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Liv Austen Debut Album

Liv Austen premieres debut album 'A Moment of Your Time'

Rising star Liv Austen hosted a special launch of her debut album ‘A Moment of Your Time’ in London on 10 October, and treated the audience to an insightful analysis of the record, which is set to be released on 19 October. Taking the audience into a screening room, the album was played in its entirety in a cinematic style, with a black screen accompanying the music. This would be occasionally broken up by a number of intriguing facts and production methods appearing on the screen in a white font – similar to how Spotify and Genius lyrics works – and it gave the audience a real understanding of the album and how it was put together, while also acknowledging the songwriters that played their part in the record. Among the audience were a number of instrumental figures in the production of the album, including the likes of Jon Wright, Emily Faye, Jessica Sharman, Clayton Connor, Kaity Rae, and Tom Loffman (LOFT). A review of the album is in the most recent issue of Maverick, with the record being given a 5* rating and being described as something that “perfectly encapsulates what country pop should be about”.

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Ashley Campbell

The Millport Country Music Festival Vault – Ashley Campbell

Kicking off a series of interviews taken at the Millport Country Music Festival,  Ashley Campbell spoke to Maverick after her set on Nashfield – the main stage. ‘The Lonely One’ has been out a few months now, how have you found the reaction to that? It’s pretty great. It always amazes me, you put something out and you have no idea how people are responding to it until you come and play a show and people are singing along with the words. There’s no feeling like it, it’s incredible. You’ve got a tour coming to England, at the end of the year including a headline date at Shepherd’s Bush. How are you feeling about that? I’m so excited. I love doing songwriters rounds, because it’s like a collaborative effort. You get to talk to each other, talk about songs, and you get to learn how other songs were written. I feel it’s a really cool experience both for the artist and the audience. Coming from a huge musical family, how do you see the current state of country music right now? I think it’s going in a good direction. I love that more Americana groups are being considered in the country category, because it is all from the same family, so we are getting a lot more diversity, which is really nice. Is there anyone in particular that you are listening to at this moment in time? I’m super digging Katie Musgrove’s album at the moment! Once the tour is done, what is your plan after that? Are you going back into the studio? Yeah, actually I’m recording my next album in December.  So I’m working on that and still writing for it, and I’m also planning on recording an acoustic EP of songs from my current album. Where are you recording it? Nashville.  My friend Parker Cason has an awesome studio there called Creative Workshops. I like using that, it’s very homey and it feels like a log cabin in there. www.ashleycampbellmusic.com

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Close up of people dancing in a crowd - Maverick Country

Florida Georgia Line hit 100 consecutive weeks on Billboard Hot Country Songs chart

Florida Georgia Line have become the first ever country music act to manage 100 cumulative weeks on the Billboard Hot Country Songs chart since its inception in 1958. Meant to Be with Bebe Rexha has elevated the duo to a new level, and the song is now 3x platinum. Speaking to Billboard about the song’s success, Brian Kelley expressed his gratitude to the country music community for their success. “We set out to write good songs, so to see them travel far beyond our reach is still hard to wrap our heads around,” Kelley said. “We are so thankful to country radio, our fans and our team for believing in even our wildest dreams.” The collaboration with Rexha is the duo’s first number 1 debut on Hot Country Songs, and despite being released on the 16th of December 2017, has managed to hold its position for 44 weeks. Since its release, the song has managed over a billion streams across the globe. Tyler Hubbard also spoke to Billboard, and revealed how in awe he is by the fan reaction to not only the track, but to the band also, and insists that it is a dream to do what he does. “I continue to be humbled and am honestly speechless by watching what our supporters and fans have done for us,” Hubbard stated. “Being a part of Country music history is more than a dream come true, and getting to do what we love on this level is something we will never take for granted.”

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JP Harris

Album review – 'Sometimes Dogs Bark at Nothing' by JP Harris

JP Harris SOMETIMES DOGS BARK AT NOTHING Free Dirt Records **** A great way to return after a four-year break The last album we had from JP Harris was back in 2014, when he released ‘Home Is Where the Hurt Is’, which was released to critical acclaim. His latest effort, ‘Sometimes Dogs Bark at Nothing’ picks up exactly where he left off, with Harris on scintillating form. JP’s Florida Blues opens up the album, and is something of an anomaly on the album with its fast paced structure, but the country vibes soon start pushing their way through, and they are remarkably impressive. I Only Drink Alone and Miss Jeanne both demonstrate this, with Harris’ excellent vocals narrating through his stories. Interestingly, the album pretty much goes full circle with the upbeat closer in Walk on By, as Harris reaffirms that he is very much a talent in the genre, and has the flexibility to be able to deliver excellent guitar driven songs, as well as fast-paced tracks that can get a crowd going.   Rob Ramsey www.ilovehonkytonk.com

