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Kenny Chesney

The story behind Danny Lee Murphy and Kenny Chesney's recent #1

When CMT’s Katie Cook talked of friendship, dreams and hard work, the entire third floor of ACME Feed & Seed burst into cheers. As waiters passed trays of hot chicken’n’waffles and fried green tomatoes, David Lee Murphy and Kenny Chesney were being feted for the feel-good summer anthem “Everything’s Gonna Be Alright,” written by Murphy, Chris Stevens and Jimmy Yeary. “First, I wanna thank Chris and Jimmy. We knew the day we wrote it, this was a hit even if nobody played it,” said Murphy, the man known for “Party Crowd” and “Dust on the Bottle,” to several hundred in attendance. He continued, singling out Reviver Records’ tenacity. “They were tough as can be, and we had a long haul. They’ve worked really hard on this record. We knew it was going to be a fight, but every regional got in there and gave it their all. We said you can run, but you can’t outrun us.” Later Chesney beamed as he took the mic. “This all started three, four years ago, because David Lee would send me all these songs–demos that sounded like records–and he was singing so great. I remember thinking, ‘I’d love to hear that on the radio.’ It seemed to me that there were a lotta people who aren’t being sung to, and David Lee could be one of those people who could do that.” Indeed, he could. “Everything’s Gonna Be Alright” has been a summer staple, as well as a fixture on Chesney’s 19Trip Around the Sun Tour stadium shows. The impact wasn’t lost on the 8-time Entertainer of the Year, who said, “To stand up there in front of 50,000 people every Saturday night, and see a song truly move people, to really feel it is something. This song made me believe in that all over again, because to experience that is really, really beautiful.” Whether it was BMI’s Leslie Roberts telling the assembled crowd how the lyric and the melody “and the sound of David Lee and Kenny singing, they take you back to high school, listening to two of your best friends sing and you don’t have a care in the world,” to Sony/ATV’s Troy Tomlinson confessing he asked Kenny what he was thinking when he called to say he was considering making what became No Zip Codes, and being told, “because it’s the right f’ing thing to do,” the mood was joyous and light. With backdrop-sized pictures of Chesney and Murphy throughout ACME, the vibe was long on friendship and the connection that tethers songwriters and artists to songs. Blue Chair Bay Rum even created a cocktail just for the event – an Everything’s Gonna Be Alright Mojito—containing high proof white rum, mint, lime and a bit of sugar. As co-writer Yeary said, “I love being a songwriter. I love to feel, so you can feel it…. If you feel, we connect. If we connect, we form a bond. If we form a bond, you’ll listen to me. And that gives us the opportunity to say things like ‘everything’s gonna be alright.’” For an indie label, a GRAMMY-nominated songwriter who’s written seminal hits for Jason Aldean, Blake Shelton, Thompson Square, Jake Owen and Chesney, “Everything’s Gonna Be Alright” is just the beginning. They’ve got No Zip Code, a brand-new single in “I Won’t Be Sorry” and a whole lot more great music to go.

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People dancing in a crowd at a country music concert - Maverick Country

The Zac Brown Band are treating fans to numerous covers on US tour

The Zac Brown Band are deep in their US tour and are performing a number of covers in their setlist, which is whetting the appetite of their UK fans ahead of the band’s huge headline date at the O2 Arena in October. The group have been playing 20-song sets on their tour, combining a mixture of songs both new and old, while also throwing in some big songs that people know. These include Kings of Leon’s ‘Use Somebody’, Billy Joel’s ‘Piano Man’, Led Zeppelin’s ‘Kashmir’ and even closing their set on the blockbuster track ‘Killing in the Name’ by Rage Against the Machine. The Zac Brown Band have also been playing The Charlie Daniels Band’s ‘The Devil Went to Georgia’, The Allman Brothers Band’s ‘Whipping Post’, and ‘Sabotage’ by the Beastie Boys in heavy rotation. The group, in the middle of their ‘Down the Rabbit Hole Tour’,  have big shows in Las Vegas, San Francisco, and San Diego coming up, before their tour concludes at London’s O2 Arena, with the Zac Brown Band headlining Blues Fest London 2018 along with Robert Plant & the Sensational Space Shifters.

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People dancing in a crowd at a country music concert - Maverick Country

Three in custody as Little Big Town's stolen trailer recovered

Three people have been held in police custody after stealing a trailer that belongs to Little Big Town, which has now been returned to the band. In Ashland City, USA on the 5th August, both a stolen boat worth US$70,000 and the band’s trailer were recovered safely, while the three culprits were caught by police. On the 31st September, Little Big Town’s trailer was reported stolen, but the band didn’t lose any of their musical equipment, or indeed anything of significant value. Taking to their Instagram account on the 2nd August, Little Big Town addressed the thieves and claimed that they had really stolen a number of inflatables and old bikes. “To the guys that stole our trailer- guess you thought you were getting vintage guitars and amps,” the band posted. “Instead you got two old kid bikes, 1 scooter, a baby pool and a unicorn float. Karma’s a funny thing.”

