highlights The Ryman Auditorium and Bridgestone Arena, both located in Nashville, TN, were recognised with ACM Theater of the Year and ACM Arena of the Year, respectively. This marks the Ryman Auditorium’s eighth win and Bridgestone Arena’s sixth. Mohegan Sun Arena in Uncasville, Connecticut, took home its eighth ACM award in the Casino of the Year – Arena category. Red Rocks Amphitheatre in Morrison, Colorado, won its third ACM Outdoor Venue of the Year award and fifth overall ACM Award. Joe’s Live in Rosemont, Illinois, received its third ACM Award for Club of the Year, and the club’s owner, Ed Warm, received his first win for ACM Talent Buyer of the Year, bringing his total personal trophy count to six. Fort Lauderdale, Florida’s Tortuga Music Festival received its third ACM Award for ACM Festival of the Year, and Durant, Oklahoma’s Choctaw Grand Theater received its third ACM Award for ACM Casino of the Year – Theater. The San Antonio Stock Show & Rodeo received its second ACM Award for ACM Fair/Rodeo of the Year. Adam Weiser of AEG won his first ACM Award for ACM Promoter of the Year. Complete List of Winners Industry Award Winners: Casino of the Year – Theater: Choctaw Grand Theater – Durant, OK Casino of the Year – Arena: Mohegan Sun Arena – Uncasville, CT Festival of the Year: Tortuga Music Festival – Fort Lauderdale, FL Fair/Rodeo of the Year: San Antonio Stock Show & Rodeo – San Antonio, TX Club of the Year: Joe’s Live – Rosemont, IL Theater of the Year: Ryman Auditorium – Nashville, TN Outdoor Venue of the Year: Red Rocks Amphitheatre – Morrison, CO Arena of the Year: Bridgestone Arena – Nashville, TN Don Romeo Talent Buyer of the Year: Ed Warm Promoter of the Year: Adam Weiser – AEG Studio Recording Award Winners: Bass Player of the Year: Jimmie Lee Sloas Drummer of the Year: Jerry Roe Acoustic Guitar Player of the Year: Charlie Worsham Electric Guitar Player of the Year: Rob McNelley Piano/Keyboards Player of the Year: (TIE) Jim “Moose” Brown & David Dorn Specialty Instrument(s) Player of the Year: Paul Franklin Audio Engineer of the Year: Jim Cooley Producer of the Year: Dann Huff To read more exclusive articles and latest news, see our last issue here. Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Beyond Nashville: BRELAND

Leave a Comment / Beyond Nashville, Exclusives / Rebecca Morpeth-Spayne

In the sprawling landscape of contemporary country music, one name is challenging the traditional boundaries and reshaping the genre’s landscape: BRELAND. Hailing from outside the typical confines of Nashville, BRELAND is a musical maverick whose unique blend of country, hip-hop and R&B has captivated audiences all over the world. Born in New Jersey and raised in Southern New Jersey, BRELAND’s (who’s birth name is Daniel Gerard Breland) journey to country music stardom is a testament to his versatility and vision. Growing up, he was immersed in the depths of musical influences, from the soulful sounds of Motown to the gritty beats of hip-hop. It was this eclectic mix of genres that would later become the cornerstone of his groundbreaking sound. Unlike many of his Nashville counterparts, BRELAND’s entrance into the country music scene wasn’t conventional. Instead of honky-tonks and cowboy hats, his musical upbringing was shaped by the bustling streets of New Jersey and the pulsating rhythms of urban culture. Yet, it was precisely this outsider perspective that would one day set him apart in an industry often defined by its traditions. BRELAND’s breakout hit, ‘My Truck’, is a perfect example of his genre-bending approach. With its infectious melody, catchy lyrics and seamless fusion of country twang and hip-hop swagger, the song became an instant sensation, earning him widespread acclaim and propelling him into the spotlight. The track eventually reached number 26 on the Hot Country Chart. In a genre known for its reverence for the past, BRELAND dared to break the mould and create something entirely new and refreshing. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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Review: Hadestown – Hadestown (Original Broadway Cast Recording) Special Edition LP :

Leave a Comment / Top Picks / Rebecca Morpeth-Spayne

“Welcome to the underground!” With its haunting melodies, poetic lyrics, and captivating storytelling, the original Broadway cast recording of “Hadestown” invites listeners on a journey to the depths of the human soul. From the opening chords of ‘Road to Hell’, listeners are transported to a world where the line between love and darkness blurs. Mitchell weaves together elements of folk, jazz and blues, creating a sound that feels both timeless and contemporary. Reeve Carney’s portrayal of Orpheus is filled with a tender vulnerability, while Eva Noblezada’s Eurydice exudes a raw, restless energy. Patrick Page commands as the ominous Hades, his deep baritone sending shivers down the spine. Standout tracks include ‘Wait for Me’, a haunting duet between Orpheus and Eurydice that captures the essence of longing and hope and ‘Chant’, a mesmerizing ensemble number that builds to a powerful crescendo. Read the full feature in our free digital magazine here: https://bit.ly/3WUe56j Never miss a story… Follow us on: Instagram: @Maverick.mag Twitter: @Maverick_mag Facebook: Maverick Magazine Media Contact Hannah Larvin, Editor, Maverick Magazine Tel: +44 (0) 1622 823 920 Email: [email protected]

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