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Eilidh Patterson

Album review – 'Sunshine' by Eilidh Patterson

Eilidh Patterson SUNSHINE Self-released **** A very impressive release from the Northern Ireland star Fans of Eilidh Patterson will know that one of the notable characteristics from her songs is warmth – her vocals in particular wrap around you like a blanket in the winter. Now on her fourth album, that hasn’t changed in the slightest. Opening with the upbeat title track Sunshine, Patterson takes you on a journey that’s finely woven by gentle guitar strings and a superb voice. This is epitomised on True Love is Returned – perhaps the standout track on the album – and it’s very easy to find you being swept away by the structure of the song and the “a-woo” element of the chorus. It’s been almost a decade since Patterson released her first album, ‘When the Time Comes’, but she sounds better than ever on her most recent release.   Rob Ramsey www.eilidhpatterson.com  

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Kimmie Rhodes

Live review – Kimmie Rhodes @ The Forge, Basingstoke

Kimmie Rhodes (with Bob Harris) The Forge, Basingstoke 5 October 2018   When the people at Maverick approached Kimmie Rhodes with a view to including an article in a forthcoming magazine, she persuaded them it would be great if she could write the piece herself. Her good friend Bob Harris read the article in the July/August 2015 edition and was so impressed, he suggested she write an autobiography. And so, ‘Radio Dreams’ was born. With his own work ‘Still Whispering After All These Years’ already on the bookshelves, the inevitable outcome was a tour featuring intimate and spontaneous conversation with music. Having written the book, Kimmie realised she needed a song to go with it and so kicked things off with the appropriately titled Radio Dreams, a great country number written with her song writing compatriot Gary Nicholson. Hailing originally from Lubbock, Texas, but for many years a part of the vibrant Austin, Texas music scene, she is an enthusiastic supporter of The Buddy Holly Educational Foundation and paid homage with her rendition of Raining in My Heart. Bob Harris was keen to learn of the artist’s early career and Kimmie gave us The Old Rugged Cross, the first song she had sung for a very impressed Willie Nelson. Much chatter meant things were starting to get behind time so Kimmie speeded into the break with I Just Drove Byand from the very early days, Just One Love. Harris paid tribute to Kimmie’s son Gabe Rhodes who assumed production responsibilities after the untimely passing of husband Joe Gracey in 2011 and after Love Me Like a Song, Gabe took centre stage with Further to Fall. Donovan’sCatch the Windreminded Bob Harris that Kimmie had taught his son, budding guitarist Miles, chords to the song, but highlight of what was an amazing evening was Rodney Crowell’s Til I Gain Control Again, a magical duet with son Gabe. Kimmie has for years lived in awe of Emmylou Harris, now another close friend, and no show would be complete without Love and Happiness, her duet with Emmylou raising Kimmie’s musical profile even further. Fearful that some in the audience might have nodded off through all the conversation, she upped the tempo with Bells of Joya number written for an Austin gospel choir, before she closed with her song of positivity, Yes from the latest album ‘Cowgirl Boudoir’. Kimmie of course has the voice of an angel and highly talented son Gabe must now be in the premier league of acoustic/slide guitarists. Bob Harris O.B.E. has been a household name to music lovers for some five decades and his legendary ‘whispering’ is simply infectious. Clearly enjoying his ‘master of ceremonies’ role, Bob spent the evening totally engrossed in the music. Anyone in the audience not familiar with Kimmie Rhodes cannot fail to have been impressed. John Roffey www.kimmierhodes.com  

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Beth Nielsen Chapman 2018

Live review – Beth Nielsen Chapman @ Festival of Sound 2018

Beth Nielsen Chapman Festival of Sound – Hammersmith, London, England 29/9/18 Those who love country music will almost certainly be aware of Beth Nielsen Chapman’s talents, and the artist delivered an exceptional performance at the Festival of Sound in London. After being introduced by the iconic presenter Whispering Bob Harris, Chapman – taking to the stage with solo artist Ruth Trimble and Gregor Philp from Deacon Blue – opened up with Enough for Me from her latest album, ‘Hearts of Glass’ and laid down a marker as to how the next hour would go with a stellar showing. Chapman was very engaging with her audience, and in-between songs went out of her way to give the crowd an anecdote or a story that was relevant to the song she was getting ready to play, or her life. One such story was about her song Nothing I Can Do About it Now with Willie Nelson, which she said he loved the album it featured on so much, that before it was released, he was going round a golf course on a buggy with a ghetto blaster playing it out. As with most of her tracks, there is huge emotional pull towards them, and before she put in a blistering display of Epitaph of Love, Chapman explained that the song took her 18 years to write, and came to her after a notable argument with her husband. Sticking with the theme of partners, All I Have was next, and Chapman introduced the song by saying “This is played at a lot of weddings, and has a very low divorce rate! Thank you to the lovely Bob Harris and Radio 2.” There was a very powerful rendition of Sand and Water, which Chapman revealed was written a month after her first husband died, and was one of the standout moments of the set. Closing on This Kiss, Chapman performed that song as she had performed her set – brilliantly and with lots of energy, leaving the audience walking away knowing they had been treated that evening.