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The Tiger Lillies

The Tiger Lillies – 'Corrido de la Sangre'

A Mexican setting provides the backdrop for this brand new cycle of songs and its stage show, as the Tiger Lillies embark on a Latin vacation that takes a turn for the worse. Seemingly abducted from their latest touring performances, the band wind up in a disreputable outpost near the Mexican border, where the singer starts to tell his sorry tale. In these story-telling songs, we hear about the tough life he suffered from the start, as a child accordionist playing bars to try and earn enough for a crust of empanada, before a couple of other lost mariachis joined him and together they were given an offer they couldn’t refuse: to sing the praises of the local drug lord. Older now, his heart is inflamed by Maria, who is also being kept at the hacienda, and in his youthful passion he resolves to free her and demonstrate his noble spirit. But Maria is also loved by the wicked crone, who lays a curse on our hero, and thus caught up in such a web of intrigue and emotion there is no escape for him and his compadres. Yet no story like this would be complete without revenge, and eventually we come to understand that the festival of the Day of the Dead is here to be taken very literally indeed. Martyn Jacques’s singing and performance on accordion, piano, harmonica, organ, ukulele or guitar is accompanied as ever by Adrian Stout’s multi-instrument playing, on bass, euphonium and musical saw, plus sepulchral backing vocals; drum duty is handled by Andreas Winter, with guest spots from Jacques and also Tim Brockmann, the master of the mix. For that essential extra quality, Christian Krille plays trumpet on just over half the tracks. ‘Corrido de la Sangre’ is available now

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Millport Country Music Festival

Millport Emerging Talent Showcase line-up announced

The 24th Millport Country Music Festival is just weeks away and the line-up for the Maverick Magazine presents “Millport Emerging Talent Showcase” has just been announced. The showcase, sponsored by Maverick Magazine, is brand new to the festival this year and is offering emerging artists the opportunity to play at Millport Country Music Festival alongside the likes of Jesse Dayton, Ashley Campbell, The Wandering Hearts, Raintown, Jarrod Dickenson, Liv Austen, American Young, Shane Richie and more… 10 artists have been selected from Scotland and beyond to each play a 15 minute set on the stage of the “Maverick Acoustic Venue” on Sunday 9th September. With the chance of playing after that on the Nashfield Concert Stage immediately before Sunday headliner Shane Richie, a £200 recording session with Katee Kross Media and a guaranteed full slot at MCMF2019 up for grabs. Who is appearing? John Rush Glasgow based singer-songwriter John Rush with his country and folk tinged pop songs, washed down with some amber nectar is a regular feature in some of Glasgow’s top venues including King Tuts, O2 Academy and Barrowlands with previous support slots including Ocean Colour Scene, Mark Morris of the Bluetones,  Declen O’Rourke, Jam legend Bruce Foxton and Steve Pilgrim. Green and Gold by John Rush: https://youtu.be/EtSGOvWKUPs Emma Sarginson 18 year old singer-songwriter from Kilwinning in Ayrshire, Emma is a regular face at some of the top venues on the West of Scotland including past performances at Captain Toms, The Clutha and the Barrowlands. Emma Sarginson Live at Captain Toms: https://youtu.be/82iidnbYwEU Scott Ashworth Based in Denny, Stirlingshire but originally hailing from Salford, Gtr Manchester. Scott started his life as a military musician in the Royal Air Force but now performs widely across Scotland as a solo country/americana artist with support slots with Grammy nominated Belfast singer songwriter Gareth Dunlop as well as Scotlands own Ashton Lane to his name. Drifting Away by Scott Ashworth: https://youtu.be/0wBDNA2HLBA Hollie Robinson A bright, bubbly, fun loving 14 year old singer-songwriter and the youngest artist to feature in the showcase. In 2017 Hollie represented the UK at the World Championships of Performing Arts in Los Angeles returning home with 3 bronze medals and an Industry award in her vocal categories. Hollie performs Piece by Piece by Kelly Clarkson: https://youtu.be/PCCes-lwApI Riley 19 year old singer-songwriter based in Glasgow, Riley has been working on her own songs since she was only 11 years old. She has built up a following due to her great contemporary folk style songs with poetic lyrics all sung in a beautifully understated style. Mr Gray by Riley: https://youtu.be/wlkUtLEsZzw Joseph Miller In early 2014 Joseph independently released an acoustic collection of songs titled The ‘One-Take’ sessions. The tracks were originally recorded as demos in one take with just an acoustic guitar and vocal. These lead to Joseph being personally selected by Christina Perri (‘Jar of Hearts’/’A Thousand Years’) to open for her on the Glasgow stop of her ‘Head or Heart Tour’. Think of Me by Joseph Miller: https://youtu.be/TP_mePo6GDI Zoee An Aussie singer-songwriter now living in Larnark in Scotland and a rare Alternative Country/Pop phenomena. Since moving the UK in 2015 Zoee has featured on the BBC Introducing stage at Brentwood Festival, Edinburgh Fringe Festival and the UK Open Mic songwriting competition. Just A Little Bit Longer by Zoee: https://youtu.be/uipDJj6eh7M The Blue Highways Named for the forgotten highways and roads that linked American towns and cities, The Blue Highways take inspiration from American roots music and infuse it with their British sound and background. Formed in early 2018 they recently recorded their debut single, Take Me Away, at Reservoir Studios in London with Chris Clarke (Danny and the Champions of the World). Take Me Away by The Blue Highways: https://youtu.be/lvF1G_So-pw Zoe Tait – The LadyBugg  From Johnstone in Scotland, Zoe is a 16 year old singer-songwriter that plays all her own music, and has already announced playing at “Party At The Palace” this year. With a nickname like “The LadyBugg” unsurprisingly Zoe quotes Jake Bugg as one of her biggest influences. Callum by Zoe Tait: https://youtu.be/IZgjEE7TL8M Robyn Taylor With over 30 years performing across the UK and abroad, Robyn Taylor has found her voice in country music and her amazing stage presence really connects with audiences. Here first single ‘Stop My Heart’ went straight in at No.6 on British & Irish Hot Discs Chart, and In The Arms of Love has been nominated for ‘Listeners Choice Award’ on UK Country Radio in 2018. Stop My Heart by Robyn Taylor: https://youtu.be/w6jGdqmHBIk

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Dylan Schneider at London

Live Review – Dylan Schneider @ Nashville Meets London

What were you doing when you were 18? Some of you may have been adapting to university life and turning up hungover in lectures, others would be getting used to the grind of work life, and some of you would be still have been deciding what step next to take in life. Then there are the exceptions to the rule – and American singer-songwriter Dylan Schneider is very much an exception to the rule, as at 8:45PM on the Saturday of Nashville Meets London, the 18-year-old took to the stage as headliner of a country music festival, on his first visit to the English capital. Strutting on stage with a beer in his hand – which he can legally drink in the UK, of course – and a guitar in the other, it was clear that Schneider had come to have a good time – and so it proved, with the teen sensation delivering a blockbuster of a set on what is his UK festival debut. Launching straight into ‘No Problem’ – his most recent single – it was clear that Schneider meant business, and with a live band backing him, the song had a rockier punch to it, alongside the crisp vocals from the 18-year-old. Having just three EPs, it speaks volumes of Schneider’s quality that he’s being chosen to headline festivals already – though one potential drawback is that there is a lack of material. To coin his recent single as a phrase, that’s very much no problem for Schneider, who threw in some delightful covers that showcased his range as an artist – fans were treated to a meatier version of Florida Georgia Line’s ‘Cruise’, before slowing down Jason Aldean’s ‘My Kinda Party’, while the stand out cover was Schneider’s take on ‘Body Like a Back Road’ by Sam Hunt, which was performed acoustically to sublime effect. Schneider’s own songs though are the ones that steal the show, and the sheer quality of them is breathtaking for someone so young. Set closer ‘Two Black X’s’ was the perfect way to end a set, while songs like ‘Gimme a Red Light’ and ‘How Bad Can One Kiss Hurt’ really do showcase the potential Schneider has. Just before leaving the stage, Schneider turned to the crowd and said “I’ll never forget this” – those in attendance won’t be forgetting this performance in a hurry either, as the 18-year-old is set for huge things within the genre. What were you doing when you were 18?   Dylan Schneider played: No Problem You Heard Wrong Cruise – Florida Georgia Line cover How Bad Can One Kiss Hurt Gimme a Red Light My Kinda Party – Jason Aldean cover Wannabe Rockstar Body Like a Back Road – Sam Hunt cover How Does It Sound Friends in Low Places – Garth Brooks cover Two Black X’s Review by Christian Brown All pictures were taken by Paul Clampin

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Millport Country Music Festival 2018