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Star is Born

Film review – 'A Star is Born'

A Star is Born Warner Bros. Pictures ***** Silence is a very powerful thing. The way that ‘A Star is Born’ comes to a close, with a silent final scene, will be one of the most harrowing and moving scenes displayed on a cinema screen this year. Silence is also in complete contrast to the rest of the film, which represents a musical masterpiece led by Bradley Cooper as lead character Jackson Maine, and the excellent Lady Gaga as Ally. There was a lot of talk of this film being Oscar worthy by critics, and it’s very easy to see why that is the case. It will almost certainly be nominated for the likes of Best Original Song, Best Sound Editing, and Best Sound Mixing, but it’s not beyond the realms of possibility that Cooper could get nominated for Best Actor in a Leading Role. It’s also very possible that Gaga could be nominated for Best Actress in a Supporting Role, such was the brilliance in their performance. Those thinking that the film is just a straight up love story are very mistaken, as the film contains a sinister edge that ranges from Maine’s growing alcohol addiction, to the way the story pans out, which adds a very dark and emotional element. The trail of destruction left by Maine’s alcoholism will strike a chord with pretty much anyone, and once the realisation hits, it’s such a compelling and gut-wrenching moment that is captured perfectly. Cooper sought help from Pearl Jam’s Eddie Vedder before taking on ‘A Star is Born’, and what strikes you the most is Cooper’s ability to sing – it’s to the point that you very easily forget it’s an actor singing these songs, and it gives the film a very authentic feel. For a film about music, it was critical that the use of music in the film was spot on – and indeed, it was. Lukas Nelson and Gaga played a big part in the soundtrack, with Nelson and his band – The Promise of the Real – making up Maine’s band in the film, but the timing of the tracks is genius. As an example, the use of LCD Soundsystem’s New York I Love You, But You’re Bringing Me Down when Ally finds out a remarkable piece of news is sublime on every level imaginable, and the original songs that are used in the film – namely the huge duets between Maine and Ally, or when Ally has the piano at her disposal – are excellent, and are testament to the staggering levels of musical ability that Nelson and Gaga have. Some elements seem a bit farfetched – for example, Ally’s songs seem to cover just about every genre imaginable and are all wedged into one setlist – but by and large, this is an exceptionally well written and directed film, and is so good that you can look past the small bits you may question. Just bring some tissues if you’re prone to crying at films – you’ll need them if so, especially when the silence hits.

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Beth Hart

Beth Hart to release 'Live at Albert Hall' as live album

Grammy nominated artist Beth Hart will release her Royal Albert Hall gig from the 4th May 2018 as a live album on Blu-Ray, DVD, LP, CD, and digitally on the 30th November. You can see a trailer below: The 46-year-old performed a two-hour set in front of a sell out crowd at one of London’s most prestigious venues, and the performance was of such quality and importance that the singer has opted to release it as a live album. Earlier this year, Hart released a covers album – titled ‘Black Coffee – with blues icon Joe Bonamassa, which was met with universal acclaim. Hart is currently on the road and will be performing at Bluesfest on the 27th October with the Zac Brown Band at London’s O2 Arena, before heading to the Netherlands, Switzerland, and Spain to conclude her tour. Track Listing 1 As Long As I Have A Song 2 For My Friends 3 Lifts You Up 4 Close To My Fire 5 Bang Bang Boom Boom 6 Good As It Gets 7 Spirit Of God 8 Baddest Blues 9 Sister Heroine 10 Baby Shot Me Down 11 Waterfalls 12 Your Heart Is As Black As Night 13 Saved 14 The Ugliest House On The Block 15 Spiders In My Bed 16 Take It Easy On Me 17 Leave The Light On 18 Mama This One’s For You 19 My California 20 Trouble 21 Love Is A Lie 22 Picture In A Frame 23 Caught Out In The Rain

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Zoee at the Viper Club, Glasgow Scotland

Live review: Zoee @ the Viper Club, Glasgow, Scotland – 29th September

In the heart of the West End of Glasgow, Scotland, is the Viper Club – a place full of energy, youth, fun, and most of all great music. Taking to the stage on the 29th September for the Infinitime Music Award (IMA) pre-show was Australian singer-songwriter Zoee and her band, which consists of her father Dundee and her brother Zedd. Zoee performed three original songs for the evening, and the soulful nature of the songs were a delight to the audience’s ears – proving just why the Australian was one of the selected performers at the award pre-show. First up was It’s the Weekend, which saw Zoee mix things up with a bit of light rapping and this proved to be a hit with the audience, who engaged with the song by clapping along and singing. The new single This Time came next, and was performed by Zoee with just her acoustic guitar. A much slower song, Zoee brought an intimate feel to proceedings and invoked a lot of emotion from the crowd. Finally, Zoee ended the night with Rolling Stone, which is yet to be released but is a regular live staple, and brought the house down with it. A personal story for Zoee, this tells the tale of her family moving to the United Kingdom and chasing her career in music. Zoee and the band displayed a great level of confidence and enjoyment as they interacted with their audience regularly, and even when she is singing a delicate ballad like This Time, you can easily relate with her voice and emotion as you feel yourself draw in closer. As a result of her performance, Zoee was asked to perform at the IMA Awards, which takes place on the 24thNovember. Ana-Maria Stanescu

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