Looking ahead to the Millport Country Music Festival 2018

The countdown is on to Millport Country Music Festival 2018. Back for it’s 24th year this community event remains Scotland’s biggest independent country music festival and will take place between 7th and 9th September. Last year saw nearly ten thousand country music fans of all ages come to the island on the West of Scotland to enjoy the music, soak up the atmosphere and experience the beautiful seaside town of Millport in a different light. 2018 however will see the festival’s biggest line-up yet. With 50 artists representing some of the best country music talent from Scotland, across the UK, Ireland, Sweden and the USA; appearing on 4 live music stages within the grounds of Garrison House at the heart of the town. Jesse Dayton, the ‘hardcharging’ Texan Outlaw Country star, will headline Nashfield on the Saturday, while Eastenders star Shane Richie will feature his new album, “A Country Soul”, during his headline spot on Sunday. From traditional to modern, from Americana to country rock, and just about every country taste in between. Including music from the daughter of the legendary Glen Campbell, Ashley Campbell; with their amazing harmonies, the UK’s hottest country offering this year The Wandering Hearts; singer-songwriter Jarrod Dickenson, Appalachian story-teller Jerry Harmon, Nashville duo American Young, The Remedy Club, Liv Austen, Jess and The Bandits, Gary Quinn and more… The offering from local Scottish bands is equally as impressive with Glasgow based Ashton Lane returning following their much talked about performance at last year’s festival, Glasgow country-rock duo Raintown, Kevin McGuire, Katee Kross, Red Pine Timber Co, The Logans, Jim McLean, James ‘N’ Wood, Stillwater, Stateline and the amazing story of now US based blues and country guitarist Joshua Roberts (aka Kid Millport) returning to the place he was born and spent his infant years. A first for this year will be the Millport Emerging Talent Showcase on Sunday 9th September, sponsored by Maverick Magazine and hosted by Scottish singer-songwriter Katee Kross. Scott Watson of the festival organising team said, “This was our chance to go out and find 10 great up and coming artists and offer the opportunity to play on a festival stage as well as win a recording session with BlackRoom Sessions and a guaranteed slot at next year’s festival. We were overwhelmed by the volume and standard of the response we received to this, and the concept of potentially finding and helping an artist that could in future years be back headlining one of our stages, has been really exciting.” As was the case in 2017, there will be an extended ferry service  from Largs to Cumbrae Slip operated by Calmac on Saturday 8th and Sunday 9th, enabling day visitors to enjoy even more of the music into the evening. Camping and Glamping for those that wish to stay, with showers and toilets, will be available at Millport Golf Club; and a superb food, drink and entertainment offering from local businesses both on site and throughout the town as Millport once again becomes Nashville for the weekend. Tickets are on sale now at millportcountrymusic.com/ticket-info/

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Maddie & Tae believe it's still 'trickier' for female artists within country music

Country music duo Maddie & Tae are firmly of the belief that females within the genre are “neglected” and find it “trickier” than their male counterparts to succeed. The duo, made up of Madison Marlow and Taylor Dye, famously smashed through the doors of Nashville with their debut single, ‘Girl in a County Song’ from their ‘Start Here’ album, which is all about how women are regarded within the country music genre. Speaking to All Access in the aftermath of their latest single, ‘Friends Don’t’, the duo insisted that their experiences are no joke, and lifted the lid on how females are treated behind the scenes in country music.   “We released ‘Girl In A Country Song’ to kind of wake people up,” Marlow said “It talks about not being a girl in a country song, but also about how we’re being neglected in this genre. “I do think it’s gotten better since we first came onto the scene, but it’s still hard. Even right now with ‘Friends Don’t,’ it’s really hard out there. “It’s hard for any artist to get their song played, but I think it’s trickier for women. A lot of that stuff you just can’t control – if a station wants to play your song or not – you just have to make great relationships and be kind. “We just hope that we’re making music, as females, that people – men and women – can connect with and relate to, because that’s our job as songwriters. “So, hopefully we make that connection with people through music. It’s a mystery to me, because there are great female artists that aren’t getting airplay, and it blows my mind.” Maddie & Tae have a concept album on the horizon, which will be their first under the Mercury Nashville label, and have plans for a tour in the autumn of 2018.

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Close up of the band on stage playing country music - Maverick Country

Florida Georgia Line and Bebe Rexha break Billboard's Hot country songs chart record

A Billboard Hot country songs chart record has been broken, with country duo Florida Georgia Line and pop star Bebe Rexha’s crossover hit, ‘Meant to Be’, remaining as number one for the last 35 weeks. The song has overtaken Sam Hunt’s ‘Body Like a Back Road’, which was in the number one position in 2017 for a staggering 34 weeks. Florida Georgia Line drew their line in the sand and have opted to go for a more pop based sound in, and the song with Bebe Rexha has been a monumental hit, to put it mildly. The chart itself takes into account airplay, sales and streaming, and the song was written by Rexha, Josh Miller, David Garcia and FGL’s Tyler Hubbard. The song also peaked at number two on the Hot 100 chart by Billboard. Bebe Rexha has included the song on both her 2017 EP, ‘All Your Fault: Pt 2’ and her debut album, ‘Expectations’, which was released in June.    

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Catherine McGrath

How Catherine McGrath became the Talk of This Town

To promote her newly released album, ‘Talk of This Town’, Catherine McGrath treated fans to an intimate performance at HMV Oxford Street, London, followed by a signing session. Maverick’s Christian Brown spoke to the rising country music star on the day. How are you feeling now the album has been released? I still don’t feel it’s real! As soon as the album came out, I could see people tweeting about it, and I don’t think it’s sunk in at all yet. It’s just crazy. I’ve been working on the album for what feels like, the whole musical journey that I’ve been on. I’ve had these songs for myself and I’ve been wondering if people will like them, so now they are out in the world, it’s insane – literally anyone can hear these songs that are so personal to me. It’s so exciting, and to have the reaction that I’ve had has been amazing, so I’m really excited about it. One of the things you told us last time we interviewed you, was that you cut down from around 100 songs – how difficult was that? It was hard for me to pick which ones I wanted people to hear, and to decide which ones represented me best – that was the hardest part. But in the end, me and Phil Christie from Warner were like, ‘let’s both go away and make our own lists, and just see what songs we both say’, and we came back with basically the exact same lists. That made it easier for me, because if we both like the songs, they were probably the strongest songs, and the ones that people would like most.  Judging by the response, people do love the songs, so I think we made the right choice. Do you think any of those songs that were cut out might see the light of day as B sides? Maybe! A lot of the songs that are on the album we’ve bought back from EP’s and stuff, so they are definitely ones that I absolutely love, and might kind of bring back at some point.  We will see. Second album? Yeah, we will see if we get that far! How was it working with Hunter Hayes, on ‘Don’t let Me Forget’? That was so cool. I wrote it before I actually knew Hunter was going to be on it. I loved the song so much, and when it came to picking the album tracks, it was like, ‘what if we made this one a duet’? I sent that over to Hunter, who I’d met a few times before, and we weren’t sure if he was going to like it, or what his opinion was going to be – but he loved it so much, that he was like, ‘yeah, I will sing on it and play guitar on it as well’. That was really cool, and we got to shoot the video together in Nashville, and he is such a lovely guy and so, so talented.  I can’t believe he is on the album, I’ve been a huge fan for years. Speaking of Nashville, you said to us last time that it was a place you’d love to live in the future. When are you going next?  I will hopefully be going back at the end of August to do more songwriting. I’ve been seven times now, and it just feels like home to me.  The songwriters are amazing. It’s just somewhere that I wanted to go for so long, and the fact that I’m able to go over there now is insane. I’d love to get to play more shows there, and kind of explore the country scene more, and see what people think of my music over there. How did you find the initial songwriting sessions in Nashville?  It was everything. Every time I go over, its just so surreal – especially that first writing session with Liz Rose. To have Liz for my first songwriting session, with her being someone I looked up to for so long was incredible for me. I think the thing that shocks me most is just how accepting everyone there is of someone coming over from Ireland, the other side of the world, and saying that they want to do country music. For that whole community to accept it, and be so welcoming and so kind to me…that was incredible. Going back to Liz Rose, and the work you did with her on ‘Cinderella’, how was it working with one of Taylor Swift’s songwriters from her country days?  It was so weird just walking in and seeing all these pictures of the songs she’s written on the walls – like there was Taylor Swift and Hunter Hayes, and I was like, I can’t believe that you’re writing my songs with me! I’ve seen her name in the albums, and everything, and she was so lovely to work with – she just talked to me a bit about what I wanted to write about and who I was, and where I was from, and then the song actually happened really fast. It was quite a natural process as well, which was nice. Were there any songs that you’ve had to labour over to get into a position that you’re happy with it? It’s so strange the way that works. I think in the UK it tends to take longer to write the songs, and I don’t know if that’s because it’s harder to write them, or because it is a different vibe. In Nashville, the songwriters write three songs a day, so they are used to doing all of that.  I don’t know if any were more difficult to write, but in Nashville, they do tend to happen quicker. In any case, all the songs on the album are songs that I love and am proud of. One thing that I’ve noticed is that a lot of people are referring to you as the Northern Irish Taylor Swift

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